A century ago, a young widow and her son died mysteriously there; just last year a local boy, visiting for a dare, disappeared without a trace.For Zoe Adams, newly arrived from America, the house offers a refuge from her failing marriage. But her peaceful retreat is disrupted by strange and disturbing events: night-time intrusions; unknown voices; a constant sense of being watched.The locals want her to believe that these incidents are echoes of the McBrides' dark past. Zoe is convinced the danger is closer at hand, and all-too-real – but can she uncover the truth before she is silenced?

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.

    She used to work for the U.S. government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon. When her former handler offers her a way out, she realizes it's her only chance to erase the giant target on her back. But it means taking one last job for her ex-employers. To her horror, the information she acquires only makes her situation more dangerous. Resolving to meet the threat head-on, she prepares for the toughest fight of her life but finds herself falling for a man who can only complicate her likelihood of survival. As she sees her choices being rapidly whittled down, she must apply her unique talents in ways she never dreamed of. In this tautly plotted novel, Meyer creates a fierce and fascinating new heroine with a very specialized skill set. And she shows once again why she's one of the world's bestselling authors.

    The Corn Maiden is the gut-wrenching story of Marissa, a beautiful and sweet eleven-year-old girl with hair the color of corn silk. Taken by an older girl from her school who has told two friends in her thrall of the Indian legend of the Corn Maiden, in which a girl is sacrificed to ensure a good crop, Marissa is kept in a secluded basement and convinced that the world has ended. Marissa s seemingly inevitable fate becomes ever more terrifying as the older girl relishes her power, giving the tale unbearable tension with a shocking conclusion. In Helping Hands, published here for the first time, a lonely woman meets a man in the unlikely clutter of a dingy charity shop and extends friendship. She has no idea what kinds of doors she may be opening. The powerful stories in this extraordinary collection further enhance Joyce Carol Oates s standing as one of the world s greatest writers of suspense."

    Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.Now those parallel universes are unlocked—and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself…to himself?

    Vincent and his family to magnificent estate? How desperate is Joyce Lambert, a destitute young widow whose only recourse is to marry a man she despises? What unexpected circumstance stirs old loyalties in Theodora Darrell, and unfaithful wife about to run away with her lover? In this collection of short stories, the answers are as unexpected as they are satisfying. The Queen of Crime takes bizarre romantic entanglements, supernatural visitations, and classic murder to inventive new heights.Contents:The Listerdale MysteryThe Girl in the TrainThe Manhood of Edward RobinsonJane in Search of a JobA Fruitful SundayThe Golden BallThe Rajah's EmeraldSwan SongThe Hound of DeathThe GypsyThe LampThe Strange Case of Sir Arthur CarmichaelThe Call of WingsMagnolia BlossomNext to a Dog

    The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.

    In Like A Charm, the cream of British and American crime writers combine for a must-have collection. From nineteenth-century Georgia, where the bracelet is forged in fire, to wartime Leeds, a steam train across Europe, the violent backstreets of 1980s Scotland, present-day London, a Manhattan taxi, the Mojave desert and back to Georgia, each writer weaves a gripping story of murder, betrayal and intrigue.

    New Year’s Day is a time for new beginnings, but Minneapolis homicide detectives Sam Kovac and Nikki Liska are focused on endings: specifically, the tragic end of their latest murder victim, an unidentified young woman discovered on the side of the freeway. Believed to be the victim of a serial killer, Kovac and Liska are determined to do the girl the small justice of returning her body to her family as they investigate her case, but it is no simple task matching the broken corpse to any of the scores of missing persons reports, especially when no one seems to be looking for her.Meanwhile, recent widow Jeannie Reiser is frantic when she is unable to get in touch with her daughter, Rose, who, as an eighteen-year-old, is a legal adult rather than a missing child in the eyes of the law. Jeannie’s desperate attempts to get the police to believe her child is in trouble lead her closer and closer to the New Year’s Doe and to an evil even Sam Kovac and Nikki Liska may be unable to stop. Tami Hoag once again proves her place as “one of the most intense suspense writers around”* with The 1st Victim. Includes an early look at The 9th Girl, coming July 2013.

    Her body was discovered days later, her beautiful face bashed in with a rock. Police determine her brutal death to be a mugging gone wrong and drop the matter into their cold case files.Over a year later, Tracy’s sister, Sondra, still can’t come to grips with what happened. She throws herself into her work as a documentary filmmaker to try and forget the cruelty of her sister’s death. However, a chance encounter with a man from Tracy’s past rips the wound open and sends Sondra on a desperate search for answers about the secrets from her sister’s life that may have led to her death.As Sondra struggles to uncover what happened to Tracy, she’s launched into a tangled web of deceit and danger that put her on a collision course with life and death…

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    A devastating accusation. Who should she trust, her husband or her best friend?It was supposed to be the perfect reunion: six university friends together again after twenty years. Host Ali finally has the life she always wanted, a career she can be proud of and a wonderful family with her college boyfriend, now husband. But that night her best friend makes an accusation so shocking that nothing will ever be the same again.When Karen staggers in from the garden, bleeding and traumatised, she claims that she has been assaulted—by Ali’s husband, Mike. Ali must make a split-second decision: who should she believe? Her horrified husband, or her best friend? With Mike offering a very different version of events, Ali knows one of them is lying—but which? And why?When the ensuing chaos forces her to re-examine the golden era the group shared at university, Ali realises there are darker memories too. Memories that have lain dormant for decades. Memories someone would kill to protect.

    A bluff high above the Pacific. A grand mansion full of beauty and tantalizing history set against a towering redwood forest.A young reporter on assignment from the San Francisco Observer. . . an older woman, welcoming him into her magnificent, historic family home that he has been sent to write about and that she must sell with some urgency . . . A chance encounter between two unlikely people . . . an idyllic night—shattered by horrific unimaginable violence. . .The young man inexplicably attacked—bitten—by a beast he cannot see in the rural darkness . . . A violent episode that sets in motion a terrifying yet seductive transformation as the young man, caught between ecstasy and horror, between embracing who he is evolving into and fearing who—what—he will become, soon experiences the thrill of the wolf gift.As he resists the paradoxical pleasure and enthrallment of his wolfen savagery and delights in the power and (surprising) capacity for good, he is caught up in a strange and dangerous rescue and is desperately hunted as “the Man Wolf,” by authorities, the media and scientists (evidence of DNA threaten to reveal his dual existence). . . As a new and profound love enfolds him, questions emerge that propel him deeper into his mysterious new world: questions of why and how he has been given this gift; of its true nature and the curious but satisfying pull towards goodness; of the profound realization that there are others like him who may be watching—guardian creatures who have existed throughout time and may possess ancient secrets and alchemical knowledge and throughout it all, the search for salvation for a soul tormented by a new realm of temptations, and the fraught, exhilarating journey, still to come, of being and becoming, fully, both wolf and man.

    Lily Bard came to the small town of Shakespeare to escape her dark and violent past. Other than the day-to-day workings of her cleaning and errand-running service, she pays little attention to the town around her. So when she spots a dead body being dumped in the town green, she's inclined to stay well away. But she was in the wrong place at the wrong time, and despite her best efforts, she's dragged into the murder case. Lily doesn't care who did it, but when the police and local community start pointing fingers in her direction, she realizes that proving her innocence will depend on finding the real killer in quiet, secretive Shakespeare.Shakespeare's Landlord is the first book in Charlaine Harris's Lily Bard mysterious series.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.