When the mature man finally reaches the source of the river that has haunted his imagination for so many years, he finds that the wellsprings of magic and delight were always there, in the world all around him at the time, inexhaustible and irreverent. Awarded the James Tait Memorial Prize 1937, Highland River is written in prose as cool and clear as the water it describes, and is the simplest, most poetic, and perhaps the greatest of Neil Gunn's novels.

    A wily cat, a strange romance, detestable daughters: the great American poet Marianne Moore retells three stories originally written by Charles Perrault to amuse the niece of Louis XIV.Modern readers may be surprised to find that the prince does not wake Sleeping Beauty with a kiss - the more he cares, the less willing he is to intrude - and that his mother is descended from ogres.Characterised by vivid imagery, uncluttered prose, inventive alliteration and a sly sceptic's wit, Moore's versions do more than tell a tale: 'Having seen a problem solved,' she writes, each one leaves 'a pattern of order in the mind.'Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    With power and precision, humanity and insight, Supporting Cast captures the extraordinary moments in our ordinary lives, and the darkness and the joy of the everyday.

    A traveling salesman consigned to a late-night bus ride. A prison inmate stripped of everything but his pride. A teenage runaway. Mismatched lovers. In his debut collection of short fiction, award-winning novelist Craig Lancaster returns to the terrain of his Montana home and takes on the notion of separation in its many forms - from comfort zones, from ideas, from people, from security, from fears. These ten stories delve into small towns and big cities, into love and despair, into what drives us and what scares us, peeling back the layers of our humanity with every pag

    Described by "Publishers Weekly" as "easily Gilchrist's best book in years, " this collection of stories gives readers a taste of her gifted sense of the language and the humor of human foibles.

    Le Guin * 197 • Understanding Human Behavior • (1982) • novelette by Thomas M. Disch * 221 • Relativistic Effects • (1982) • novelette by Gregory Benford * 243 • Firewatch • [Time Travel] • (1982) • novelette by Connie Willis (aka Fire Watch) * 283 • The Wooing of Slowboat Sadie • [Springfield] • (1982) • shortstory by George Alec Effinger [as by O. Niemand ] * 293 • With the Original Cast • (1982) • novelette by Nancy Kress * 323 • When the Fathers Go • (1982) • novelette by Bruce McAllister * 351 • The Science Fiction Year (1982) • (1983) • essay by Charles N. Brown * 359 • Recommended Reading - 1982 • (1983) • essay by Terry Carr

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    His stories have been called “beautifully crafted” (The New York Times), “unforgettable” (San Francisco Chronicle), and “diverse and expansive” (The Washington Post). His 1989 collection, Nebraska, was widely praised, and he has published stories in literary magazines nationwide—The Atlantic, Esquire, Harper’s, Tin House, The Paris Review, and many others. In this new volume, comprising twelve new stories and seven pieces selected from Nebraska, the subjects of Hansen’s scrutiny range from Oscar Wilde to murder to dementia to romance, and display Hansen at his storytelling best: the craftsman described as “part Hemingway and part García Márquez . . . an all-American magic realist in other words, a fabulist in the native grain.” Readers will thrill to Hansen’s masterful attention to the smallest and most telling details, even as he plunges straight into the deepest recesses of desire, love, fury, and loss. Magisterial in its scope and surprising in its variety, She Loves Me Not shows an author at the height of his powers and confirms Hansen’s place as a major American writer.

     When her wagon train was 8 miles from Fort Laramie, Wyoming, a Sioux Oglalas war party, in war-paint, suddenly appeared and began to encircle their wagons, pretending to be most friendly and asking for presents. The Indians urged the emigrants on, and offered to accompany them, so that they pushed on in company for a short time, until it was saw that they were approaching a ravine where his party would be at a disadvantage, and he insisted on camping outside of it. The Indians, after some hesitation, agreed, and the travellers began to make preparations for supper, when suddenly the Indians fired a volley at them. Some of those who escaped the attack succeeded in hiding in the brushwood, but Mrs. Kelly and her adopted daughter, Mary, as well as Mrs. Larimer and her children, became the prisoners of the Indians. After the second night of capture, Larimer and her son Frank managed to escape and were later reunited with her husband at Camp Collins, Colorado Territory. Larimer wrote of her harrowing captivity and escape in her 1871 book "The Capture and Escape: Life Among the Sioux." In describing dangers encountered during their escape from the Indians, Larimer noted: "The horrors of our situation were harassing to contemplate. The wolves seemed congregated upon the highlands, and, awaking from their night’s repose, their wailing cries echoed back from the distant hills with terrific clearness. These prowling creatures abound in that country, where some species attain a great size. Even the buffalo, which does not fear them in the herd, knows his danger when overtaken alone; and the solitary bull, secreted from its hunter, succumbs before the united force of a gang of wolves." Sarah Luse Larimer (1836-1913) was born in Pennsylvania, headed west in 1859 with her husband, living for a while in Allen County, Kansas, where she operated a photographic gallery. In 1864, along with her husband and son the family set out for the mines of Idaho Territory, when their plans were disrupted by Oglalas on the warpath. John Bratt in his 1921 book "Trails of Yesterday" writes of Larimer: "At Sherman Station I became well acquainted with Mrs. Larimer and her son, who kept a general store there, bought and sold ties and cord wood, while her husband had a star route mail contract from Point of Rocks north. There was also a Mrs. Kelly living near the station. These two women and Mrs. Larimer's son had been captured by the Sioux Indians near Fort Laramie. Mrs. Larimer and her son, after two weeks' captivity in the lodge of the chief, stole away one night and though the Indians hunted them day and night, they succeeded in eluding them and got back to the fort, after suffering unmentionable cruelties. Mrs. Kelly, not so fortunate, was taken by the Indians up on the Missouri River and kept with the band over six months." In describing the moment of rescue by a passing wagon train, Larimer writes that "as we sat in this shelter, which proved to be the last, a most joyful and welcome sound greeted our ears —one in which there was no mistake—our own language, spoken by some boys who passed, driving cattle."

