Lansdale is your man. In his first collection of short stories, the gruseome and outrageous cult classic "The Drive-In" pilots a wildly thrilling, violent and vivid roller coaster ride to Hell and beyond...plumbing the eerie depths of his remarkable imagination to create horrors unique and unsettling - dark products of twisted genius that weave the grisly fabric of nightmares. YOU HAVE BEEN WARNED! (back cover copy)CONTENTSFish NightThe PitDuck HuntBy Bizarre HandsThe Steel ValentineI Tell You It's LoveLetters From The SOuth, Two Moons South Of NacogdochesBoys Will Be BoysThe Fat Man And The ElephantHell Through A WindshieldDown By The Sea Near The Great Big RockTrains Not TakenTight Little Stitches In A Dead Man's BackThe Windstorm PassesNight They Missed The Horror ShowOn The Far Side Of The Cadillac Desert With Dead Folk

    Please be advised that all emergency exits have been locked for this special nostalgia-curdled premiere of death. From crinkling celluloid to ferocious flesh—from the silver screen to your hammering heart—behold as a swarm of werewolves, serial killers, Satanists, Elder Gods, aliens, ghosts, and unclassifiable monsters are loosed upon your auditorium. Relax, and allow our ushers to help with your buckets of popcorn—and blood; your ticket stubs—and severed limbs; your comfort candy—and body bags. Kick back and scream as you settle into a fate worse than Hell. Tonight's director's cut is guaranteed to slash you apart.Edited by Joshua ViolaProduced in collaboration with the Colorado Festival of HorrorCover art by AJ Nazzaro and Joshua ViolaStory art by Xander SmithHeader art by Aaron LovettContents:FOREWORDBret and Jeanni SmithINTRODUCTIONPaul CampionALIEN PARASITES FROM OUTER SPACEWarren HammondRETURN OF THE ALIEN PARASITES FROM OUTER SPACEAngie HodappNEGATIVE CREEPAlvaro Zinos-AmaroHELLULOIDDayton Ward and Kevin DilmoreRISE, YE VERMIN!Betty RocksteadyTHE CRONENBERG CONCERTOKeith FerrellCREATURE FEATUREGary JonasINVISIBLEMario AcevedoSCREEN HAUNTOrrin GreyTHE DEVIL'S REELSean Eads and Joshua ViolaON THE ROCKSK. Nicole DavisCOMING ATTRACTIONSStephen Graham JonesLATE SLEEPERSSteve Rasnic TemSPECIAL MAKEUPKevin J. Anderson

    E. D. KleinThe Detective of Dreams by Gene WolfeVengeance Is. By Theodore SturgeonThe Brood by Ramsey CampbellThe Whistling Well by Clifford D. SimakThe Peculiar Demesne by Russell KirkWhere the Stones Grow by Lisa TuttleThe Night Before Christmas by Robert BlochThe Stupid Joke by Edward GoreyA Touch of Petulance by Ray BradburyLindsay and the Red City Blues by Joe HaldemanA Garden of Blackred Roses by Charles L. GrantOwls Hoot in the Daytime by Manly Wade WellmanWhere There’s a Will by Richard Matheson and Richard Christian MathesonTraps by Gahan WilsonThe Mist by Stephen King

    Take a terrifying journey with literary masters of suspense, visiting a place where the other is somehow one of us. These electrifying tales redefine monsters from mere things that go bump-in-the-night to inexplicable, deadly reflections of our day-to-day lives. Whether it's a seemingly-devoted teacher, an obsessive devotee of swans, or a diner full of evil creatures simply seeking oblivion, the monstrous is always there — and much closer than it appears.

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    "Gone" and "The Box" were honored with the prestigious Bram Stoker Award. Whether you are already familiar with Ketchum's unique brand of suspense or are experiencing it for the first time, here is a book no aficionado of fear can do without.Contents:1 · Introduction · in 5 · The Rifle · ss Cemetery Dance Win ’95 18 · The Box · ss Cemetery Dance Spr ’94 31 · Mail Order · ss Voices from the Night, ed. John Maclay, Maclay & Associates, 1994 45 · Luck · ss Skull Full of Spurs: A Roundup of Weird Westerns, ed. Jason Bovberg & Kirk Whitham, Dark Highway Press, 2000 56 · The Haunt · ss Cemetery Dance #34, 2001 70 · Megan’s Law · ss Subterranean Gallery, ed. Richard T. Chizmar & William K. Schafer, Subterranean Press, 1999 81 · If Memory Serves · ss Darkside, ed. John Pelan, Darkside Press, 1996 93 · Father and Son · ss, 2000 99 · The Business · ss Murder for Mother, ed. Martin H. Greenberg, Signet, 1994 109 · Mother and Daughter · ss The Spook (online) Aug, 2001 120 · When the Penny Drops · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 133 · Rabid Squirrels in Love · ss Cemetery Dance Spr ’97 143 · Sundays · ss, 2000 153 · Twins · ss * 168 · Amid the Walking Wounded · ss The UFO Files, ed. Ed Gorman & Martin H. Greenberg, DAW, 1998 183 · The Great San Diego Sleasy Bimbo Massacre · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 202 · The Holding Cell · ss Bizarre Bazaar #2 ’93 216 · The Work · ss, 1997 226 · The Best · ss, 2000 231 · Redemption · ss Night Screams, ed. Ed Gorman & Martin H. Greenberg, Roc, 1996 245 · The Exit at Toledo Blade Boulevard · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 259 · Chain Letter · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 267 · Forever · ss Imagination Fully Dilated 2, ed. Elizabeth Engstrom, IFD Publishing, 2000 281 · Gone · ss October Dreams, ed. Richard Chizmar & Robert Morrish, CD Publications, 2000 288 · Closing Time · na * 331 · The Rose · ss Deadly After Dark, ed. Jeff Gelb & Michael Garrett, Pocket, 1994 348 · The Turning · ss Vampire Detectives, ed. Martin H. Greenberg, DAW, 1995 354 · To Suit the Crime · ss Bizarre Sex & Other Crimes of Passion #1, ed. Stan Tal, Tal Publications ’92 363 · Lines: or Like Franco, Elvis Is Still Dead · ss * 372 · The Visitor · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 380 · Snakes · ss Fear Itself, ed. Jeff Gelb, Warner, 1995 400 · Firedance · ss Imagination Fully Dilated, ed. Alan M. Clark & Elizabeth Engstrom, CD Publications, 1998 413 · Afterword · aw

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

    McCammon, Graham Masterton, Harlan Ellison, Ramsey Campbell and other masters of the macabre take readers into their private world of fear, fantasy, and fatal attraction--in 24 tales of dread and debauchery, riveting stories of sex and terror . . . the fresh fusion that is fast becoming America's obsession.

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    A young adventurer succumbs to the night world of a diabolic count. A man of medicine explores his darker side only to fall prey to it. They are legendary tales that have held readers spellbound for more than a century. The titles alone -- Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde -- have become part of a universal language that serves to put a monster's face on the good-and-evil duality of our very human nature. And the authors -- Mary Shelley, Bram Stoker, and Robert Louis Stevenson -- equally mythic, are still possessed of as inventive and subversive power that can shake a reader to this day with something far more profound than fear. They gave root to the modern horror novel, and like the creatures they invented, they've achieved immortality.