Gays and lesbians play a very prominent role in American life today, whether grabbing headlines over political gains, starring in and being the subject of movies and television shows, or filling the streets of nearly every major city each year to celebrate Gay Pride. However, this was not always the case, and this book charts their journey along with the history of the country. First touching on colonial times, the book moves on to the Victorian period and beyond, including such historical milestones as the Roaring ’20s, the Kinsey study, the McCarthy witch hunts of the 1950s, the Beat generation, Stonewall, disco, AIDS, and present-day battles over gay marriage. Providing a sense of hope mixed with pride, author Linas Alsenas demonstrates how, within one century, gay women and men have gone from being socially invisible to becoming a political force to be reckoned with and proud members of the American public living openly and honestly. The book includes a bibliography and an index.

    It is the work of one of the most influential attorneys in America, who has dedicated his life to the protection of individuals' rights and our Constitution's commitment to equal justice under the law. Above all, it is a clear, straightforward book that brings into sharp focus the very human significance of the right to marry in America—not just for some couples, but for all. Why is the word marriage so important? Will marriage for same-sex couples hurt the "sanctity" of the institution? How can people of different faiths reconcile their beliefs with the idea of marriage for same-sex couples? How will allowing gay couples to marry affect children? In this quietly powerful volume, the most authoritative and fairly articulated book on the subject, Wolfson demonstrates why the right to marry is important—indeed necessary—for all couples and for America's promise of equality.

    It chronicles her youth, her marriage, her eventual decision to come out as a lesbian, and her life with transgender activist and author Leslie Feinberg.

    Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.Following A CHANGE IS GONNA COME, winner of the YA BOOK PRIZE SPECIAL ACHIEVEMENT AWARD 2018

    --Alexander Chee Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled--and beat--The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them.Based on more than two hundred interviews with ACT UP members and rich with lessons for today's activists, Let the Record Show is a revelatory exploration--and long-overdue reassessment--of the coalition's inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.

    How could he have missed the fact that she was so sad? He tries to share his grief with his girlfriend, Tara, but she’s too concerned with her own needs to offer him much comfort. What he really wants is to be able to turn to the one person on the rez whom he loves—his friend, David. Things go from bad to worse as Shane’s dream of going to university is shattered and his grieving mother withdraws from the world. Worst of all, he and David have to hide their relationship from everyone. Shane feels that his only chance of a better life is moving to Toronto, but David refuses to join him. When yet another tragedy strikes, the two boys have to make difficult choices about their future together.With deep insight into the life of Indigenous people on the reserve, this book masterfully portrays how a community looks to the past for guidance and comfort while fearing a future of poverty and shame. Shane’s rocky road to finding himself takes many twists and turns, but ultimately ends with him on a path that doesn’t always offer easy answers, but one that leaves the reader optimistic about his fate.

    In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls.The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government.Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."

    In new afterwords, the co-editors reveal how the book came to be and what happened to their lives when, for the first time in history, a lesbian book from a small publisher went mainstream. Each nun in these stories describes her individual and searing path in, or out of, the convent to discover and face the truth of herself. Still myth-shattering, the stories remind us of the courage required to live—and love—in congruence with our authentic selves. "Oblivious to the controversies that surrounded the initial publication of Lesbian Nuns: Breaking Silence, whether they originated within the Catholic Church or the lesbian feminist movement, thousands of readers across the decades have embraced the book and found their lives changed by its message of empowerment." - Joanne E. Passet, Ph.D., Professor of History, Indiana University East

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    At the age of fourteen, Sappho is seduced by the beautiful poet Alcaeus, plots with him to overthrow the dictator of their island, and is caught and married off to a repellent older man in hopes that matrimony will keep her out of trouble. Instead, it starts her off on a series of amorous adventures with both men and women, taking her from Delphi to Egypt, and even to the Land of the Amazons and the shadowy realm of Hades.Erica Jong—always our keenest-eyed chronicler of the wonders and vagaries of sex and love—has found the perfect subject for a witty and sensuous tale of a passionate woman ahead of her time. A generation of readers who have been moved to laughter and recognition by Jong's heroines will be enchanted anew by her re-creation of the immortal poet.

