The price we paid for becoming intelligent was to become painfully ignorant of the difference between good and evil.Adi, a 10-year-old boy, works together with two old philosophers as they try to unravel the prophecy of a promised King. With insatiable curiosity, Adi must work with the wise men as they rationalize with each other on why and how humans became intelligent. Together they attempt to answer some of the most profound questions related to existence. Does evolution end with human beings or is there an ‘Overman’ who can reach evolution’s pinnacle? Will this Overman be able to define values for humankind?Centuries later a young boy promises his mother that he will always uphold the love that she has taught him. It is a promise that drowns him in the nectar of the gods. Krish grows up to be an engineer and joins a team of scientists as they try to create artificial consciousness in a machine.Krish soon realizes that he has a bigger fight on his hands. A fight to preserve love in a desolate world. His quest for true love ultimately leads him down a path where he comes face to face with a fearsome snake delivering a kiss of death.Humans have come a long way by questioning the nature of objects around us and pushing the limits of our intelligence, but it’s now time that we ask the greatest question yet: when does intelligence transcend to become consciousness?

    That is until a beautiful raven-haired whirlwind blows into his life. Nisha Raine is a free-spirited, unstoppable force. She races into town on a coal-black mare with the speed of a hurricane and the heart of a champion, intent on competing in the Dawson Derby. When Nisha and Eric meet, a clash of wills ensues. However, neither can deny their intense attraction. Can they bridge the divide and cross the finish line together, or will their differences make them falter and lose the race?

    This book tells the true story of Cathy’s adopted daughter Lucy.Lucy was born to a single mother who had been abused and neglected for most of her own childhood. Right from the beginning Lucy’s mother couldn’t cope, but it wasn’t until Lucy reached eight years old that she was finally taken into permanent foster care.By the time Lucy is brought to live with Cathy she is eleven years old and severely distressed after being moved from one foster home to another. Withdrawn, refusing to eat and three years behind in her schooling, it is thought that the damage Lucy has suffered is irreversible.But Cathy and her two children bond with Lucy quickly, and break through to Lucy in a way no-one else has been able to, finally showing her the loving home she never believed existed. Cathy and Lucy believe they were always destined to be mother and daughter – it just took them a little while to find each other.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    Secrets are revealed and hearts are being crushed. We will see who’s going to be the last man standing and which woman will hold the key to which man’s heart. More drama and more backstabbing but as we already know, only one person can come off on top. Let’s just see who will be the last man standing.