The real life and faith journey of Loretta Young -- her strong devotion to her Catholic faith and her passion for helping others in need.

    . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved.

    This revealing new biography of Simone de Beauvoir and Jean-Paul Sartre, based in part on recently discovered letters written by de Beauvoir, tells how these two brilliant free-thinkers came to share a relationship that was to last over fifty years.

    Muhammad Ali: A Memoir is a fresh, revealing and personal account of the life of the most important and enduring cultural figures of our age. An icon of boxing who has inspired the biggest names in boxing, from Mike Tyson to Anthony Joshua, this is the story of boxing's biggest star.Muhammad Ali was God's Gift to the interviewer. Funny, articulate, outspoken with a fascinating life story, unparalleled talent and controversial views. These 4 interviews charted Ali's life, revealing significant phases at different times, charting the rise and fall of this kaleidoscope of a man.In Muhammad Ali: A Memoir Sir Michael Parkinson will bring his award-winning journalistic talents to bear on this extraordinary man. The book will mix personal recollections of the times they met with selected transcripts of the famous and, in the case of the 1974 meeting, infamous interviews all brought together and contextualised by a sober and honest assessment of the life and times of a figure that, it is certain, we will never see the like of again.

    Witness to My Life offers unique insight into their remarkable 52-year liaison.

    Through a series of apparently random impressions of the political, social, and artistic movements of the world around him, he imbues a range of human experience, from the mundane to the extraordinary, with the significance it deserves. Containing everything from delightful thumbnail sketches of his friends and colleagues, to lyrical remembrances of gardens and operas and tenderly amused descriptions of tea with London prostitutes, Memoirs of an Egotist is as startling as it is revealing.

    By then, she had been the close companion and lover of the writer and philosopher, Voltaire, for thirteen years. For her time - and by today's standards - she was a woman of exceptional talents, abilities, and qualities. Tutored in maths, sciences, and the arts from a young age, she pursued these passions as an adult. At her château at Cirey, near Lorraine, she shared a deep love and passion with Voltaire, as well as a taste for the arts and sciences. Together, they conducted experiments in science and optics, and both submitted essays on the nature of fire to a competition held by the French Royal Academy of Sciences. Neither won a prize but both essays were subsequently published. She was just as fascinated by the complexity of human emotions, and in these reflections on happiness she applies her incisive, analytical mind to such passions as sexual desire, the pursuit of glory, and ambition. She has many interesting and insightful things to say. However, she is no detached or aloof intellectual but writes openly from her own experiences, sharing with us her joys, pleasures and miseries. Her human weaknesses are revealed for all to see, making her all the more endearing and sympathetic. Although not written for publication but as private musings, this essay seems, nevertheless, intended for would-be readers. She alludes frequently to those who are younger and less experienced, and who might 'save time' by listening to what she has to say. She is less than positive about what the future might hold for her, or any woman, after forty, speaking of study as compensation rather than the great voyage of discovery that she, herself, had known. She writes in a state of dejection, having no inkling that within two years she would have a passionate affair with the poet, Saint-Lambert, twelve years her junior, and that she would give birth to his child. This great passion was to be her last as, already in poor health, she would die within weeks of the birth, the child out-living her by a year and a half. In her final year, while pregnant, she completed her greatest work, a translation from Latin into French of Isaac Newton's Principia Mathematica, complete with her commentary and a few hypotheses of her own about light, inspired by Newton's great work and subsequently validated. Her translation of Newton's work was published within ten years of her death and remains, today, the standard French translation. Though writing during the French Enlightenment, and clearly influenced by such near-contemporaries as the English philosopher, John Locke, she has much to say about happiness and its attainment to interest the modern reader, of whatever age, sex, or culture. Some, of course, will be shocked by her unashamed commendation of sensual pleasures, always tempered by her rationality and her emphasis on maximizing the sum total of human happiness. She was fully aware that the rules by which women, in French and other societies, are expected to live are not the same as those applied to men. Some of her advice is thus directed specifically at women. Whether or not this advice to women remains valid and helpful today is for the individual reader to decide.

