She opens the door to see a teenage girl standing in the shadow beyond the porch light—and in an instant she knows who it is. Daisy, the daughter she gave up as a baby. Daisy steps forward, as she says tearfully “I’m sorry I didn’t call first. But something happened. And I really needed… you.”Seventeen years before, knowing she couldn’t possibly give her beautiful little girl Daisy the future she deserved, Mia made the hardest decision of her life—to give her up. And Suzanne seemed the perfect adoptive mother: calm, stable, and full of love for the daughter she’d always dreamed of having. The two mothers promised to keep communication open, so Daisy could have Mia’s love and support along with Suzanne’s. But as the years passed, Mia moved away, and their visits happened less. Now Daisy is almost a stranger to Mia—angry, closed and broken—nothing like the tiny girl she once couldn’t bear to say goodbye to.But now Daisy has arrived on Mia’s doorstep, and she says she has a terrible secret. One she can never tell Suzanne. And she believes the only person who can help her is Mia. Her birth mother.Mia, however, has secrets of her own. Ones she is afraid to let Daisy or anyone else know. And while Suzanne desperately seeks a way to bring her child home, can Mia overcome her past to help the girl they both call their daughter in her darkest hour before it’s too late? Totally gripping emotional women’s fiction from the author guaranteed to make readers cry. Kate Hewitt’s story will grab you by the heartstrings and never let you go. Perfect for fans of Jodi Picoult, Diane Chamberlain and Jojo Moyes.

    Phillip Rochester is controlling, abusive, and determined to make things as difficult as possible. When he shows up without warning demanding that Imogen move out of their house by the end of the month or he'll sue for sole custody of their young son, Imogen is ready to snap.In a moment of madness, Imogen does something unthinkable--something that puts her in control for the first time in years. She's desperate to protect her son and to claim authority over her own life.But she wasn't expecting both Phillip's ex-wife and new girlfriend to get tangled up in her plans. These three very different women--and unlikely allies--reluctantly team up to take revenge against a man who has wronged them all.

    His characters, almost all of who are first-generation Indian Americans, subvert our expectations that they will sit quietly by. We meet two brothers caught in an elaborate web of envy and loathing; a young gay man who becomes involved with an older man whose secret he could never guess; three women who almost gleefully throw off the pleasant agreeability society asks of them; and, in the final pair of linked stories, a young couple struggling against the devastating force of community gossip. If You See Me, Don't Say Hi examines the collisions of old world and new world, small town and big city, traditional beliefs (like arranged marriage) and modern rituals (like Facebook stalking). The men and women in these stories are full of passion, regret, envy, anger, and yearning. They fall in love with the wrong people and betray one another and deal with the accumulation of years of subtle racism. They are utterly compelling. Ranging across the country, Patel’s stories -- empathetic, provocative, twisting, and wryly funny -- introduce a bold new literary voice, one that feels more timely than ever.

    The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in SNOW WHITE LEARNS WITCHCRAFT re-center and empower the women at the heart of these timeless narratives.

    Now they’ve graduated high school, and Cath is off to college while Scott stays at home trying to get his band off the ground. Neither of them realized that their first year after high school would be so hard.Fortunately, Scott and Cath still have each other, and it’s through their letters that they survive heartache, annoying roommates, family dramas, and the pressure of figuring out what to do with the rest of their lives. And through it all, they realize that the only person they’ve ever wanted to turn to is each other. But does that mean they should think about being more than friends? One thing is clear: Change is an inescapable part of growing up, and we share unbreakable bonds with the friends who help us navigate it.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    Dawkins reveals the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes men who struggle to keep their souls alive despite the challenges they face. In “A Human Number,” a man spends his days collect-calling strangers just to hear the sounds of the outside world. In “573543,” an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament against another unit. In “Leche Quemada,” an inmate is released and finds freedom more complex and baffling then he expected. Dawkins’s stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws. The Graybar Hotel tells moving, human stories about men enduring impossible circumstances. Dawkins takes readers beyond the cells into characters’ pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He’s an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.

    His brother is fighting in Vietnam. His embattled parents are locked in a never-ending war. And his best friend, Connor, is struggling with his own family issues. To find relief from the chaos, Lucas takes long, meandering walks, and one day he veers into the woods.There he discovers an isolated cabin and two huge dogs. Frightened, he runs. And the dogs run with him. Lucas finds unusual peace in running with the dogs, and eventually he meets their owner, Zoe Dinsmore. Closed off and haunted by a tragic past, Zoe has given up. She doesn’t want to be saved. She wants out. But Lucas doesn’t want her to go, and he sees an opportunity to bring more than one friend back into the light. It’s either the best or worst idea he’s ever had, but Lucas isn’t giving up on Zoe or Connor.Their unexpected connection might be the saving grace that Zoe thought she’d lost, that Connor needs, and that Lucas has been running toward.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    In “Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of “All Boy” finds comfort when he is locked in a closet by a babysitter. In “Dr. Deneau’s Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in “The Children beneath the Seat.” And in “Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man’s fatal flight from his wife.In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.

    These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.

    A nice house in the suburbs of Washington, DC. Two well-behaved, healthy teenage children. Important government jobs—Rebecca working in counterterrorism for the Federal Bureau of Investigation, Brian serving as a coder for the National Security Agency. Their lives stand to improve even more as Brian, in his off-hours, has just developed and sold a highly profitable app. However, the Unsworths’ marriage isn’t as perfect as it seems. After two decades together, they’ve drifted apart, talking little and having sex even less. Seeking to revive their strained relationship, they decide for their twentieth wedding anniversary to take their two kids, Kira and Tony, on a European getaway. They have a blast…until one night in Barcelona when Kira doesn’t come home from a dance club. She’s gone. Abducted. Over the course of a single weekend, the Unsworths will do everything possible to find her—as Kira herself discovers just how far she’ll go to break free of the trap that’s been set for her. And even as Rebecca and Brian come together for Kira, they realize their marriage is more tenuous than they realized. The Power Couple is both a fast-paced, globe-trotting espionage novel full of surprising twists and a nuanced look at modern marriage—the challenges of balancing career, parenthood, sex, and love.

    Now, on the cusp of a divorce, she finds herself sandwiched between caring for her often difficult and dying mother and dealing with her rebellious teenaged twins.When she thinks life couldn’t get any more complicated, Allison discovers her mother has concealed an ominous secret from her for her entire life.At her twins’ eighteenth birthday party, and nearing the end, her mother checks off the last item on her bucket list and reveals the long-hidden family secret. Allison's world is immediately turned upside down and the revelation stuns family and friends alike.