Bones of Faerie


Janni Lee Simner - 2008
    Or so 15-year-old Liza has been told. Nothing has been seen or heard from Faerie since, and Liza's world bears the scars of its encounter with magic. Trees move with sinister intention, and the town Liza calls home is surrounded by a forest that threatens to harm all those who wander into it. Then Liza discovers she has the Faerie ability to see into the past, into the future and she has no choice but to flee her town. Liza's quest will take her into Faerie and back again, and what she finds along the way may be the key to healing both worlds.

The Heart Hunter


Mickey George - 2021
    Paired soul mates are then turned mortal, freed from the curse, and able to leave. But all fairy tales have a dark side: those who don’t want to lose their immortality pay “Heart Hunters” to find their soul mates and kill them so they may remain immortal. Psyche, a Heart Hunter, is hired by the king to kill his soulmate. As she sets out on her quest, she begins her own journey of mending her broken heart and learning to trust again.

East of the Sun & West of the Moon


Mercer Mayer - 1980
    The spellbound frog is whisked off to the trolls' castle and the ungrateful lass loses her chance to marry a handsome prince until she creates a happy ending, having atoned for her mistake".--Publishers Weekly. Full color.

www HR Giger com


H.R. Giger - 1997
    However, he scored his breakthrough in applied art, and particularly in his high-profile movie work on Ridley Scott's Alien. In 1980, he received an Oscar for "Best Achievement for Visual Effects" for his designs of the film's title creature and its otherworldly environment. His other celebrated film projects include Poltergeist II, Alien 3 and Species, for which he designed a deadly but beautiful half-extraterrestrial female creature and a fantastic nightmare train. Giger's album covers for Debbie Harry and Emerson, Lake and Palmer were voted as being among the top hundred in music history by music journalists, while furniture designed by Giger graces a bar in Chur, Switzerland. This book was designed by the artist himself, and features detailed commentaries in which Giger describes his work from the early 1960s to the late 1990s; the authentic voice of the master.