    The book is a behind-the-scenes look at “Big Edie” and “Little Edie” and their bizarre and reclusive life of squalor amidst the tremendous wealth of East Hampton, the family bond that developed between Jerry and them, and the afternoon everything was turned upside down forever with the arrival of documentary filmmakers Albert and David Maysles.What begins as a teenager coming upon what he assumed was an old, abandoned house takes on new dimensions when suddenly Edie appeared on the porch draped in a shower curtain with an apron tied around her head. “You must be the Marble Faun,” she told the stunned Jerry. Rather than chasing him away as he at first feared, she invited Jerry to meet her mother upstairs.So begins a strange and unusually close friendship with the two women as Jerry takes on the task of volunteer gardener of their estate, often sleeping nights in their living room and staying out of the way of mother-daughter arguments. The Marble Faun of Grey Gardens is Jerry’s look back on the filming of Grey Gardens but also how the notoriety the movie achieved changed his life along with the Beales’s as their private world was shared with audiences everywhere.

     The pianist Leon  Fleisher—whose student–teacher lineage linked him to Beethoven by way of his instructor, Artur Schnabel—displayed an exceptional gift from his earliest years. And then, like the hero of a Greek tragedy, he was struck down in his prime: at thirty-six years old, he suddenly and mysteri­ously became unable to use two fingers of his right hand. It is not just Fleisher’s thirty-year search for a cure that drives this remarkable memoir. With his coauthor, celebrated music critic Anne Midgette, the pianist explores the depression that engulfed him as his condition worsened and, perhaps most powerfully of all, the sheer love of music that rescued him from complete self-destruction. Miraculously, at the age of sixty-six, Fleisher was diagnosed with focal dystonia, and cured by experimental Botox injections. In 2003, he returned to Carnegie Hall to give his first two-handed recital in over three decades, bringing down the house. Sad, reflective, but ultimately triumphant, My Nine Lives com­bines the glamour, pathos, and courage of Fleisher’s life with real musical and intellectual substance. Fleisher embodies the resilience of the human spirit, and his memoir proves that true passion always finds a way.

    This text turns aside from the official portraits and great historical events to rediscover the private places and objects that reflect Marie Antoinettes personality and reveal her more directly to our modern gaze.

    From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script of a 1955 show for their television series). Included are 16 pages of illustrations. George Burns, born in 1896, passed away at age 100 in 1996. Gracie Allen preceded him in death, passing away in 1964.

    Their conversation, one of the most illuminating and insightful looks into MirO's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of MirO's ideas on art." This beautiful new edition presents an updated English translation of MirO's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent MirO scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan MirO I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.

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    It is the first journey in what will be a remarkable life among remarkable people: Betty’s first job out of college is as Joan Crawford’s nanny, caring for the Crawford children at the height of the star’s career. Hollywood is about to play an even larger role in Betty’s life when she meets a young ambitious actor named Lee Marvin. After a whirlwind courtship and a trip to Las Vegas, Betty and Lee are married. In this unique memoir, both hilarious and touching, we follow Betty as she creates a family with Lee, and is by his side as he works with Marlon Brando, John Wayne and a host of other stars. She is the penultimate hostess and Hollywood Housewife. Nobody knew what was really going on at home - until, unable to take Lee’s womanizing, drinking and abuse, Betty leaves him and strikes out on her own. What follows are adventures that could only be Betty Marvin’s; from the building of her career as an artist. To a love affair with an Italian King, to dire straits as investment con artists leave Betty suddenly homeless. After years of the Hollywood life, Betty is left with only her car, her dog and her typewriter. Forced to employ all of her skills to survive, she comes out on top. This is the story of a woman who finds the real riches that come with learning the value of a joyful life.

    To his amazement Laura has discovered a way to enter this alluring world and together they travel the vast and glittering landscape. But it cannot last forever.Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.