But in his quest to build his reputation, he's forgotten what got him there; the lessons on food—and life—from a loving neighbor back home in Illinois.Patrick Sullivan lives a contented life in Brooklyn cooking at Johnny's diner, keeping the memory of his grandmother and her Irish cooking alive even in the foods she never taught him to prepare. When Chef Stanford comes into his diner requesting and enjoying one of his grandmother's specialties, he's swept up by Evan's drive, his passion, forcing himself to reconsider if a contented life is a fulfilled one.With much in common, the two men—and Evan's particularly spoiled pug Dini—begin a journey through their culinary histories falling into an easy friendship. Even with the joys of their newfound love, and the guidance and support of friends old and new, can they tap into that secret recipe of great love, great food and transcendent joy?

    In just a few months he’ll be starting college, and it’s time for him to admit the truth: he’s gay, not bi, and only one of his childhood buddies holds any kind of real interest for him. When Dylan Finch, aka Mig, follows his lead and puts some distance between himself and the old crowd, he and Jess give in to a mutual attraction that’s been building for years.But navigating a fledgling relationship isn’t easy for beginners, and forces they can’t seem to control keep tripping them up: sexual appetite, personal insecurities, fear of discovery, and more. They need clarity. They need courage. Just as they’re on the verge of finding both, a vindictive act of jealousy sends one of them to jail. All their hard-won victories are in danger of falling to dust. The only way to save what they have is to recognize it for what it is . . . and fight for its integrity.

    When John and Isaac become faculty advisors for the school's literary magazine, their professional relationship evolves. Despite the strict code of conduct forbidding faculty fraternization, they delve into a secret affair—until Simon arrives.Isaac's violent ex threatens not only their careers, but also John's life. His PTSD triggered, John must come to terms with that bloody day on College Green while Isaac must accept the heartbreak his secrets have wrought. ***WE STILL LIVE is a standalone M/M friends-to-lovers romance featuring detailed adult content, graphic violence, hurt/comfort, and mental illness.***

    L. Polk arrives on the scene with Witchmark, a stunning, addictive fantasy that combines intrigue, magic, betrayal, and romance.In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own.Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family's interest or to be committed to a witches' asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans' hospital, Miles can’t hide what he truly is.When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen.

    His rock star parents split when he was young, and the father he's never met spent the next twenty years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything.To clean up his image, Luc has to find a nice, normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and he's never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened.But the thing about fake-dating is that it can feel a lot like real-dating. And that's when you get used to someone. Start falling for them. Don't ever want to let them go.

    What he doesn’t need is everyone in his family trying to play matchmaker so he can find someone new… which is exactly what they’ll do at the three stupid weddings he has to attend this summer.Fortunately, it’s Dominic Lowe to the rescue. Dom is more than willing to come along to all the weddings as his best friend’s “boyfriend”… even if he’d much rather be there as Vic’s real boyfriend.Convincing people they’re a couple is easy. The charade is miserable for Dom, though, after years of being madly in love with Vic. But maybe those three weddings are a rehearsal for the relationship he knows they could have for real.This asexual M/M romance is approximately 38,000 words long.Trigger warnings: eating disorder, discussions of verbal/emotional abuse

    Award-winning author Ellen Kushner has created a world of unforgettable characters whose political ambitions, passionate love affairs, and age-old rivalries collide with deadly results.SwordspointOn the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless--until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.

    She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

    But Greg’s daughter Jeana has decided she’s had enough, so she rents a small apartment in Vienna for him as a Father’s Day present. Jonathon agrees to go, against his better judgment.Surprisingly, Jonathon finds the change of scenery refreshing, and he even makes a young friend in Hans, his landlady’s son. Then Hans’s older brother returns home, and Jonathon begins to truly awaken. Fabian touches something inside him, especially when the younger man takes it upon himself to woo Jonathon in full Viennese style, with a waltz. But shadows of the past and expectations for the future loom over them both and will have to be banished for their lovers’ dance to stay in step.

    After the death of his son, his life shattered, Raphael regrets that he didn’t lie about some perfect paradise, and he pushes away everything that once mattered to him—his lover, his job, his reputation as a top architect. Then he meets Brian, a homeless, maybe hopeless kid. A Second Chance Brian’s a street kid. When he disappears, Raphael realizes that he cannot fail another person, and he launches a full-out search. What he finds both breaks his heart and begins to heal it. A Little Magic The price of saving Brian is high, maybe too high. But Raphael is no stranger to sacrifice, and he’ll risk everything to save Brian and reunite with the man Raphael now loves. The question is—How? Like the architecture of the opera house Raphael designs, the steps to regaining his life will depend not just on careful planning, but faith, hope, and maybe just the magic of love.“The Opera House, is a moving and emotional story about about gay men and their children, all struggling with big issues — from leukemia to abandonment, devastating loss to unbridled joy — in a way that’s remarkably touching, sometimes funny, and often unexpected. Remarkable, must-read novel from an emerging master storyteller.” Diane Anderson-Minshall, editor at large, Advocate magazine

    Christopher Allen knows how to deal with death. He’s a psychiatrist who works with hospice patients and their families, helping them cope with grief and letting go. But Chris’s job doesn’t prepare him for the sudden death of his devil-may-care brother Cal. At Cal’s funeral, Chris is completely thrown when he meets Elliot Rawlings, an artist Cal has been dating. Chris is hurt to discover that the brother he knew as straight was actually bisexual. Elliot is angry and resentful of having been kept hidden from Cal’s family. After the funeral, a night of drinking at the bar with Cal’s friends leads to Chris and Elliot falling into bed together. The next morning, they’re overwhelmed by guilt and grief and agree to never speak of it again. But Cal’s apartment needs to be packed up and Elliot reluctantly agrees to help Chris, as well as answer some questions about Cal’s life and their relationship. Despite their guilt and initial dislike for one another, they sort through the pieces of Cal’s life and begin to fall for each other. Despite his best efforts to fix things, Chris’s family seems to be crumbling around him and he begins to question who he is and what his role with them is. As his feelings for Elliot grow, Chris must decide if they’re worth further damaging his fragile relationships with his friends and family. Elliot’s rough upbringing has left him distrustful of getting close to anyone, much less another man who isn’t willing to acknowledge him in public. The odds seem stacked against Chris and Elliot, but if they can overcome them, they may be able to lay Cal’s ghost to rest, along with their own demons. Reader Advisory: This story deals with themes related to alcoholism, death (of secondary characters), and past abuse/neglect.

    A smile across a counter at a coffee shop or video store. A secret revealed in a song from another place and time. Or in a love ballad crooned at a high school dance. In this anthology of never-before-published sweet LGBTQ+ stories, six authors explore the beginnings of love between young and new adult couples. All proceeds will support The Trevor Project's work with crisis intervention and suicide prevention for LGBTQ+ youth.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter.Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings--for love, and a place to call home.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.