But then a chance discovery draws her back into the story of Plas Eden, the huge, ramshackle country house where, at eighteen, she said goodbye to her childhood sweetheart, David Meredith. 1898 The last time Ann was in London she was a spoilt, aristocratic bride. Now she stands destitute on London bridge, with the Meredith charity hospital her only lifeline. But who can she trust, and will she ever escape her past? Two women struggle with love, family duty, long-buried secrets and their own creative ambitions. But more than a hundred years ago Ann left a trail through London, Cornwall and Wales that leads Carys on a tantalising and increasingly shocking search for the truth.What is Plas Eden’s connection with her own family history and what are the secrets of the statues in the garden?‘It’s a great romantic read and also a very atmospheric, ingenious mystery.’ Margaret James, Writing Magazine‘This powerful and moving story… held me gripped.’ Trisha Ashley'Beautiful writing and a charming, intriguing story.'Sue Moorcroft‘Juliet’s characters are so believable and richly drawn the reader really cares what happens to them…’Anne Bennett

    Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.A moving and compelling account of one of the greatest artists of the twentieth century, Mark Rothko, whose struggle to accept his growing riches and praise became his ultimate undoing.

    This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.