In 'Paradise' Valley of Dor, mortals feign divinity, enslave pilgrims. In once-yearly opening Chamber of the Sun, blue 'Goddess' Issus will soon sacrifice John's wife Queen Dejah Thoris. Old allies rescue new - green tusked Tars and Sola Tarka, Helium red-skins Kantos Kan, Navy chief, freed grown son Cathoris (original Carthoris), white Princess Phaidor, black pirate Captain Xodar, pretty Thuvia.Collecting JOHN CARTER: THE GODS OF MARS #1-5.

    They know only that she is called The She-Devil of The Hyrkanian Steppes. That, and RED SONJA.MARK RUSSELL (The Flintstones) and MIRKO COLAK (Conan) bring a savage tale of metal and blood. A world conqueror possesses a massive army and a fatal prophecy. A bastard sorceress craves revenge. And a fearsome red-haired warrior is made wartime ruler of a homeland set for decimation.Collects Red Sonja, Volume 5 #1-6 and Red Sonja: Lord of Fools One-Shot

    Each chapter in This is Me, Period introduces one of the major pieces of punctuation and all of its idiosyncracies, including:The dashing em dash— So-called "quotation marks"The colon: and on and onThe shouty exclamation!The three dots of . . . (Don't forget the brackets)And even moreAs charming as it is educational, This is Me, Period helps you understand sentence structure in a novel way that keeps you turning the pages for more.

    If they are lucky, they can recruit Fenris—the Blue Wraith—whose vendetta against his former master has put him on a similar path.

    All she knew about her was that the baby had been born in Wuhu, a city in southern China, and left near a police station in her first three days of life. Her birth mother had left a note with Lulu's western and lunar birth dates. In 1999 Emily and her daughter–now a happy, fearless four-year-old--returned to China to find out more. That journey and its discoveries unfold in this lovely, touching and sensitively observed book.In Wuhu Diary, we follow Emily and LuLu through a country where children are doted on yet often summarily abandoned and where immense human friendliness can coexist with outbursts of state-orchestrated hostility–particularly after the U. S. accidentally bombs the Chinese embassy in Belgrade. We see Emily unearthing precious details of her child’s past and LuLu coming to terms with who she is. The result is a book that will delight anyone interested in China, and that will move and instruct anyone who has ever adopted--or considered adopting--a child.

    Meanwhile, growing nationalism is hampering international cooperation and fuelling conflict everywhere. The west's will - as well as its capability - to shape the world is ebbing away.Beset by economic woes, western countries are continuing the post-Cold War process of disarmament at the very moment that many believe a new Cold War is starting. NATO members have compared Vladimir Putin's foreign policy to that of Adolf Hitler, newly empowered groups such as ISIS, not to mention some governments, are tearing up the rulebook of acceptable international behaviour, and the military prowess that the western world once regarded as its prerogative is being dwarfed by countries like India and China.Tightly argued by Newsnight's diplomatic and defence editor Mark Urban, THE EDGE is a sharp polemic that breaks new ground in examining the workings and consequences of these geo-political tectonics, and shows just how rapidly the balance of power has been upended.

    This collection takes on a life of its own, ending with the story “The Dark Ages”–taking place post-war–but if the Fables knew the consequences, they might not have gone to war at all. Collects Fables #42-81 and Peter & Max: A Fables Novel HC.

    An account of the many aspects of village life in China.

    Although scholars have pieced together their history, first-person accounts are rare and fragmented; many of the so-called "Paper Sons" lived out their lives in silent fear of discovery. Chin's story speaks for the many Chinese who worked in urban laundries and restaurants, but it also introduces an unusually articulate man's perspective on becoming a Chinese American.Chin's story begins in the early 1930s, when he followed the example of his father and countless other Chinese who bought documents that falsely identified them as children of Chinese Americans. Arriving in Boston and later moving to New York City, he worked and lived in laundries. Chin was determined to fit into American life and dedicated himself to learning English. But he also became an active member of key organizations -- a church, the Chinese Hand Laundrymen's Alliance, and the Chinese Consolidated Benevolent Association -- that anchored him in the community. A self-reflective and expressive man, Chin wrote poetry commenting on life in China and the hardships of being an immigrant in the United States. His work was regularly published in the China Daily News and brought him to the attention of the FBI, then intent on ferreting out communists and illegal immigrants. His vigorous narrative speaks to the day-to-day anxieties of living as a Paper Son as well as the more universal immigrant experiences of raising a family in modest circumstances and bridging cultures.Historian K. Scott Wong introduces Chin's memoir, discussing thelimitations on immigration from China and what is known about Exclusion-era Chinese American communities. Set in historical context, Tung Pok Chin's unique story offers an engaging account of a twentieth-century Paper Son.

    Lone Racer is the story of a down-and-out racecar driver whose days of success are long gone. After a misguided attempt at bank robbery, where he is supposed to drive the getaway car, Lone Racer decides that the days of going downhill are over. Will Lone Racer get back on track?

    A man of few scruples, nerves of steel, and a steady trigger finger, but also, a man on the verge of cracking. After misadventures in Central and South America and having earned enough money to retire comfortably, the Killer retires to Mexico, but his colleagues are still in need of his irreplaceable skills . . . and before long he’s drawn back into the great geopolitical game between Cuba, Venezuela, and the United States. Artist Luc Jacamon and writer Matz (The Black Dahlia) deliver the definitive collection of the Eisner Award-nominated crime saga, The Killer, a hardboiled, noir series that New York Times bestselling writer Brian Michael Bendis calls “one of the best graphic novel series of the last ten years.”

    Meanwhile, Mulder uncovers more of the truth than he can handle when an old, cigarette-smoking "friend" pays him a visit.