    The first section, Folly tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War, Folly also suggests an aspiring novelist’s coming-of-age. By contrast, Madness is narrated by Amar, an Iraqi-American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends the last weekend of 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda.A stunning debut from a rising literary star, Asymmetry is an urgent, important, and truly original work that will captivate any reader while also posing arresting questions about the very nature of fiction itself.

    of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. Jenny Offill's heroine, referred to in these pages as simply "the wife," once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art. With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

    It was the opinion of the community that her mother was heartbroken and had lost the will to live. Sarah couldn’t even blame her mother; losing a daughter and a husband in one year was a bitter pill to swallow for anyone. Taking care of her mother had become Sarah’s number one priority; her second was finding her missing sister. Since Katie had disappeared during her rumspringa shortly after their father had passed away Sarah had done everything within her power to find her sister to no avail. With her sister still missing and her neighbor David, whom she secretly loves, courting a girl Sarah knew would only hurt him, she is not looking forward to Christmas at all. But when hope starts to bloom in her chest, things suddenly start to change. Sarah knows it’s the work of God, but the question remains will a Christmas miracle soothe the loneliness in her heart? Enjoy this sweet Amish romance that follows the hardships Sarah faces as she takes care of her mother while searching for her sister. Will Sarah finally find her sister? Can David be honest about his feelings and will Sarah’s mother ever recover? Enjoy a sweet Christmas story that is bound to warm your heart after you dry the tears

    An Off the Grid lodge owner in Fish Lakes, Alaska, Tom enthralls roomfuls of guests every year from the Lower 48 and around the world with tales of his adventures, foibles, and SNAFUs in 44 years living in the Alaskan wilderness. From his start as a Pennsylvania farmboy who ran off to join the United States Air Force, to his arrival in Alaska with less than a hundred dollars in his wallet and a growing family in his back seat, to his forty years as a Bush pilot and his accidental introduction to the fishing lodge business, to his multiple brushes with death, hardship, and questionable characters, Tom Brion has a story to cover it all. A pioneer in sustainable homesteading and off-the-Grid living, Tom Brion built his first lodge in Alaska on five acres in the Lake Creek area, in 1979, and continues to this day building and working heavy machinery 60 miles from any road. Born in 1941, Tom has collected 74 years of humorous, heart-wrenching, and sometimes mind-blowing stories of traveling, hunting, and exploring the backcountry of Alaska in the pilot’s seat of a Vietnam-era Cessna Birddog. A biography in the form of short life stories, Tom Brion’s memoir takes us to a rural Bush life where people live off the land, drill their own wells, put out their own forest fires, and depend on their neighbors to pick up their mail. Surrounded by nature, Tom continues to fly, plow, run his bulldozer, and wrangle his subsistence fishwheel up the river every year in the Skwentna area of Alaska, where temperatures in winter drop to 45 below zero and summers can see entire months without rain. Follow him in this (mostly) nonfiction anthology of (somewhat) true stories from the Last Frontier as he gives the straight scoop about bears, outhouses, farming, flooding, fishing, moose, guns, and aviation in the 49th State.An avid hunter, outdoorsman, fisherman, and jack of all trades, Tom documents his life with photos and illustrations that detail an epic adventure from start to finish.

    These two stories are perhaps even better known as films (The Birds by Alfred Hitchcock and Don't Look Now by Nic Roeg), but here we bring you the full terrifying texts, superbly read by Peter Capaldi, who brings the true dimension of these works to the imagination.