As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads.William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map-if they get on at all-only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi."His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

    Her father’s death – and life – have left her lonely, longing for a home and a true family, but these dreams feel hopeless. With nowhere else to go and simply trying to survive, she sets off for Winchester with the hope of finding work, and eventually her long-lost aunt. On her way, she is injured by a speeding phaeton and falls into a ditch. The handsome, kindly Lord Edward Westerham finds her and takes her to the home of Lady Tremaine, his great aunt.Anna floats in and out of consciousness, but Lady Tremaine and her servants dutifully care for her. As Anna slowly recovers, she and Lady Tremaine find that they have much in common, despite coming from completely different worlds. Soon, Lady Tremaine asks Anna to be her companion and teaches her how to be a lady. Anna feels safe and comfortable with Lady Tremaine, and finds herself falling for her savior, Lord Westerham. But she knows he cannot marry a commoner such as she.However, Anna soon finds an enemy in Lady Tremaine’s unscrupulous nephew, Lord William Comey. Worried that he will be cut from the will in favor of Anna, and in desperate financial straits, Lord Comey becomes determined to destroy her reputation – and Lady Tremaine’s affection.Can Anna overcome the schemes of a cunning conman? Or will she lose her one chance at a proper family and possibly, true love?

    The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. “Told with all the wit and style readers could wish for” (Booklist) Michael Riedel presents the drama behind every mega-hit or shocking flop. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.

    Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.

    But the mystical power that filled him awoke his brother's hatred and envy. Dull Knife would do anything to take what was his.The WomanSlender and lovely, the white captive had long ago caught Wind Warrior's eye. She was the kind of beauty who could make a man forget all else in the exquisite pleasures of the night. But when Dull Knife plotted to steal her away, the rivalry between the two brothers would come to a head, a prophecy would be fulfilled and with her daring rescue, a great passion would be born.

    But though her life was simple, she was always sure that someday her prince would come. J. Monroe Farley arrived with his Edison listening box to record the traditional music of the Ozarks, determined to focus all his attention on his studies. But there, in this remote mountain hamlet, he found something he never expected--the princess of his dreams...

    Beneath the indulgence and revelry of the Crescent City lies a long history of the dark and mysterious. From the famous "Queen of Voodoo," Marie Laveau, who is said to haunt the site of her grave, to the wicked LaLauries, whose true natures were hidden behind elegance and the trappings of high society, New Orleans is filled with spirits of all kinds. Some of the ghosts in these stories have sordid and scandalous histories, while others are friendly specters who simply can't leave their beloved city behind. Join supernatural historian Troy Taylor as he takes readers beyond the French Quarter and shows a side of New Orleans never seen.

    Penny’s gone from a few friends to a huge group of girls who all have each other’s backs, from a guy who thought nothing of cheating to a total sweetheart, and from the idea for The Lonely Hearts Club to a full-scale girls-rock revolution. Just think how much more she’ll be able to accomplish by the end of the school year! And it’s the holidays, which means Penny has two blissful weeks to spend eating cheese fries with her girls and kissing Ryan. The only thing she still has to do…is survive Christmas with her family.

    Ancient folklore warns of a mythical counterpart to Santa Claus, who punishes naughty children every Christmas… his name is KRAMPUS. Michael Dougherty presents the official graphic novel based on his festive horror comedy, which expands the mythology of this iconic terror with an anthology of three deliciously twisted morality tales that will leave you praying you are not on the naughty list. At the most wonderful time of the year, a drunken mall Santa comes under siege from some very mischievous Christmas spirits, a dysfunctional cop becomes trapped with the man who ruined his life and the wealthy town “scrooge” must face the shadows from his past as his home comes under invasion from the homeless. This Christmas, Krampus will make sure they all get what they deserve. Michael Dougherty, the writer/director behind cult horror hit Trick ‘r Treat, is joined by a fantastic team of creators, uniting Krampus co-screenwriters Zach Shields and Todd Casey and artists Fiona Staples (Saga), Christian Dibari (Hoax Hunters), Maan House (Witchblade), and Stuart Sayger (Bram Stoker’s Death Ship) to deliver a twisted gift for the holiday season.

    Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. This authoritative, exciting history is among the most powerful and important accounts of the culture of the South American Indians and the Spanish Conquest.

    A mere month later, facing quickly diminishing supplies and a fierce native population, White sailed back to England in desperation. He persuaded the wealthy Sir Walter Raleigh, the expedition's sponsor, to rescue the imperiled colonists, but by the time White returned with aid the colonists of Roanoke were nowhere to be found. He never saw his friends or family again.In this gripping account based on new archival material, colonial historian James Horn tells for the first time the complete story of what happened to the Roanoke colonists and their descendants. A compellingly original examination of one of the great unsolved mysteries of American history, A Kingdom Strange will be essential reading for anyone interested in our national origins.

    The preeminent historian of the American musical (New York Times), he brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre.Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap combinations of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive.From ballad opera to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.

    Taking you inside the nativity of over thirty favorite songs and carols, Ace Collins introduces you to people you’ve never met, stories you’ve never heard, and meanings you’d never have imagined. The next time you and your family sing "God Rest Ye Merry Gentlemen," you’ll have a new understanding of its message and popular roots. You’ll discover how "Angels from the Realms of Glory," with its sublime lyrics and profound theology, helped usher in a quiet revolution in worship. You’ll learn the strange history of the haunting and powerful "O Holy Night," including the song’s surprising place in the history of modern communications. And you’ll step inside the life of Mark Lowry and find out how he came to pen the words to the contemporary classic "Mary, Did You Know?" Still other songs such as "O Come, O Come, Emmanuel" trace back to mysterious origins--to ninth-century monks, nameless clergy, and unknown commoners of ages past. Joining hands with such modern favorites as "White Christmas" and "The Christmas Song," they are part of the legacy of inspiration, faith, tears, love, and spiritual joy that is Christmas. From the rollicking appeal of "Jingle Bells" to the tranquil beauty of "Silent Night," the great songs of Christmas contain messages of peace, hope, and truth. Each in its own way expresses a facet of God’s heart and celebrates the birth of his greatest gift to the world--Jesus, the most wonderful Christmas Song of all.

    The American dream was built along the banks of the James River in Virginia.