The Headhunter is loose on the streets of Vancouver. The psycho’s victims are everywhere - floating in the Fraser River, buried in a shallow grave, nailed to a totem pole on the university campus. All are women. All are headless.Then the taunting photographs arrive. Carefully posed shots of the women’s heads stuck on poles. The Mounties of Special X are up against a unique brand of killer. A killer whose sexual psychosis stretches back through Ecuador’s steaming jungle and a scream-filled New Orleans dungeon to a dead-of-winter manhunt in the Rocky Mountains a century ago.

    His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

    Gertrude’s Home for girls. As autumn fills the air, the townspeople prepare for the festive Halloween Haunt, Moonfall’s most popular tourist attraction. Even a series of unsolved deaths over the years hasn’t dimmed Moonfall’s renown. Maybe because anyone who knew anything about them has disappeared.Now, Sara Hawthorne returns to her hometown…and enters the hallowed halls of St. Gertrude’s where, twelve years before, another woman died a horrible death. In Sara’s old room, distant voices echo in the dark and the tormented cries of children shatter the moon—kissed night.But that’s just the beginning. For Sara Hawthorne is about to uncover St. Gertrude’s hellish secret…a secret she’ll carry with her to the grave…

    No one knew what went on in the sullen, dark house on the hill, but town cop Kurt Morris intended to find out. The sleepy town of Tylersville, Maryland was being stalked by an unimaginable evil, it had become the haunting-ground for horrors too grisly to be described. Young girls had vanished without a trace. Graves had been opened, corpses unearthed and carried away. Quiet moonlit nights gave way to a mindless slaughter, and to the sounds of hysterical screams… DARK HORIZONS Time was running out. How many more would be dragged off into an endless night, and for what hideous purpose? Fear led to wild speculations about psychopaths, crazed animals, vampires, and werewolves. But Kurt knew better. Deep in the fog-shrouded woods, he had seen the nightmare figures. And the truth was much, much worse… GHOULS! A novel of unrelenting horror in the tradition of Dean Koontz.

    What if some morning as the old woman stood at the head of the staircase she were suddenly to feel a weight thrusting against the back of her legs? What if she were to lunge forward, grasping at the air, striking her thin skull against the edge of a stair? What would become of me if she were found unmoving at the bottom of the stairway?’Such are the thoughts of Baxter, a sociopathic bull terrier on the hunt for the perfect master, as he contemplates the demise of his first victim. The basis for the acclaimed 1989 film Baxter, Ken Greenhall’s utterly chilling and long-unobtainable Hell Hound (1977) has earned a reputation as a lost classic of horror fiction. This first-ever reissue includes a new introduction by Grady Hendrix.

    After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son’s mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it’s too late.

    The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror.Originally published: New York: Holt, Rinehart, and Winston, 1984.

    So when he’s promised exclusive access to notorious cult leader and death row inmate Jeffrey Halcomb, the opportunity is too good to pass up. Lucas leaves New York for the scene of the crime—a split-level farmhouse on the gray-sanded beach of Washington State—a house whose foundation is steeped in the blood of Halcomb’s diviners; runaways who, thirty years prior, were drawn to his message of family, unity, and unconditional love. Lucas wants to tell the real story of Halcomb’s faithful departed, but when Halcomb goes back on his promise of granting Lucas exclusive information on the case, he’s left to put the story together on his own. Except he is not alone. For Jeffrey Halcomb promised his devout eternal life…and within these walls, they’re far from dead.

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

    The author also wrote "Assassin", "Spawn" and "Slugs".

    Antique specialist Rick Dellatolla knew a good deal when he saw one. And the mahogany chair, thickly carved in a cascade of intertwined human bodies, seemed a genuine stroke of luck. Then weird things started happening to Rick and his family. The foliage died in their garden. They lost track of time once inside their house. And their pet dog died a horrifying and pathetic bloody death. That was when Rick decided to destroy the chair before it destroyed everything he'd ever cared for. But by then then it was too late to stop the Evil that seemed to remain with Rick as a gift for he rest of his entire, hell-filled life...

    But now his luck has finally changed.He's got a blind date with a girl who sounds really hot.He can't wait. He knows this girl is going to be really different.Kerry's right.Because his blind date really is the girl of his dreams.Or maybe his worst nightmares...

    But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    Suddenly Alice can speak, hear, and perform miracles. The visitation site becomes a shrine. But Alice is no longer the guileless child overwhelmed by her new saintliness. She has become the agent of something corrupt, a vile force centuries old.