    This pocket-sized book of archival texts lays out some of the historical foundations of queer resistance to the gay marriage mainstream alongside more contemporary inter-subjective critiques that deal directly with issues of race, class, gender, citizenship, age, ability, and more. In portable book form, the critical conversations that are happening so readily on the internet will no longer be withheld from those with little to no online access like queer and trans prisoners, people of low income, rural folks and the technologically challenged. Contributors include Kate Bornstein, Eric Stanley, Dean Spade, Craig Willse, Kenyon Farrow, Kate Raphael, Deeg, John D’Emilio, Ryan Conrad, Yasmin Nair, Martha Jane Kaufman, Katie Miles, and Mattilda Bernstein Sycamore.- - -"Against Equality makes the powerful argument that same-sex marriage is an essentially conservative cause, an effort to prop up a fundamentally unfair system. As an alternative, it offers us the inspiring vision of a truly radical queer politics, devoted to attacking injustice, not just allowing a few more gay people to benefit from it." – Walter Benn Michaels, The Trouble with Diversity: How We Learned to Love Identity and Ignore Inequality"Rather than being merely anti-marriage, the book deliberately articulates multiple alternative visions – such as building and valuing our own grassroots familial 'networks of accountability' – thus edging us closer to true 'equality,' or dare I say liberation, celebrating our differences as queers. – Jessica Max Stein (Make/Shift Magazine)"A powerful, moving read from a side often overlooked by mainstream society. A must read for anyone 'for' or 'against' gay marriage." – Steve Mason (California State Inmate/Queer Librarian)[This Anthology] brings to light that a venomous black-and-white rhetorical split has developed on gay marriage. The dichotomous engagement with the issue is damaging to the cohesion of the GLBTQ community and stops discussions short. This collection offers valuable, if controversial, much needed nuance to a radically fractured debate." – Ericka Steckle (Bitch Magazine)

    There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred.Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege.   Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.

    (Titan: An Alternate History, Delta, Hobson's Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling.From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. The traditional stories presented in the book are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication. MOONSHOT is an incredible collection that is sure to amaze, intrigue and entertain!Here are some of the talented writers and artists who have contributed to MOONSHOT:Claude St-Aubin (R.E.B.E.L.S., Green Lantern, Captain Canuck), Jeffery Veregge (G.I. Joe, Judge Dredd), Stephen Gladue (MOONSHOT cover artist), Haiwei Hou (Two Brothers), Nicholas Burns (Arctic Comics, Curse of Chucky, Super Shamou), Jon Proudstar (Tribal Force), George Freeman (Captain Canuck, Aquaman, Batman), Elizabeth LaPensee (Survivance, The Nature of Snakes, Fala), Buffy Sainte-Marie (Fire & Fleet & Candlelight, Coincidence & Likely Stories), Richard Van Camp (Path of the Warrior, Kiss Me Deadly), David Robertson (The Evolution of Alice, Stone), David Cutler (The Northern Guard), Menton J. Matthews III (Monocyte, Memory Collectors, Three Feathers), Jay Odjick (Kagagi: The Raven), Ian Ross (Heart of a Distant Tribe, Bereav'd of Light, An Illustrated History of the Anishinabe), Lovern Kindzierski (X-Men, Wolverine, Incredible Hulk, Thor, Spiderman), Arigon Starr (Super Indian, Indigenous Narratives Collective), Michael Sheyahshe (Dark Owl, Native Americans in Comic Books), Fred Pashe (SpiritWolf) and more!

    Toklas was written in 1933 by Gertrude Stein in the guise of an autobiography authored by Alice B. Toklas, who was her lover. It is a fascinating insight into the art scene in Paris as the couple were friends with Paul Cézanne, Henri Matisse and Pablo Picasso. They begin the war years in England but return to France, volunteering for the American Fund for the French Wounded, driving around France, helping the wounded and homeless. After the war Gertrude has an argument with T. S. Eliot after he finds one of her writings inappropriate. They become friends with Sherwood Anderson and Ernest Hemingway. It was written to make money and was indeed a commercial success. However, it attracted criticism, especially from those who appeared in the book and didn't like the way they were depicted.