But after bungling her audition for the prestigious Amberley School of Music--where her father is on faculty--Ruby is suddenly just . . . Ruby. And who is that again? All she knows is that she wants out of the orbit of her relentlessly impressive family, and away from the world of classical music for good. Yes? Yes. Oscar is a wunderkind, a musical genius. Just ask any of the 1.8 million people who've watched him conduct his own compositions on YouTube--or hey, just ask Oscar. But while he might be the type who'd name himself when asked about his favorite composer and somehow make you love him more for it, Oscar is not the type to jeopardize his chance to study under the great Martin Chertok--not for a crush. He's all too aware of how the ultra-privileged, ultra-white world of classical music might interpret a black guy like him falling for his benefactor's white daughter. Right? Right.But as the New York City summer heats up, so does the spark between Ruby and Oscar. Soon their connection crackles with the same alive, uncontainable energy as the city itself. But can two people still figuring themselves out figure out how to be together? Or will the world make the choice for them?

    . . but very few people have ever seen them together. This is because Frey is Rafi’s double, raised in the shadows of their rich father’s fortress. While Rafi has been taught to charm, Frey has been taught to kill. Frey only exists to protect her sister. There is no other part of her life. Frey has never been out in the world on her own – until her father sends her in Rafi’s place to act as collateral for a dangerous deal. Everyone thinks she’s her sister – but Col, the son of a rival leader, is starting to get close enough to tell the difference. As the stakes grow higher and higher, Frey must decide whether she can trust him – or anyone in her life.