Preferring chaos to bullying, Del makes it her mission to save her dad's crumbling café, the Flywheel, while he 'finds himself' overseas. Accompanied by her charming troublemaker best friend Charlie, Del sets out to save the cafe, keep Charlie out of prison, and maybe get a date with Rosa, the beautiful flamenco dancer from across the road. But when life is messy enough as it is, can girl-on-girl romance ever have a happy ending? This hilarious and accident-prone novel is about how to be heartbroken and how to fall in love; about rising above high-school drama and wrestling with problems that are (almost) too big. It speaks directly to teens and assures them that they’re not alone, and does it all with an abundance of heart.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    A seedy Depression-era boardinghouse in Chicago plays host to a game of emotional chairs (Guardian) in a novel initially condemned for its frank depiction of abortion, homosexuality, and life on the margins of American society."

    Every day, the same stunning man, riding alongside you. He seems to notice you. You could swear something's there--it almost feels as if he's reaching out... Then, one fine day, you're given the chance of a lifetime: a opportunity to finally strike up a conversation. Do you take it?Wyatt does. And he's thrust into a more beautiful, violent, emotionally-charged journey than he ever could have expected. Only time will tell if his new bond with this beautiful boy can weather the tumult and confusion that accompany early adulthood... “Mikey said things in a way that invoked visions of us spending time together in the future. I considered this while I watched the sun set out my window. Beyond houses, buildings and occasional fields, all of it racing by, I caught flickers of open water and the far-off levee holding it at bay. The next few miles were peppered with conversation borne, still, out of an inscrutable dose of caution and unfamiliarity. How does one coax something from a void? What kind of enigmatic force conjures a friendship between strangers? How fragile those first times together must be, yet with so much depending on them. For one covert second, I swelled with sadness, not just because a continued relationship with this beautifully unchained boy was so improbable, but for the tragedy of all friendships that died in infancy.”

    Mike's father has already found a new evangelical church for the family to attend, even if Mike and his plainspoken little sister, Toby, don't want to go. Dad wants Mike to ditch art for sports, to toughen up, but there’s something uneasy behind his demands.Then Mike meets Sean, the new kid, and "hey" becomes games of basketball, partnering on a French project, hanging out after school. A night at the beach. The fierce colors of sunrise. But Mike's father is always watching. And so is Victor from school, cell phone in hand.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    Between alcohol-infused lectures about her self-sacrifice and awkward visits with his distant father, Davy's only comfort is his beloved dachshund Fred. Things start to look up when he and a boy from school become friends. But when their relationship takes an unexpected turn, Davy struggles to understand what happened and what it might mean.

    But those plans change when his parents are suddenly killed and he finds himself the guardian of his little brother, Nick. Jamus ends up back in the Boston neighborhood where he grew up, with a crying toddler on his knee and the challenge of building a new life for himself and the boy. Jamus somehow finds a way to navigate the ups and downs of single parenting, but over a decade of raising Nick, Jamus never truly overcomes his struggles with loneliness and the guilt he feels as the sole survivor of the crash that killed his parents. That changes when he meets bookishly handsome Sean Malloy. There’s a spark between the two men, but both must face down their own private demons to find love in the Irish enclave of South Boston.For a more in-depth look at "Brothers," check out www.ralphjosiahbardsley.com.

    It’s picturesque, idyllic and tranquil – but Harrison is far from happy. His parent’s marriage is strained to say the least and on top of that, his boyfriend, Daniel, has been mentally and physically abusing him for years. After he finds himself with one bruise too many, Harrison has had enough. But when he plucks up the courage to finally end his violent relationship, Harrison’s life is changed forever when Daniel is found murdered in the most bizarre circumstances. Detective Sergeant Blake Harte has moved to Harmschapel after his own relationship ended in tatters. But moving to a quiet village after working his way up the ranks in a city brings its own set of problems and Blake soon finds himself at odds with new colleagues who aren’t used to his style of policing. But when he is called upon to investigate the mysterious and impossible murder at Halfmile Farm, Blake finds himself facing the most challenging case of his career. So how can Daniel have been shot in a locked shed that nobody could possibly have escaped from? Is anybody really Untouchable?

    Good Moon Rising, both a New York Public Library Book for the Teenage and a Notable Children's Trade Book in the Field of Social Studies, 'takes us into the dynamics of homophobia" (Horn Book). 'Garden, who gave us one of the first honest, sensitive portrayals of two young women in love in the brilliant Anne On My Mind, Farrar, 1982, offers us another thought-provoking story of homosexual love."-Voya

    If it weren’t for the colorful, outspoken artistic anomaly Brighton Bello-Adler, he might have been willing to remain there. Unnaturally drawn to Brighton, Jay knows he needs something from him, but is he ready to find out what that something is? Temporarily ditching his old life, Jay climbs into Brighton’s Bronco and finds himself on a whirlwind road trip through parts of his small town he didn’t know existed. When the excursion takes an unexpected turn, Jay is cracked wide open, and the person who’s revealed does strange things to Brighton’s heart.But just when it appears they could be headed toward their own shared piece of paradise, the road takes a sharp right turn into Jay’s life—where the real trip is about to begin. In an unconventional love story that defies labels, two young men embark on a journey toward growing up, coming out, and finding their place in the world. It’s a trip that ranges from heartbreaking to uplifting, funny to sweet, but always unique and personal.

    But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.Expertly capturing the thrill of first love and the self-doubt all teens feel, debut author Phil Stamper is a new talent to watch.

    Ancient and imposing, it's a place filled with secrets. Just like its students. . .For Michael Howard, being plucked from his Nebraska hometown and sent thousands of miles away is as close as he's ever come to a miracle. In Weeping Water, he felt trapped, alone. At Archangel Academy, Michael belongs. And in Ciaran, Penry, and especially Ciaran's enigmatic half-brother Ronan, Michael finds friendship deeper than he's ever known. But Michael's only beginning to understand what makes the Academy so special. Ronan is a vampire--part of a hybrid clan who are outcasts even among other vampires. Within the Academy's confines exists a ruthless world of deadly rivalries and shifting alliances, of clandestine love and forbidden temptations. And soon Michael will confront the destiny that brought him here--and a danger more powerful than he can imagine. . .Michael Griffo is an award-winning writer and one of six playwrights whose career will be tracked by WritersInsight.com until 2010. He is a graduate of New York University, has studied at Playwrights Horizons and Gotham Writers Workshop, and has written several screenplays.

    Here, National Book Award winner Paul Monette depicts three men of various economic and social backgrounds, all with one thing in common: They are widowers, in a way, and all of their lovers died of AIDS in an LA hospital within a week of one another.Steven, Sonny, and Dell meet weekly to discuss how to go on with their lives despite the hanging sword of being HIV positive. One tries to find a semblance of normalcy; one rebels openly against the disease, choosing to treat his body as a temple that he can consecrate and desecrate at will; and one throws himself into fierce political activism. No matter what path each one takes, they are all searching for one thing: a way to live and love again.Afterlife finds Paul Monette at his most autobiographical, portraying men in a situation that he himself experienced, and one that he described to critical acclaim in the award-winning Borrowed Time: An AIDS Memoir.