One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    These stories will strengthen your faith as you’re immersed in a small 1880s Oregon town when values were strong and lives were simpler. This digital bundle contains: Blowing on Dandelions: In 1880, three years after her husband’s death, Katherine Galloway struggles to run an Oregon boardinghouse and raise two girls alone. Things don't get easier when her critical, domineering mother moves in. Katherine must make the situation work, but standing up for herself and her family while honoring her mother isn't easy. Then she crosses paths with Micah Jacobs, a widower who could reignite her heart, but she fears a relationship with him might send things over the edge. She must find the strength, wisdom, hope, and faith to remake her life, for everything is about to change.Wishing on Buttercups: Some things, Beth Roberts knows, a lady simply doesn’t share, even in the 1880’s West. The townspeople would never understand. No one ever has. Jeffery Tucker, a handsome young writer, has kept his own secrets. He doesn’t have a right to pry into Beth’s affairs but finds himself strangely drawn to her and intrigued by the whiff of mystery surrounding her. Beth knows that one day someone will unravel the threads of her past. And when two men from her past arrive, the truth might just hurt . . . Beth’s future and her heart. As shadowy memories surface, Beth sketches the scenes she sees and is shocked by what—and who—her illustrations reveal. Dare she risk her heart again?Dreaming on Daisies: When her father's debts, brought on by heavy drinking, threaten Leah Carlson's family ranch, she fights to save it. When handsome banker Steven Harding must decline her loan request, he determines to do what he can to help. Just as he arrives to serve as a much-needed ranch hand, Leah's family secrets—and the pain of her past—come to a head. They could destroy everything she's fought for. And they could keep her from ever opening her heart again. This is western historical romance that offers hope and healing to the deepest wounds in a woman's past.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Soon the plantation they have struggled to maintain becomes a beacon of hope to others in desperate need.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    Gale has fashioned a spare but powerful tale that thrusts the indignities of slavery and the stupidity of racism out of the murky 18th century and into the here and now.—Martin Morrow, Calgary Herald

    

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    It is the distillation of what the Pardey's have learned in 150,000 miles of sailing on board their two cutters, Seraffyn and Taleisin, and on scores of other boats they have delivered or raced. Lin and Larry tell how they have sailed in comfort and safety without large cash outlay- on a pay-as-you-earn-as-you-go plan and by simplifying.In its first edition, this invaluable text has seen nine reprints. Now Lin and Larry have updated and revised the information to make it current and a valuable edition to any sailor's library right up to the millennium.