I cannot recommend this book highly enough.' Heather Morris, author of The Tattooist of AuschwitzI have wished so many times that I had acted differently.I wish that I had been more worthy of you...Eventually the war will end, and then we will find each other.Until then, remember me.Budapest, 1938. In a city park, five young Jewish mathematicians gather to share ideas, trade proofs and whisper sedition.Sydney, 2007. Illy has just buried her father, a violent, unpredictable man whose bitterness she never understood. And now Illy's mother has gifted her a curious notebook, its pages a mix of personal story and mathematical discovery, recounted by a woman full of hopes and regrets.Inspired by a true story, Miriam Sved's beautifully crafted novel charts a course through both the light and dark of human relationships: a vivid recreation of 1930s Hungary, a decades-old mystery locked in the story of one enduring friendship, a tribute to the selfless power of the heart.LONGLISTED FOR THE COLIN RODERICK AWARD 2020PRAISE FOR A UNIVERSE OF SUFFICIENT SIZE'A fascinating, compelling, beautifully written novel.' Liane Moriarty, author of Big Little Lies and The Husband's Secret 'A taut, tender novel about family, secrets, genius and survival. Sved shows great insight into the complicated emotional architecture of family created in the aftermath of trauma.' Emily Maguire, author of An Isolated Incident'A superbly structured novel of family, history, secrets, trauma, and mathematics, stretching from 1930s Budapest to Sydney in the 2000s' Andrea Goldsmith'Sved's prose is as sinewy and powerful as her characters - beautifully controlled and full of revealing moments that... glow in the memory.' Cate Kennedy'A beautifully imagined inter-generational portrait of friendship, love and loss, set across three continents.' Julienne van LoonPRAISE FOR MIRIAM SVED'The best kind of storyteller... hypnotic, startling almost.' Clementine Ford, author of Fight Like a Girl and Boys Will Be Boys'At times I found myself being reminded of the American author Jennifer Egan. Both authors share the ability to surprise with character insights, something so traditional yet so mentally refreshing. The prose is limpid yet razor sharp. Highly recommended.' The Australian

    Food and supplies run low, panic sets in and still no help arrives. To protect her daughter, Isobel must take drastic action.The Glad Shout is an extraordinary novel of rare depth and texture. Told in a starkly visual and compelling narrative, this is a deeply moving homage to motherhood and the struggles faced by women in difficult times.

    The family of three journeys across the country, squabbling, bonding, searching and reconnecting.But Loretta isn’t mother material. She’s broke, unreliable, lost. And there’s something else that’s not quite right with this reunion.They reach the west coast and take refuge in a beachside caravan park. Their neighbour, a surly old man, warns the kids to stay away. But when Loretta disappears again the boys have no choice but to ask the old man for help, and now they face new threats and new fears.This beautifully written and gripping debut is as moving as it is frightening, and as heartbreaking as it is tender.

    The family move from Sydney to Newcastle, where Roy has bought a derelict house on the coast.As Roy painstakingly patches the holes in the floorboards and plasters over cracks in the walls, Maryanne believes, for a while, that they can rebuild a life together.But Freya doesn’t want a fresh start—she just wants out—and Daniel drifts around the sprawling, run-down house in a dream, infuriating his father, who soon forgets the promises he has made.Some cracks can never be smoothed over, and tension grows between Roy and Maryanne until their uneasy peace is ruptured—with devastating consequences.

    The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    When their mother's appetite for destruction leads the little family into the arms of Ray Crow, Jesse sees the brooding violence and knows that, this time, the trouble is real. But Jesse is just a kid and even as he tries to save his sister, he makes a fatal error that exposes them to the kind of danger from which he has sworn to protect Rachel. As their little world is torn to pieces, the children learn that when you are lost and alone, the only thing you can trust is what's in your blood.

    Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life.At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the years that have lapsed.With grace and humor, Nora recounts her desire to escape, the way her marriage went wrong, the vanity that drove her to get a facelift, and one romantic sea voyage that has kept her afloat during her dark years. Her memory is imperfect, but the strength and resilience she shows over the years is nothing short of extraordinary. A book about the sweetness of escape, and the mix of pain and acceptance that comes with returning home.

    Yet in the serene heart of the French province of Gascony, little has changed in a hundred years -- and the events in Paris seem but a distant thunder. Indeed, the dramatic crash landing of American artist and amateur balloonist Stephen Fletcher sparks far more excitement. Stephen lands in the pastoral world of a magistrate and his three daughters -- ethereal Claire, pert and precocious Mathilde, and plain, sensible Sophie, who lovingly tends her rose garden as she simmers with unfulfilled longings.As the revolution brings murder, terror, and fear into the remote Gascon countryside, Stephen finds himself enchanted by the angelic Claire. Yet he is also strangely drawn to Sophie, whose courage and compassion sustain them all, from her family to the quixotic, tormented physician who silently adores her. And even as Sophie keeps a tender secret of her own, she works toward realizing yet another dream: the miracle of an original repeat-flowering crimson rose -- a hopeful symbol of an unblighted future.

    Perhaps what you are facing is yourself.Sixteen-year-old Stephanie West has been dragged from Sydney to remote Maatsuyker Island off the coast of Tasmania by her parents, hoping to recapture a childhood idyll and come to terms with their grief over the death of Steph's twin brother. Cut off from friends and the comforts of home, exiled to a lonely fortress and a lighthouse that bears the brunt of savage storms, the months ahead look to be filled with ghosts of the past.Steph's saviour is Tom Forrest, a 19-year-old deckhand aboard a crayfishing boat. When the weather allows, Tom visits the island, and he and Steph soon form an attraction. But Tom must conceal at all costs the illegal fishing he takes part in, orchestrated by his tyrannical brother. And he dare not dwell on his fear of the sea or his deep-worn premonition that the ocean will one day take him.Wildlight is an exquisite, vividly detailed exploration of the wayward journey of adolescence, and how the intense experience of a place can change the course of even the most well-planned life.PRAISE FOR WILDLIGHT"There is much to admire in Wildlight: the skilful unravelling of the overriding mystery and the spectacular location given life. Mundy offers compelling answers to the dramatic tension she creates, even if she leaves us curious about why." The Australian"Wildlight could easily be devoured in a weekend and leaves one with a longing to escape the city and explore Australia's natural wilderness. It is a beautifully crafted story about love, human personas, remembering the past, and finding peace." NSW Writers' Centre

    She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all.Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. If he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    Ikey's partner in crime is his mistress, the forthright Mary Abacus, until misfortune befalls them. They are parted and each must make the harsh journey from 19th century London to Van Diemens Land. In the backstreets and dives of Hobart Town, Mary learns the art of brewing and builds The Potato Factory, where she plans a new future. But her ambitions are threatened by Ikey's wife, Hannah, her old enemy. The two women raise their separate families. As each woman sets out to destroy the other, the families are brought to the edge of disaster.

    Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it—to navigate the path through her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows Amanda Lohrey to be at the peak of her powers.