When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    Even if I told you that we have oceans filled with sea turtles and dolphins, or forests lush with parrots that call through air thick with warmth... Nobody comes here because they want to.The island of no return.Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious government official Mr Zamora changes her world forever: her island is to be made into a colony for lepers. Taken from her mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

    Timid, scrawny Willie Beech -- the abused child of a single mother -- is evacuated to the English countryside. At first, he is terrified of everything, of the country sounds and sights, even of Mr. Tom, the gruff, kindly old man who has taken him in. But gradually Willie forgets the hate and despair of his past. He learns to love a world he never knew existed, a world of friendship and affection in which harsh words and daily beatings have no place. Then a telegram comes. Willie must return to his mother in London. When weeks pass by with no word from Willie, Mr. Tom sets out for London to look for the young boy he has come to love as a son.

    Paddy is a stowaway, escaping a deadly past. Sophie's mother is delivered to the ship by police - after she and Sophie have been arrested. Juliana's father is an eccentric whose riches can barely hide his madness. And Alfie is hiding a secret that could get him kicked off the ship immediately.The lives of these four passengers will be forever linked with the fate of Titanic. And the farther they get from shore, the more the danger looms. . . .

    The first four books in the Betsy-Tacy series: Betsy-Tacy, Betsy-Tacy and Tib, Betsy and Tacy Go over the Big Hill, and Betsy and Tacy Go Downtown.

    She is going to help her sister, Sarah, in her candy shop, 'The Sugared Plum'. But Hannah does not get the welcoming reception she expected from her sister, because the Plague is taking hold of London. However, Hannah is determined to stay and together the two young women face the worst-with the possibility of their own demise, growing ever closer. But through it all they persevere with the support of their neighbors and each other. And at last, they find hope in a daring attempt to escape the city.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    In her relatives' stern Puritan community, she feels like a tropical bird that has flown to the wrong part of the world, a bird that is now caged and lonely. The only place where Kit feels completely free is in the meadows, where she enjoys the company of the old Quaker woman known as the Witch of Blackbird Pond, and on occasion, her young sailor friend Nat. But when Kit's friendship with the "witch" is discovered, Kit is faced with suspicion, fear, and anger. She herself is accused of witchcraft!

    The potatoes are black and rotten, and the people have nothing to eat. Eily, Michael and Peggy are alone in their cottage. Their parents went out in search of work and food, but never returned. Now the children must fend for themselves. Desperate to avoid being sent to the workhouse, they set out on a journey to find their great-aunts. On their journey, they encounter the devastation caused by famine people scrabbling for food, abandoned children, soup kitchens, beggars, disease, wild dogs, death. Led by twelve-year-old Eily, the children use all their strength and ingenuity to survive and find their way to Castletaggart.

    The novel is notable for its detailed portrait of the people, culture, and varied religions of India. The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road.Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while the lama searches for redemption from the Wheel of Life. A celebration of their friendship in a beautiful but often hostile environment, 'Kim' captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj.

    To his considerable astonishment, when he recovers, he is not a young boy, but a cat! Fortunately, he meets Jennie, a cat who had been abandoned by her family when they moved away, who educates him in the wiles of the feline world. Will he stay a cat with Jennie, or return to being a human boy?

    Suppose that without your noticing, it became dangerous for some people to live in Germany any longer. Suppose you found, to your complete surprise, that your own father was one of those people.That is what happened to Anna in 1933. She was nine years old when it began, too busy with her schoolwork and toboganning to take much notice of political posters, but out of them glared the face of Adolf Hitler, the man who would soon change the whole of Europe – starting with her own small life.Anna suddenly found things moving too fast for her to understand. One day, her father was unaccountably missing. Then she herself and her brother Max were being rushed by their mother, in alarming secrecy, away from everything they knew – home and schoolmates and well-loved toys – right out of Germany…

    She believes she is in for brightly colored macaws, enormous butterflies, and "curtains of sweetly scented orchids trailing from the trees." Her British classmates warn her of man-eating alligators and wild, murderous Indians. Unfortunately, no one cautions Maia about her nasty, xenophobic cousins, who douse the house in bug spray and forbid her from venturing beyond their coiffed compound. Maia, however, is resourceful enough to find herself smack in the middle of more excitement than she ever imagined, from a mysterious "Indian" with an inheritance, to an itinerant actor dreading his impending adolescence, to a remarkable journey down the Amazon in search of the legendary giant sloth.

    He’s homesick and worried about the Flynn boys traveling in steerage, who have threatened to throw him overboard. Little does Barry know that a struggle with the Flynns is the least of the dangers that await him. This suspenseful story is based on the true and terrible events that occurred as the Titanic sank one hundred years ago.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends