There he is stunned to discover that his father’s will disinherits his family and leaves everything – including the family home – to a secret son, Andrew Shaw.The news fills the Shaw family with hope. Twenty-year-old Andrew is in desperate need of a kidney transplant, and for him the inheritance may mean the difference between life and death. However, the lives of Andrew, his devoted older sister Tors and young brother Jack are disrupted when their mother insists they move from their home in Kerry to Wicklow to stake their claim under the will. There they live in a tiny bungalow on the sea front, while the Murtaghs take steps to contest the will.Gradually, both Seán Murtagh and Tors Shaw recognise the need to seek some middle ground but that seems impossible, such is the hostility between the families and the burning resentment that exists between the mothers.Andrew Shaw’s focus, however, is not on the question of the inheritance. There is something else he needs from the Murtaghs . . . something only they can give him . . .The Secret Son is a poignant and thought-provoking story that will stay with you long after you turn the last page.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    When Lucy married Len on a golden July day, Martha tried hard to make the best of things. Len was a good man who would make Lucy happy. They wouldn't be living far away. And the arrival of grandchildren was something she anticipated eagerly. Unexpectedly, Len's job took the newly married couple overseas, where their first child was born. But sorrow, not joy, came with Dominic's birth. On their return, Lucy's best friend, Jennifer, as flighty as Lucy was conventional, was anxious to provide her own kind of consolation... Martha, who was experiencing unlooked-for and at first unwelcome changes in her own life, clung fast to the maternal bond that meant so much to herself and Lucy. Everything she had come to depend on was overturned, however, before Martha was able to find her own kind of happiness in a very different existence. One of Susan Sallis's most poignant and involving novels, The Keys to the Garden explores the mother-daughter relationship with a rare insight.

    Reemy takes a new job and ends up running to stop a sex traffic organization - - but every step they take - someone seems to knowIs there a mole in their organization? Is there someone high up involved? Will they find the answer before more people are killed?

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    The first, an expensive lawyer. The second, suicide. Robert Derby used the first one. I’m using the second."Mara was celebrating her 21st birthday when her family was killed by a drunk driver. Two years later, Mara wants justice. She wants the drunk driver to understand how it feels to lose everything. She has a plan and a gun and she knows how to use it. But is she capable of murder?Garrett can’t help the family he was born into. His name puts a target on his back. Maybe that’s why he always dates women who need help. But can helping the wrong person lead to disaster?She Had to Kill Him is a gripping story about the things people do for their loved ones. Perfect for fans of Lisa Jewell, Colleen Hoover, and Paula Hawkins.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.