Through his personal relationships with several of Henry s queens, and Henry himself, his writings were filled with colorful anecdotes, salacious gossip, and personal and insightful observations of the key players at court, thus offering the single most continuous portrait of the central decades of Henry s reign.Beginning with Chapuys arrival in England, in the middle of Henry VIII s divorce from Katherine of Aragon, this book progresses through the episodic reigns of each of Henry s queens. Chapuys tirelessly defended Katherine and later her daughter, Mary Tudor, the future Mary I. He remained as ambassador through the rise and fall of Anne Boleyn, and reported on each and every one of Henry s subsequent wives Jane Seymour, Anne of Cleves, Katherine Howard, and Katherine Parr as well as that most notorious of ministers Thomas Cromwell. He retired in 1545, close to the end of Henry VIII s reign.In approaching the period through Chapuys letters, Lauren Mackay provides a fresh perspective on Henry, his court and the Tudor period in general.

    The women of the royal family are the central characters; what they ate, how they dressed, the books they read, and the letters they wrote are all addressed. Yet even the greatest of these women suffered the universal legal and physiological disabilities of womanhood, and while some triumphed over them, others went under.

    This is by no means yet another account of the "old monster" and his dealings. The "monster" displayed here is, at the very least, a newer type, more beset by anxieties and insecurities, and more tightly surrounded than ever by those who equated loyalty with fear, self-interest, and blind obedience. This compelling and groundbreaking book also demonstrates that Henry VIII's priorities were always primarily martial rather than marital, and accepts neither the necessity of his all-consuming quest for a male heir nor his need ultimately to sever ties with Rome. As the story unfolds, Henry's predicaments prove largely of his own making, the paths he chose neither the only nor the best available. For Henry VIII was not only a bad man, but also a bad ruler who failed to achieve his aims and blighted the reigns of his two immediate successors.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    And on learning the truth about her lascivious and despotic father, Henry VIII, she vows never to relinquish control to any man. But this avowal doesn't prevent Elizabeth from pursuing a torrid love affair with her horsemaster, Robin Dudley -- described with near-shocking candor -- as too are Anne's graphic trysts with a very persistent and lustful Henry. Blending a historian's attention to accuracy with a novelist's artful rendering, Maxwell weaves compelling descriptions of court life and devastating portraits of actual people into her naughty, page-turning tale. The result is a masterpiece of historical fiction -- so prophetic of our time that one would think it were ripped from today's headlines.

    Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.

    Born in obscurity in Putney, he became a fixer for Cardinal Wolsey in the 1520s. After Wolsey's fall, Henry VIII promoted him to a series of ever greater offices, such that in the 1530s he was effectively running the country for the King. That decade was one of the most momentous in English history: it saw a religious break with the Pope, unprecedented use of parliament, the dissolution of all monasteries, and the coming of the Protestantism. Cromwell was central to all this, but establishing his role with precision has been notoriously difficult.Diarmaid MacCulloch's biography is the most complete life ever written of this elusive figure, making connections not previously seen and revealing the channels through which power in early Tudor England flowed. It overturns many received interpretations, for example that Cromwell and Anne Boleyn were allies because of their common religious sympathies, showing how he in fact destroyed her. It introduces the many different personalities contributing to these foundational years, all worrying about what MacCulloch calls the 'terrifyingly unpredictable' Henry VIII, and allows readers to feel that they are immersed in all this, that it is going on around them. For a time, the self-made 'ruffian', as he described himself - ruthless, adept in the exercise of power, quietly determined in religious revolution - was master of events. MacCulloch's biography for the first time reveals his true place in the making of modern England and Ireland, for good and ill.

    Katherine spent her life unacknowledged as the king's daughter, yet she was given prime appointments at court as maid of honour to both Anne of Cleves and Katherine Howard. She married Francis Knollys when she was 16 and went on to become mother to many successful men and women at court including Lettice Knollys who created a scandal when she married Sir Robert Dudley, the queen's favourite. This fascinating book studies Katherine's life and times, including her intriguing relationship with Elizabeth I.

    Lisa Hilton’s meticulously researched new work explores the lives of the 20 women crowned between 1066 and 1503. She reconsiders the fictions surrounding well-known figures like Eleanor of Aquitaine, illuminates the lives of forgotten queens such as Adeliza of Louvain, and shows why they all had to negotiate a role that combined tremendous influence with terrifying vulnerability. The result is a provocative and dramatic narrative that redefines English history.

    "In the last millennium there have been only six English female sovereigns: Mary I and Elizabeth I, Mary II and Anne, Victoria and Elizabeth II, who celebrated her eightieth birthday in 2006. With the exception of Mary I, they are among England's most successful monarchs. Without Mary II and Anne, the Glorious Revolution of 1688 might not have taken place. Elizabeth I and Victoria each gave their name to an age, presiding over long periods when the country made significant progress in the growth of empire, prestige, and power. All of them have far-reaching legacies. Each faced personal sacrifices and emotional dilemmas in her pursuit of political power. How to overcome the problem of being a female ruler when the sex was considered inferior? Does a queen take a husband and, if so, how does she reconcile the reversal of the natural order, according to which the man should be the master? A queen's first duty is to provide an heir to the throne, but at what cost? In this richly compelling narrative, Maureen Waller delves into the intimate lives of England's queens regnant in delicious detail, assessing their achievements from a female perspective.

    For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later.Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and - after his death - with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

     This is the story of the dramatic final 24 hours of the life of Anne Boleyn. The story is told in a compelling minute by minute countdown which ends with her final walk to the scaffold, and her beheading by the hangman of Calais' sword. The book describes the actions and thoughts of some the leading players during those final 24 hours including Thomas Cranmer, Chapuys, Jane Seymour, Lady Mary, Sir William Kingston, Thomas Wyatt and, of course, the three principle players... Henry VIII - what was he doing as the woman he moved heaven and earth to marry faced execution. Did he feel remorse? Did he feel hatred? Did he feel anything at all? Thomas Cromwell - widely accepted as the engineer behind the downfall of the queen. Did he feel guilt that even Chapuys was not convinced by the charges which sent Anne to her death? Anne Boleyn - just how did she manage to walk to the scaffold and address the the crowd so bravely? How did she cope with the continual postponement of the execution? And what did she think of the men that would send her to the grave? A new take on one of the most infamous days in English history ...the clock is ticking and, for the Queen of England, it cannot be stopped.

    From ancient Rome to Edwardian England, from the lavish rooms of Versailles to the dankest corners of the Bastille, the great royals of Europe have excelled at savage parenting, deadly rivalry, pathological lust, and meeting death with the utmost indignity-or just very bad luck.

     Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What's more, her favorites--William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh--had made the Elizabethan era a cultural Golden Age still remembered today. But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.

    A political power in her own right, she was born into the powerful and ambitious Lorraine family, spending her formative years at the dazzling and licentious court of Francois I. Although briefly courted by Henry VIII, she instead married his nephew, James V of Scotland, in 1538.James' premature death four years later left their six day old daughter, Mary, as Queen and presented Marie with the formidable challenge of winning the support of the Scottish people and protecting her daughter s threatened birthright. Content until now to remain in the background and play the part of the obedient wife, Marie spent the next eighteen years effectively governing Scotland, devoting her considerable intellect, courage and energy to safeguarding her daughter s inheritance by using a deft mixture of cunning, charm, determination and tolerance.The last serious biography of Marie de Guise was published in 1977 and whereas plenty of attention has been paid to the mistakes of her daughter s eventful but brief reign, the time has come for a fresh assessment of this most fascinating and under appreciated of sixteenth century female rulers."