It has been seven years since he stood in that same spot; seven years since he left his family and their history behind him.As a teenager, Rudi discovered that his father was a doctor at Auschwitz. Trying to reconcile his inherited guilt, Rudi lashed out against his family and his friends, and eventually fled to Germany. While there, he follows in his father's footsteps by studying medicine, and falls in love with Sarah, the daughter of a Holocaust survivor.Questioning redemption, love, guilt, and the sins of the father, East of Berlin is a tour de force that follows Rudi's emotional upheaval as he comes to terms with a frightening past that was never his own.

    Nowhere is this more evident than in his latest play, Book of Days, which has won the Best Play Award from the American Theater Critics Association. Book of Days is set in a small town dominated by a cheese plant, a fundamentalist church, and a community theater. When the owner of the cheese plant dies mysteriously in a hunting accident, Ruth, his bookkeeper, suspects murder. Cast as Joan of Arc in a local production of George Bernard Shaw's St. Joan, Ruth takes on the attributes of her fictional character and launches into a one-woman campaign to see justice done. In Book of Days, Lanford Wilson uses note-perfect language to create characters who are remarkable both for their comic turns and for their enormous depth. "Mr. Wilson's cosmic consciousness, intense moral concern, sense of human redemption and romantic effusion have climbed to a new peak." -- Alvin Klein, The New York Times; "A significant addition to the Lanford Wilson canon . . . his best work since Fifth of July . . . Book of Days manages to combine Wilson's signature character-based whimsy with an atypically strong narrative book and politically charged underpinnings." -- Chris Jones, Variety; "Book of Days is lively storytelling by one of our best playwrights." -- Lawrence DeVine, Detroit Free Press.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    From her mother's diary, Etta Jean will learn to love the mother she never knew. And from the same diary, a mother will finally give of herself.

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    Gathered here are three of his latest works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York Times: "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."

    The Earl's New Identity is a clean regency romance with a twist fueled by past horror, true love to be tested between Earl of Rippon and Actress Lola. Will he about to reclaim the title he placed aside, or watch while the woman he loves is punished for a crime she didn’t commit. Will he find true love amid crisis ahead? London, 1812... An Abandoned Title…. The life of a midshipman offered Wesley, Earl of Rippon, exactly the kind of life that he required. Rising through the ranks of Britons finest naval fleet, Wesley had all but forgotten the haunting screams that drove him from his home. Content to leave behind his title and everything it represented, there was nothing in the world that could make him reclaim the life he left behind... Nothing but her. A Britain Beauty… Waiting a long time for the day she would have her chance to perform her theater debut, Lola had hardly expected that she would become Britain’s most famed actress. It was a long way from her days spent singing on the street for coin. But she would never regret the day her urchin ways had drawn the attention of a Navy midshipman. And Cold Blooded Murder… But when Lola's theater day is ripped apart by a host of brutal murders, and the police suspecting that Lola herself is behind them, Wesley is faced with a grim choice. Reclaim his title to protect the woman he loves. Or watch helplessly as she is punished for a crime she didn’t commit. Regardless of the choice… lives hanging in the balance. Can Wesley face the horrors of his past? Or will his inability to accept it force them both to take their final bow?

    She can’t bear to let down her beloved parents – until a horrible act of violence gives her no option but to run away. She turns to the one person she can trust – big sister Mary, now settled with a family of her own in Birmingham.Life here couldn’t be more different, but slowly Bridie comes to see the good side of a busy city, and begins to regain her confidence. But fate has more trouble in store, as World War Two looms, threatening everything she’s fought so hard to win.

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Set in Cincinnati, Ohio, during the height of World War II, Blood of the Reich is a non-stop thriller that continues story of the enigmatic German spy Erika Lehmann.

    The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    a towering tale of dreams unfettered, of mustangs running free, and of young men riding hell-bent-for-leather into Indian country for no other reason than they were young, brave and wild.By 1900 the Old West was vanishing, but the man many called its fastest gun was still alive.  By then Car Brules had shut himself and his secrets away in a cabin on Colorado's Lone Cone Peak.  Only one person knew his real story, a boy of eleven who became his friend and heard his extraordinary tales in 1909.  The Scout is that unforgettable story, just as young Steven Cartwright heard it, just as Brules told it: hard and gritty, wry with a cowboy's humor, and true to the spirits of all those who loved the west--and died for it--from Custer to Crazy Horse.Many hard, hurting things had driven Cat Brules to become the man he was.  The death of his beloved Shoshone bride, Wild Rose, was one of them.  Months after Brules lost her--brutally and far too soon--Wild Rose still came to him in his dreams.  With a void in his heart and a reckless spirit, Brules signed on as a Scout for General George Crook, whose cavalry was headed into the Badlands. Then, the U.S. Army still didn't know that there were fifteen thousand Sioux and Cheyenne in those Wyoming foothills, and under chiefs Sitting Bull and Crazy Horse, every one of them was willing to fight to the death to live free.Brules's account of the violence that ensued, told with eyewitness immediacy and chilling authenticity, is one of courage and shame as he rides the trail toward the Little Big Horn and the battles that followed.  Seeing for himself the dying of a way of life, Brules tells a searing truth about America's history: the betrayal of Custer to the Sioux, the hunting of Geronimo, and the U.S. Army's cruel pursuit of Chief Joseph and his Nez Perce.  And here too are the women who loved Brules: White Antelope, the gentle Indian maiden who wanted what Brules felt he could never give again--and Melisande, the saucy Mormon girl who might be too much for even Cat Brules to handle.Debunking the myths of the Old West and the romanticism of movies, renowned Western writer Harry Combs creates a vision at once more complex, magnificent and genuine--from the make of the rifle to the caliber of the bullet that cut Custer down.  A novel unmatched in excitement and adventure, The Scout lets you smell the cordite, feel a man's hard need for a woman, and discover that the real flesh and blood inhabitants of those legendary days were tougher, bolder and more fascinating than we ever dared to imagine.

    Theatre script, playbook