Two years after his mother and father were murdered in an attack on their California-bound wagon train, little Tommy Dunning crouches in an old root cellar, quivering with cold—and raw fear. Somewhere just above him, men are searching, army men who want to take him away from the only home he remembers. Local settler Eva Dunning believes with every thread of her being that God delivered the orphan to be raised by her. She watches and prays the soldiers will not find the child. But forces beyond her control are closing in. Major James Carleton has orders to collect the boy, Eva’s husband Bennet is threatening to expose their secret, and back in Arkansas, the aging Ruby Seddon is hiring a ruthless gunslinger to help rescue her grandson, no matter the cost in blood or gold. The Last Orphan is the journey of a precocious five-year old and two strong women, each of whom believes God has chosen her to raise the boy in love and the “correct” faith tradition.

    Peter Bois is one of the wealthiest men on Nantucket but is far from successful; his business is being picketed for polluting the oceans, his wife wants a divorce, and his best friend is dead. But fate has plans for him.On a picnic at the beach with his alienated family, Peter is caught up in a riptide and transported back in time to the early 19th-century as a greenhand on a Nantucket whaleship, clueless to where he is and ignorant to what is expected of him. Struggling to accept his new reality, he must confront the man he is and come to grips with life nearly two hundred years in the past as the ship pursues whales and battles storms thousands of miles out to sea. His only help? A crewman who looks and acts just like his dead best friend.On a voyage bristling with danger and death, Peter must survive long enough to figure out how to get back to his own time and back to where he can right his many wrongs.Engaging and innovative, this fast-paced and uplifting novel is a must-read for audiences young and old.

    Instead of studying for exams and going on dates like a normal teenager, he has become a prisoner in his own heavily fortified house - safe from the creatures that lurk outside but faced with a bleak and lonely future.His only companion is his father, a former Green Beret on a mission to teach Kip everything he knows about survival for when the inevitable day comes that they must leave home. But when Kip discovers his father is dying of sepsis due to a hidden wound, he must face his greatest fears and venture outside in search of medicine at the old pharmacy downtown. It's either that, or watch his only family perish.The only problem is, going outside might as well be suicide.His father will be dead in three days. Kip can make the journey in two, but he can't possibly plan for the horrors he will find outside his house...or a fateful encounter with another survivor that will pit him against his worst enemies in a race against the clock.

    He just doesn't share the same drive as everyone around him. His perfect older sister is headed to Duke. His parents' expectations for him are just as high. He tries to want this version of success, but mostly, Neil just wants his neighbor across the cul-de-sac, Anita Dayal.But Anita has a secret: she and her mother Anjali have been brewing an ancient alchemical potion from stolen gold that harnesses the ambition of the jewelry's original owner. Anjali's own mother in Bombay didn't waste the precious potion on her daughter, favoring her sons instead. Anita, on the other hand, just needs a little boost to get into Harvard. But when Neil--who needs a whole lot more--joins in the plot, events spiral into a tragedy that rips their community apart.Ten years later, Neil is an oft-stoned Berkeley history grad student studying the California gold rush. His high school cohort has migrated to Silicon Valley, where he reunites with Anita and resurrects their old habit of gold theft--only now, the stakes are higher. Anita's mother is in trouble, and only gold can save her. Anita and Neil must pull off one last heist.Gold Diggers is a fine-grained, profoundly intelligent, and bitingly funny investigation in to questions of identity and coming of age--that tears down American shibboleths.

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.

    This was an unplanned book: The Great Game was supposed to be a stand-alone story. Then questions about a sequel started coming in. The last words in The Great Game are “This is not the end.” I meant it philosophically, meaning that the struggle between good and evil, quest for power vs. individual liberty will continue as they did through the centuries. But I was being too cute by half and the readers called me on it.And somewhere in the process of working on a sequel I have taken a turn into the past. Events in The Great Game are based on the financial crisis which in turn is rooted in a financial warfare between the US on one side and China and Russia on the other side. I wanted to go back in time and show the beginning of that warfare, show that the seeds have been planted and carefully cultivated prior to the events in the story. And something else started happening. Some of the events “predicted” in The Great Game began to materialize much sooner than I expected, particularly rising tensions between the U.S. and Russia and growing rapprochement of China and Russia. The characters of The Metronome are made up but the backdrop of the events is real and factual. The main protagonist Pavel Rostin is a regular, very flawed man who faces difficult circumstances. I know that the ending of The Metronome will upset some of the readers but I felt it was the only honest way to conclude the first part: the larger context was not Pavel's immediate fate or his flaws, but the moral choices he made at the end and their impact on others. Because “even the smallest person can change the course of the future.”Pavel Rostin has taken too many chances. Once a promising physicist, he abandoned science for finance and risked everything on a speculative venture. Careless and rogue, he gambled with his personal relationships. As Pavel tries to pick up the pieces of his life, a call from Russia informs him that his father is dead.When Pavel follows his father’s footsteps trying to solve the mystery of his death, he turns up some inexplicable clues. The investigation draws him deeper and deeper into his family’s past – and his country’s future. From starving 1941 Leningrad to free-wheeling Moscow of the mid-1990s to bubbly 2006 Wall Street, Pavel uncovers a web of money, murder, revenge and evidence of a plot involving the world’s superpowers. The choices of right and wrong don’t look as clear cut as in newspaper headlines. But is he just a pawn in someone else’s game?

