His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book. Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.

    Ambitious, charismatic, and beautiful, Nefertiti is destined to marry Amunhotep, an unstable young pharaoh. It is hoped by all that her strong personality will temper the young Amunhotep's heretical desire to forsake Egypt's ancient gods, overthrow the priests of Amun, and introduce a new sun god for all to worship. From the moment of her arrival in Thebes, Nefertiti is beloved by the people. Her charisma is matched only by her husband's perceived generosity: Amunhotep showers his subjects with lofty promises. The love of the commoners will not be enough, however, if the royal couple is not able to conceive an heir, and as Nefertiti turns her attention to producing a son, she fails to see that the powerful priests, along with the military, are plotting against her husband's rule. The only person wise enough to recognize the shift in political winds--and brave enough to tell the queen--is her younger sister, Mutnodjmet.Observant and contemplative, Mutnodjmet has never shared her sister's desire for power. She yearns for a quiet existence away from family duty and the intrigues of court. Her greatest hope is to share her life with the general who has won her heart. But as Nefertiti learns of the precariousness of her reign, she declares that her sister must remain at court and marry for political gain, not love. To achieve her independence, Mutnodjmet must defy her sister, the most powerful woman in Egypt, while also remaining loyal to the needs of her family. Love, betrayal, political unrest, plague, and religious conflict, Nefertiti brings ancient Egypt to life in vivid detail. Fast-paced and historically accurate, it is the dramatic story of two unforgettable women living through a remarkable period in history.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade.Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement.Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for.Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.

    Abandoning her studies at Oxford in 1915 to enlist as a nurse in the armed services, Brittain served in London, in Malta, and on the Western Front. By war's end she had lost virtually everyone she loved. Testament of Youth is both a record of what she lived through and an elegy for a vanished generation. Hailed by the Times Literary Supplement as a book that helped “both form and define the mood of its time,” it speaks to any generation that has been irrevocably changed by war.

    But it's time now to think on it anew. There's a journey we must go on, and no more delay..."The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war.Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Fifty years later, Philomena decided to find him.Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother.A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.

    Unlike the "New Woman" novels of the era which challenged the idea that the unmarried woman was superfluous, Gissing satirizes that image and portrays women as "odd" and marginal in relation to an ideal. Set in a grimy, fog-ridden London, Gissing's "odd" women range from the idealistic, financially self-sufficient Mary Barfoot to the Madden sisters who struggle to subsist in low paying jobs and little chance for joy. With narrative detachment, Gissing portrays contemporary society's blatant ambivalence towards its own period of transition. Judged by contemporary critics to be as provocative as Zola and Ibsen, Gissing produced an "intensely modern" work as the issues it raises remain the subject of contemporary debate.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    Disguising herself as a eunuch she flees Ephesus for Alexandria, then the center of learning. There she apprentices to a Jewish doctor but eventually becomes drawn into Church politics and is forced once again to flee. She serves as an army doctor at a Roman outpost in Thrace until, kidnapped by barbarian Visigoths, she finds her destiny to heal and also to be a woman and a wife.