Engrossing.” — Booklist , starred reviewIn this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.The Nazis stole their voices. But they would not be silenced.Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.The Nazis track down Aubrion’s team and give them an impossible choice: turn the resistance newspapers into a Nazi propaganda bomb that will sway public opinion against the Allies, or be killed. Faced with no decision at all, Aubrion has a brilliant idea. While pretending to do the Nazis’ bidding, they will instead publish a fake edition of Le Soir that pokes fun at Hitler and Stalin—daring to laugh in the face of their oppressors.The ventriloquists have agreed to die for a joke, and they have only eighteen days to tell it.Featuring an unforgettable cast of characters and stunning historical detail, E.R. Ramzipoor’s dazzling debut novel illuminates the extraordinary acts of courage by ordinary people forgotten by time. It is a moving and powerful ode to the importance of the written word and to the unlikely heroes who went to extreme lengths to orchestrate the most stunning feat of journalism in modern history.

    The closed world of the ancient aristocracy is being breached for the first time by outsiders - rich provincial families, a new and powerful political and social elite.Kiyoaki has been raised among the elegant Ayakura family - members of the waning aristocracy - but he is not one of them. Coming of age, he is caught up in the tensions between the old and the new, and his feelings for the exquisite, spirited Satoko, observed from the sidelines by his devoted friend Honda. When Satoko is engaged to a royal prince, Kiyoaki realises the magnitude of his passion.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    A family torn apart. A decision that could change everything.Berlin, 1939. Fourteen year old Simon Horowitz is awash in a world of music. His family owns a superb collection of instruments and at its heart is his father's 1742 Guarneri de Gesu violin. But all is lost when the Nazis march across Europe and Simon and his father and brother are sent to Dachau. Amid unimaginable cruelty and death, Simon finds kindness from an unexpected corner, and a chance to pick up a violin again and a chance to live.In the present day, orchestra conductor Rafael Gomez has seen much in his time on the world's stage, but he finds himself oddly inspired by the playing of an aspiring violin virtuoso, a fantastic talent who is only just fourteen. Then the boy, Daniel Horowitz, suddenly refuses to play another note, and Rafael knows he'll do anything he can to change that. When he learns the boy's family once owned a precious violin, believed to have been lost forever, Rafael thinks he might know exactly how to get Daniel playing again. In taking on the task he discovers a family story like no other that winds from World War II and Communist Russia all the way to Rafael's very own stage.

    Its sprawling, encyclopedic narrative, and penetrating analysis of the impact of technology on society make it an intellectual tour de force.