First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time.The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you!

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    And sometimes there isn't.Summer, 1993. Claire has been dumped in rural Indianola, Texas, to spend her whole vacation taking care of mean, sickly Grammy. There's nothing too remarkable about Indianola: it's run-down, shabby, and stifling hot, a pin-dot on the Gulf Coast.Well, there is one remarkable thing, she discovers. Something otherworldly.But if you leave Indianola, you forget about it... and if you stay, you have to live with it every day.Because there's a confluence of energies at Indianola, a fissure in time and space, a gap in reality. Nothing is as it seems. And unless Claire can figure out this town--the talkative lizards under the pecan trees; the honey-sweet but terrifying girl next door; the cute daughter of a powerful family, who would answer Claire's questions if she had any answers; the pervasive sense of history coming unspooled, like a video tape--she might never leave.

    To keep her power secret, she leads a quiet life as a healer on a remote mountain, content to help the people in her care and spend time with Ina, the mortal girl she loves.But Asra’s peaceful life is upended when bandits threaten Ina’s village and the king does nothing to help. Desperate to protect her people, Ina begs Asra for assistance in finding her manifest—the animal she’ll be able to change into as her rite of passage to adulthood. Asra uses her blood magic to help Ina, but her spell goes horribly wrong and the bandits destroy the village, killing Ina’s family.Unaware that Asra is at fault, Ina swears revenge on the king and takes a savage dragon as her manifest. To stop her, Asra must embark on a journey across the kingdom, becoming a player in lethal games of power among assassins, gods, and even the king himself.Most frightening of all, she discovers the dark secrets of her own mysterious history—and the terrible, powerful legacy she carries in her blood.

    As a fugitive refugee in the territory controlled by the tyrannical Mercer corporation, I've always had to hide who I am. Until I found Excalibur. Now I'm done hiding. My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind.No pressure.

    War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within.As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia's reign once and for all, Eris and Sona grow closer--as comrades, friends, and perhaps something more...

    Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin's Manhunt, an explosive post-apocalyptic novel that follows trans women and men on a grotesque journey of survival.Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.Robbie lives by his gun and one hard-learned motto: other people aren't safe.After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.Manhunt is a timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender and non-binary people, from a powerful new voice in horror.

    Trolls are known in Scandinavian mythology as wild beasts like the werewolf, but this troll is just a small, wounded creature. Angel decides to offer it a safe haven for the night. In the morning Angel thinks he dreamed it all. But he finds the troll alive, well, and drinking from his toilet. What does one do with a troll in the city?Angel begins researching frantically. Angel searches the Internet, folklore, nature journals, and newspaper clippings, but his research doesn't tell him that trolls exude pheromones that have a profound aphrodisiac effect on all those around him. As Angel's life changes beyond recognition, it becomes clear that the troll is familiar with the man's most forbidden feelings, and that it may take him across lines he never thought he'd cross. A novel of sparkling originality, Troll is a wry, peculiar, and beguiling story of nature and man's relationship to wild things, and of the dark power of the wildness in ourselves.

    Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I’m Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road?

    But Alan’s new job proves to be anything but boring when his co-workers start turning up dead. The mysterious megacorporation Amalgamated Synergy has taken a deadly interest in Alan and his three roommates, and the hapless quartet are woefully unequipped to deal with the psychotic secretaries, murderous middle managers, and villainous vice-presidents hunting them down. Their investigation leads them deep into Amalgamated Synergy’s headquarters, but can Alan and his friends stay alive long enough to discover who – or what – waits for them on the top floor?

    But don't expect the usual fantasy backdrops-these stories will give you a frisson, a thrill, as they fizz off the page. They are extraordinary characters living outside the bounds of reality. But you will recognize them... It's about being gay, being straight, falling in love, sorrowful partings, death, and fantastic circumstances. Bending the Landscape stretches the standard fantasy genre.

    By encoding music with addictive and mind-altering elements, the Corp holds control over all citizens, particularly conduits like Anthem, whose life energy feeds the main power in the Grid.Anthem finds hope and comfort in the twin siblings he cares for, even as he watches the life drain slowly and painfully from his father. Escape is found in his underground rock band, where music sounds free, clear, and unencoded deep in an abandoned basement. But when a band member dies suspiciously from a tracking overdose, Anthem knows that his time has suddenly become limited. Revolution all but sings in the air, and Anthem cannot help but answer the call with the chords of choice and free will. But will the girl he loves help or hinder him?

    Among the women’s most powerful weapons in their assault is laughter, but they also threaten literary and linguistic customs of the patriarchal order with bullets. In this breathtakingly rapid novel first published in 1969, Wittig animates a lesbian society that invites all women to join their fight, their circle, and their community. A path-breaking novel about creating and sustaining freedom, the book derives much of its energy from its vaunting of the female body as a resource for literary invention."A delectable epic of sex warfare . . . an extraordinary leap of the imagination into the politics of oppression and revolt." --Mary McCarthy

    Her plan: to buy, beg, or lie her way out of corporate indenture and find a cure.When her crew salvages a genocidal weapon from a ravaged starship above a dead colony, Ash uncovers a conspiracy of corporate intrigue and betrayal that threatens to turn her into a living weapon.