. ."On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office--leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist--an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand--and fear--the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.

    Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether.Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon’s home state of Kentucky, the only other partner she has ever truly known—her troubled, charismatic childhood best friend, Teddy—reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

    Nora is the responsible sister; she’s shy and serious and engaged to a man she isn’t sure that she loves. Theresa is gregarious; she is thrilled by their new life in Boston and besotted with the fashionable dresses and dance halls on Dudley Street. But when Theresa ends up pregnant, Nora is forced to come up with a plan—a decision with repercussions they are both far too young to understand. Fifty years later, Nora is the matriarch of a big Catholic family with four grown children: John, a successful, if opportunistic, political consultant; Bridget, privately preparing to have a baby with her girlfriend; Brian, at loose ends after a failed baseball career; and Patrick, Nora’s favorite, the beautiful boy who gives her no end of heartache. Estranged from her sister and cut off from the world, Theresa is a cloistered nun, living in an abbey in rural Vermont. Until, after decades of silence, a sudden death forces Nora and Theresa to confront the choices they made so long ago. A graceful, supremely moving novel from one of our most beloved writers, Saints for All Occasions explores the fascinating, funny, and sometimes achingly sad ways a secret at the heart of one family both breaks them and binds them together.

    Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle.The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.

    Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career. The link between this unlikely pair is Kel’s mother, Charlene, a former student of Arthur’s. Told with warmth and intelligence through Arthur and Kel’s own quirky and lovable voices, Heft is the story of two improbable heroes whose connection transforms both their lives.

    The repercussions of his death bring together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer who returns to the small town in the Mojave she thought she'd left for good; his widow, Maryam, who still pines after her life in the old country; Efraín, an undocumented witness whose fear of deportation prevents him from coming forward; Jeremy, an old friend of Nora's and an Iraq War veteran; Coleman, a detective who is slowly discovering her son's secrets; Anderson, a neighbor trying to reconnect with his family; and the murdered man himself.As the characters--deeply divided by race, religion, and class--tell their stories, connections among them emerge, even as Driss's family confronts its secrets, a town faces its hypocrisies, and love, messy and unpredictable, is born.

    But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change.May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together.

       Tina Fontana is the hapless but brazen thirty-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She’s excellent at her job and beloved by her famous boss—but after six years of making his reservations for restaurants she’d never get into on her own and pouring his drinks from bottles that cost more than her rent, she’s bored, broke, and just a bit over it all.   When a technical error with Robert’s travel-and-expenses report presents Tina with the opportunity to pay off the entire balance of her student loan debt with what would essentially be pocket change for her boss, she struggles with the decision: She’s always played by the rules. But it’s such a relatively small amount of money for the Titan Corporation—and for her it would be a life-changer . . .  The Assistants speaks directly to a new generation of women who feel stuck and unable to get ahead playing by the rules. It will appeal to all of those who have ever asked themselves, “How is it that after all these years, we are still assistants?”

    Moving from post-World War I America through the early 1950s, Some Luck gives us an intimate look at this family's triumphs and tragedies, zooming in on the realities of farm life, while casting-as the children grow up and scatter to New York, California, and everywhere in between-a panoramic eye on the monumental changes that marked the first half of the twentieth century. Rich with humor and wisdom, twists and surprises, Some Luck takes us through deeply emotional cycles of births and deaths, passions, and betrayals, displaying Smiley's dazzling virtuosity, compassion, and understanding of human nature and the nature of history, never discounting the role of fate and chance. This potent conjuring of many lives across generations is a stunning tour de force.

    From there, in this mesmerizing, provocative debut, Evie remembers and reckons with her complicated upbringing in this lush, wild land off the coast of Southern California.  Evie grew up with her well-meaning but negligent father, surviving on the money he made dealing the island’s world-famous strain of marijuana, Winter Wonderland. Although he raised her with a deep respect for the elements, the sea, and the creatures living within it, he also left her to parent herself. With wit, love, and bracing  ashes of anger, Creatures probes the complexities of love and abandonment, guilt and forgiveness, betrayal and grief—and the ways in which our ability to love can be threatened if we are not brave enough to conquer the past.  Lyrical, darkly funny, and ultimately cathartic, Creatures exerts a pull as strong as the tides.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    St John Fox, celebrated novelist, hasn’t seen her in six years. He’s unprepared for her afternoon visit, not least because she doesn’t exist. He’s infatuated with her. But he also made her up.“You’re a villain,” she tells him. ‘A serial killer . . . can you grasp that?”Will Mr Fox meet his muse’s challenge, to stop murdering his heroines and explore something of love? What will his wife Daphne think of this sudden change in her husband? Can there be a happy ending – this time?