Lewis' The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien.Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    In the 1970s, he sent two prize students, Tim Plowman and Wade Davis, to follow in his footsteps and unveil the botanical secrets of coca, the notorious source of cocaine, a sacred plant known to the Inca as the Divine Leaf of Immortality.A stunning account of adventure and discovery, betrayal and destruction, One River is a story of two generations of explorers drawn together by the transcendent knowledge of Indian peoples, the visionary realms of the shaman, and the extraordinary plants that sustain all life in a forest that once stood immense and inviolable.

    To many it is unremarkable; to others it is a doomed place where 18th-century thieves hid out, where the town tip once sat, and where suicides leapt to their deaths. Its brooding form presided over the early years of Ted Hughes, who called Scout Rock 'my spiritual midwife . . . both the curtain and backdrop to existence'.Into this beautiful, dark and complex landscape steps Benjamin Myers, asking: are unremarkable places made remarkable by the minds that map them? Seeking a new life and finding solace in nature's power of renewal, Myers excavates stories both human and elemental. The result is a lyrical and unflinching investigation into nature, literature, history, memory and the meaning of place in modern Britain.UNDER THE ROCK is about badgers, balsam, history, nettles, mythology, moorlands, mosses, poetry, bats, wild swimming, slugs, recession, floods, logging, peacocks, community, apples, asbestos, quarries, geology, industrial music, owls, stone walls, farming, anxiety, relocation, the North, woodpiles, folklore, landslides, ruins, terriers, woodlands, ravens, dales, valleys, walking, animal skulls, trespassing, crows, factories, maps, rain - lots of rain - and a great big rock.'A bone-tingling book' -- Richard Benson, author of The Valley and The Farm“Extraordinary, elemental … never less than compelling: this is a wild, dark grimoire of a book” – The Times Literary Supplement 'The writing is perfectly poised and seductive, luminous, an earthy immersion into the granular dark of place. The prose has an intense, porous quality, inhabiting the reader right from the stunning start with the voices of rock, earth, wood and water. This is a truly elemental read from which I emerged subtly changed. The writing has a shamanic quality; Benjamin Myers is a writer of exceptional talent and originality ... it has all the makings of a classic' -- Miriam Darlington, author of Otter Country and Owl Sense“Compelling … admirable and engrossing. Myers writes of the rain with a poet’s eye worthy of Hughes” – Erica Wagner, New Statesman'One of the many joys of Under the Rock - this absorbing, compelling, moving book - is its language; it trickles like a rivulet, thunders like a cataract, and sticks to you like mud. It is full of crannies and dips and peaks wherein wonders hide; explore it for a lifetime and you will not exhaust its mysteries. Unafraid of blood-drenched history and the darkest of despair, this is nonetheless a defiantly life-praising book; it accompanied me to bed and bar, train and plane, and each situation was enriched and brightened by its presence... . It is utterly vital' -- Niall Griffiths, author of Grits, Sheepshagger and Stump'Richly layered, densely and elegantly structured, discursive, elegiac and beautiful. Under the Rock is a stunning exploration of place, mind and myth' -- Jenn Ashworth, author of Fell and The Friday Gospels“Prodigious, awe-incurring … few are as impressive as the formidable Benjamin Myers, who has developed a voice as pure and authentic as it is stark, honest and resolutely northern … creates an overall sense of dreamy, quiet beauty, born of love for the lie of the land.” – The Big Issue “Compelling … an atmospheric exploration of the landscape and its history” – Irish Times“A visionary work of immense power and subtlety which establishes Myers as one of Britain’s most consistently interesting and gifted writers” – Morning Star 'Place-writing at its most supple: both deeply considered, and deeply felt' -- Melissa Harrison, author of Rain: Four Walks in English Weather“Best known for his bleak and brilliant crime fiction Myers turns his focus to nature writing with absorbing results in this lyrical exploration of Scout Rock in Yorkshire’s Calder Valley” – i-news, Best Books to Take on Holiday 2018“Exceptionally engaging … beguiling … this is a startling, unclassifiable book” – Stuart Kelly, The Scotsman“Thoughtful, engaging and beautifully crafted … the writing is lyrical yet muscular and elemental, transporting the reader to this plaece of rugged beauty and dark secrets” – The Yorkshire Post “[A] beautifully poetic, passionate and elegiac book … Myers’ writing left me with a heart-wrenching desire to be there” – Harry Gallon, Minor Literatures'What distinguishes Under the Rock is Myers' unshakeable commitment. He writes at all times with rock-solid conviction, fashioning a book which is less a work of simple description than a new contribution to the mythology of Elmet' -- Will Ashon, author of Strange Labyrinth, Clear Water and The Heritage'I have become a Benjamin Myers junkie in the last 12 months . . . Myers' place-writing is as good as anything being scrawled in Britain today' - Horatio Clare, author of Down to the Sea in Ships and Orison for a Curlew“Terrific… It’s a book which doesn’t just discuss or describe landscape, but immerses you within it… if this doesn’t put Ben Myers on everyone’s radar then I don’t know what will” – Daniel Carpenter, Bookmunch“An author to adopt as your own, a book to turn others on to ... boy does it rock” – Cally Callomon, Caught by the River“A daring new work … make[s] the unremarkable truly remarkable. It’s a work that is focused on landscape and place and is another step on this special writer cementing himself as more than just a cult favourite” – Narc Magazine“An extraordinary blend of power, poetry and grit … Benjamin Myers has made his rock sing” – Richard Littledale, The Preacher’s Blog“Myers’ prose is outstanding” – Marcel Krueger, Hong Kong Review of Books“Under the Rock is the most beautifully written non-fiction book… There is an extremely powerful sense of place. I was fully immersed in the landscape, the water, the woods, the rock. Lyrical, powerful, engaging, moving and fascinating. Highly recommended” – The Book Corner, Halifax