    Her father, a former territorial governor, must now make the hard decision to recruit a former friend and gunfighter, whom he tried to hang in the past, to join in pursuit of his strong-willed daughter and the violent men she seeks. The energetic and exciting story is told from both perspectives as they must fight their way through the still untamed towns and locations of New Mexico Territory and Texas of 1884. And blended into the backdrop of their journey are the final days of the spirited campaign to elect a new President—Grover Cleveland. Behind this story lies the dynamics of two former friends who grew up together and fought alongside one another as members of the Texas Brigade in the Civil War and later as Texas Rangers. But they would be driven apart later by the sides of the law they would hold to. They now come together once again in an epic tale and must reach beyond their strained relationship to the strong bonds of friendship of their youth.

    When the first in a trail of clues is handed down to Diana by her great-aunt on her deathbed, along with a plea to assuage their family’s guilt by revealing all, Diana obliges. She follows the clues—a picture here, a letter there, a pressed frangipani flower in a book—that carry her away from her philandering husband in Berlin to a charming manor in England and all the way to a tea plantation in Sri Lanka.Diana unravels the dramatic tale of her great-great-grandmother, Grace Tremayne, with the aid of Jonathan Singh, a local historian and writer—and someone with whom she feels a deep bond that sparks into romance. As Grace’s tragic past in exotic colonial Ceylon is revealed and the family’s sins come to light, Diana finds inspiration in her ancestor’s courage and begins to rethink what happiness—and love—is worth, and how the surest route to peace is in setting the truth free.

    It is the 1860s; Japan is closed to foreigners and this has to be a clandestine operation. During his undercover negotiations with the local baron, Joncour's attention is arrested by the man's concubine, a girl who does not have Oriental eyes. Although the young Frenchman and the girl are unable to exchange so much as a word, love blossoms between them, conveyed by a number of recondite messages in the course of four visits the Frenchman pays to Japan. How their secret affair develops and how it unfolds is told in a narration as beautiful, smooth and seamless as a piece of the finest silk.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    I highly recommend it to Sci-Fi fans." - Pikasho Deka...Readers' Favorites.When NASA computer scientist Tess Carrillo watches Ryan Quinn die in a spaceship seventy million miles away, her life becomes a blurry web of misery and vodka.But when a mysterious visionary recruits her to lead a team of eccentric experts in a top-secret effort to create the mind of the first sentient artificial intelligence, her life starts to change in unfathomable ways.And now the machine is waking…But there’s a problem.It’s networking… With another dimension.As the AI evolves, dimensional lines start to blend and fray, opening a door to another world… One with him. Only in this reality, Ryan is in a rock band, and Tess is an artist, both on the cusp of fame.As Tess finds herself moving back and forth between separate realities, she starts to question if either is real. And if so…which one?The answer lies in secrets more terrifying than anything she could imagine.Equipped only with clues scattered throughout her consciousness, time, and space, she struggles to make sense of the separate realities that seem to be colliding.As the puzzle pieces fall into place, a terrible threat is revealed, and she’s forced to face a shocking truth before both worlds end.If you love face-paced page-turners with unforgettable characters and real science, Impermanent Universe will keep you reading well beyond your self-allotted time.Join the adventure.“Outstanding Science Fiction....one of the best things I’ve read in a long time. And I read a lot." - Amazon Reviewer"Both Impermanent Universe and The Navigator are exquisitely crafted novels that will keep you reading well beyond your self-allotted time. Creative beyond belief, they give one a sense of truth regarding the immortality of Being through multifaceted forever-regenerative Consciousness." - Amazon Reviewer"This book is a treasure for those who love in-depth philosophical science fiction material" - Amazon Reviewer

    This edition presents the unabridged version of the Grimms' tale, with an original interpretation by renowned artist Camille Rose Garcia that artfully combines wit and dark romance

    Told through the journals of this schoolteacher turned apiarist, The Death of a Beekeeper, is his gentle, courageous, and sometimes comic meditation on living with pain. Westin has refused to surrender the time left him to the impersonation of a hospital, preferring to take his fate upon himself, to continue solitary, reflective life in the Swedish countryside. "I took little walks and noticed that in the last months the pain had actually colored the landscape in a peculiar way. Here and there is a tree where it really hurt, here and there is a fence against whose post I struck my hand in passing." His inner landscape is also re-forming: "This constant concern with an indefinite dangerous secret in one’s own body, this feeling that some dramatic change is taking place, without one’s being able to have any clarity about what really is... reminds me of prepuberty. I even recognize this gentle feeling of shame again." The relentlessly intimate burning in his gut provides a point of psychic detachment, rendering his survival "a unique art form whose level of difficulty is so high that no one exists who can practice it.” Yet he insists, "We begin again. We never give up."