Three women from different centuries meet in a modern doctor's waiting room. Forgiveness From Heaven is an eighteenth-century Chinese woman whose bound feet are causing her to lose her toes. Victoria is a nineteenth-century tightly corsetted English woman suffering from what is commonly known as "hysteria." Then there is Wanda, a modern gal from New Jersey who is having problems with her silicone breasts. Husbands, doctors, Freud, the drug industry and the FDA all come under examination. The play is a wild ride through medical and sexual politics, including the politics of the ever-present battle with breast cancer.

    

    Crofts. This, his greatest case, opens with the discovery beside the open safe of a diamond merchant in Hatton Garden of the dead body of his head clerk, and valuable diamonds are missing. There are many people to suspect, and before Inspector French solves it, he has to unravel many mysteries and follow up many false clues.

    The man behind her in the dark overcoat memorizes the address on her check. When she leaves the A&P, he follows her home. In the next few weeks he tracks her every move . . . and when she rebuffs his advances, he stabs her.Five women, chosen at random, fall victim to a man the press dubs the Hyena. The NYPD has no leads until young Babette Watson walks into homicide detective Max Segal’s office. She tells him she’s had disturbing visions of all the crimes before they happened. Dubious, Max takes a chance in believing the pretty psychic, and it isn’t long before they’re on the Hyena’s trail. But the Hyena knows they’re tracking him, and it won’t be long before he strikes.Like Fear Itself and Exes, Dan Greenburg’s other bestselling thrillers, Love Kills is a terrifyingly realistic, darkly humorous, startlingly sexual, street-tough novel with a surprising climax.

    

    John’s, setting off a chain of events that leaves doctors mystified. He is the first of many victims suffering from severe nosebleeds and excruciating pain. Dr. Luke Gillespie and Nurse Agatha Catania investigate their symptoms but are unable to diagnose them. The only thing they have in common is Sgt. Nicholas Myra, an investigator with the Royal Newfoundland Constabulary.Dr. Gillespie and Sgt. Myra join forces to solve this twisted mystery. But the story takes a critical turn when Sister Pius, a nun from Mercy Convent, informs them about Wormwood: a disease she believes is created by God to kill perpetrators of the most heinous crimes. Wormwood becomes an international media storm when parish priest Father Peter Cooke holds a news conference on the steps of the Basilica of St. John the Baptist and announces that God has unleashed a plague upon the earth.Is God truly punishing these criminals, or is a serial killer targeting them? Dr. Gillespie and Sgt. Myra race to find answers, while the Roman Catholic hierarchy starts bringing people back to the Church in droves . . . by cashing in on what it claims to be a miracle.

    But when a woman is murdered on the grounds and a handsome detective asks Judy to investigate, she finds herself changing from a conventional suburban wife into a daring woman, willing to risk her life to bring a killer to justice and a husband to his senses.

    Cavendish is the author of many poems, short stories, biographies, memoirs, letters, philosophical and scientific works (including The Description of a New World, Called The Blazing World, the first work of science fiction by a woman), and nineteen plays."The Convent of Pleasure" and Other Plays collects four of Cavendish's dramatic works that are among the most revealing of her attitudes toward marriage and her desire for fame. Loves Adventures (1662) centers on a woman succeeding in war and diplomacy by passing as a man. Similarly, the heroine of Bell in Campo (1662) rescues her husband at the head of an army of women in this tale of a marriage of near equals. The Convent of Pleasure (1668) proposes a separatist community of women and has received attention for its suggestion of lesbian sexuality. The Bridals (1662), a more typical restoration comedy satirizing marriage, rounds out the collection.Edited with notes and annotation by Anne Shaver, "The Convent of Pleasure" and Other Plays also contains a timeline, biography and bibliography of the Duchess, an appreciation of Cavendish's life and work, and a bibliography of critical essays. Also included are all of Cavendish's epistles To the Reader as well as Other Preliminary Matter from Playes (1662), and Cavendish's original preface to Plays Never Before Printed (1668). A valuable collection from an extraordinary writer, "The Convent of Pleasure" and Other Plays raises important issues about women and gender.