Rebello takes us behind the scenes for every step in the creation of this cinematic masterpiece-from the story's original inspiration to the controversy surrounding the creation of the famous shower scene. Drawing on new in-depth interviews as well as Hitchcock's private files, Alfred Hitchcock and the Making of Psycho is an eye-opening portrait of the artist at work.

    He draws on a wide range of sources, including the films in which each star appeared, to illustrate how each star's persona was constructed, and goes on to examine each within the context of particular issues in fan culture and stardom. Students of film and cultural studies will find this an invaluable part of there course reading.

    At the forefront of that movement were six innovative and daring directors whose films pushed the boundaries of moviemaking and announced to the world that something exciting was happening in Hollywood. Sharon Waxman of the New York Times spent the decade covering these young filmmakers, and in Rebels on the Backlot she weaves together the lives and careers of Quentin Tarantino, Pulp Fiction; Steven Soderbergh, Traffic; David Fincher, Fight Club; Paul Thomas Anderson, Boogie Nights; David O. Russell, Three Kings; and Spike Jonze, Being John Malkovich.

    In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China.Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with “universes,” and how Disney remade itself in Apple’s image and reaped enormous profits.But despite the destruction of the studios’ traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era.

    Gilmore obsesses on a relentless panorama of sex, violence and death in five new chronicles of So Cal sickness: *the sex-and-drug soaked Wonderland murders featuring porn legend John Holmes *Sexpot Starlet Barbara Payton's hellbent descent into the gutters of Tinseltown *the Hollywood Hooker who landed in San Quentin's gas chamber, the Ice Blonde Murderess Barbara Graham For those already steeped in the canon of John Gilmore's work, this is the long-awaited true-crime capstone to a celebrated collection of works, a blood-and-semen-soaked noir trail of all-night diners, nightclubs and cheap motels.

    With the myriad social upheavals over the past decade, documentaries have enjoyed an international renaissance; here Barnouw considers the medium in the light of an entirely new political and social climate. He examines as well the latest filmmaking technology, and the effects that video cassettes and cable television are having on the production of documentaries. And like the previous editions, Documentary is filled with photographs, many of them rare, collected during the author's travels around the world. Covering the full course of the documentary from Louis Lumiere's first effort to recent landmark productions such as Shoah, this book makes the growing importance of a unique blend of art and reality accessible and understandable to all film lovers.

    Eight autobiographical essays by Brooks, on topics ranging from her childhood in Kansas and her early days as a Denishawn and Ziegfeld Follies dancer to her friendships with Martha Graham, Charles Chaplin, W. C. Fields, Humphrey Bogart, and others are collected here. Originally published: New York: Knopf, 1982.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    

    Jack Warner called her "an explosive little broad with a sharp left." Humphrey Bogart once remarked, "Unless you're very big she can knock you down." Bette Davis was a force of nature--an idiosyncratic talent who nevertheless defined the words "movie star" for more than half a century and who created an extraordinary body of work filled with unforgettable performances. In Dark Victory, the noted film critic and biographer Ed Sikov paints the most detailed picture ever delivered of this intelligent, opinionated, and unusual woman who was--in the words of a close friend--"one of the major events of the twentieth century." Drawing on new interviews with friends, directors, and admirers, as well as archival research and a fresh look at the films, this stylish, intimate biography reveals Davis's personal as well as professional life in a way that is both revealing and sympathetic. With his wise and well-informed take on the production and accomplishments of such movie milestones as Jezebel, All About Eve, and Now, Voyager, as well as the turbulent life and complicated personality of the actress who made them, Sikov's Dark Victory brings to life the two-time Academy Award-winning actress's unmistakable screen style, and shows the reader how Davis's art was her own dark victory.

    His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Chantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film.

    The real life and faith journey of Loretta Young -- her strong devotion to her Catholic faith and her passion for helping others in need.

    She carefully unspools the cultural threads that inform his aesthetic to explain why this precocious arthouse film nerd from Texas has become one of the most popular directors of his generation.

    Much has been written about how gays have been portrayed in the movies but no book -- until now -- has looked at their influence behind the screen. Whether out of or in the closet, gays and lesbians have from the very beginning played a significant role in shaping Hollywood. Gay actors were among the earliest matinee idols and gay directors have long been among the most popular and commercially successful filmmakers. In fact, gay set and costume designers created the very look of Hollywood.With this landmark book, Mann fills a void in the Hollywood history archives. Written in the tradition of Neal Gabler's An Empire of Their Own: How the Jews Invented Hollywood and based on hundreds of hours of interviews with survivors of this golden age, Behind the Screen is destined to become a classic of film literature.