Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.

    Scarlett O'Hara, the beautiful, spoiled daughter of a well-to-do Georgia plantation owner, must use every means at her disposal to claw her way out of the poverty she finds herself in after Sherman's March to the Sea.

    But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May.Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession.Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her?So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely The Other Alcott.

    Haunted by unanswered questions and her own uncertain future, she flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academia. Kate is determined to unearth groundbreaking information on a failed 1822 slave revolt—the subject of her mother’s own research.Nearly two centuries earlier, Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves.Kate’s attempts to discover what drove her mother’s dangerous obsession with Charleston’s tumultuous history are derailed by a horrific massacre in the very same landmark church. In the unimaginable aftermath, Kate discovers a family she never knew existed as the city unites with a powerful message of hope and forgiveness for the world.

    Her parents don't believe her, nor does her fiance. The only one who understands is the eccentric local inventor and her longtime companion, Turri. When her eyesight dims forever, Carolina can no longer see her beloved lake or the rich hues of her own dresses. But as darkness erases her world, she discovers one place she can still see-in her dreams. Carolina creates a vivid dreaming life, in which she can not only see, but also fly, exploring lands she had never known. Desperate to communicate with Carolina, Turri invents a peculiar machine for her: the world's first typewriter. His gift ignites a passionate love affair that will change both of their lives forever. Based on the true story of a nineteenth-century inventor and his innovative contraption, "The Blind Contessa's New Machine" is an enchanting confection of love and the triumph of the imagination."

    The effervescent "It girl" of London society since her father was named the ambassador, Kathleen "Kick" Kennedy moves in rarified circles, rubbing satin-covered elbows with some of the 20th century's most powerful figures. Eager to escape the watchful eye of her strict mother, Rose, the antics of her older brothers, Jack and Joe, and the erratic behavior of her sister Rosemary, Kick is ready to strike out on her own and is soon swept off her feet by Billy Hartington, the future Duke of Devonshire.But their love is forbidden, as Kick's devout Catholic family and Billy's staunchly Protestant one would never approve their match. When war breaks like a tidal wave across her world, Billy is ripped from her arms as the Kennedys are forced to return to the States. Kick gets work as a journalist and joins the Red Cross to get back to England, where she will have to decide where her true loyalties lie—with family or with love . . .

    Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.

    She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.

    Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother's footsteps as a midwife; and their master's daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

    She lost her mother some years before, and her beloved grandmother has just passed away. And now her father has left town to work on a top-secret military project at Oak Ridge during the final months of World War II. Helen is wise beyond her years, but a ten-year-old cannot be left on her own to fend for herself. Her father arranges a summer guardian, Flora, her late mother's twenty-two-year-old first cousin who cries at the drop of a hat. A fiercely imaginative child, Helen is desperate to keep her house intact, with all its ghosts and stories. Flora is the good-hearted, modest cousin who wants to do her best for Helen. Their relationship and its fallout, played out against a backdrop of a lost America, will haunt Helen for the rest of her life.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country.Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

    Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. This novel gives an excellent feel for America's lost woods culture, which was created when most of the eastern midwest was a vast hardwood forest---virtually a jungle. The Trees conveys settler life, including conflicts with Native Americans, illness, hunting, family dynamics, and marriage.