For the U. S. Navy, that meant restricted budgets — and the Asiatic Fleet, on the far side of the world out of sight of the Navy’s commanders and the American public, was at the bottom of the list for the Navy’s limited resources. Bobby MacPherson, Seaman 2nd Class, only seventeen years old and freshly graduated from radio operator school, was naively excited by his assignment to the submarine S-37 stationed with the Asiatic Fleet. The exotic places providing bases for the American Navy — Manila, Shanghai, Tsingtao — and their strange cultures, histories and people engaged his driving curiosity and sharp mind. He was very different from most of the “China hands,” the long time sailors of the Asiatic fleet, who spent their time drinking and chasing the countless prostitutes that populated the port cities of the Philippines and China. His outstanding athletic ability and his earnest integrity made him popular with his crewmates and officers despite his differences. All of those qualities drew Bobby into a dangerous and malicious plot against the American forces in Asia; a plot involving nearly all of the competing powers in China — General Chiang Kai-shek’s Nationalists, Mao Tse-tung’s Communists, the Imperial Japanese military occupiers of China, warlords and ancient, powerful families who considered themselves the true rulers of China. CHINA HAND is a never before published novel by best-selling author Harry Homewood. Like his previous, hugely popular novels FINAL HARBOR and SILENT SEA, CHINA HAND is based on his real life experience — in this case his service in an S-Class submarine in the Asiatic Fleet in the years before World War II. It is intensely authentic. Harry Homewood was a qualified submariner before he was seventeen years old, having lied to the Navy about his age, and serving in a little "S"-boat in the old Asiatic Fleet. After Pearl Harbor he reenlisted and made eleven war patrols in the Southwest Pacific. He later became Chicago Bureau Chief for Newsweek, chief editorial writer for the Chicago Sun-Times, and for eleven years had his own weekly news program syndicated to thirty-two PBS television stations.

    As tens of thousands of students and concerned Chinese citizens took to the streets demanding political reforms, the fate of China's communist system was unknown. When reports of soldiers marching into Beijing to suppress the protests reverberated across Western airwaves, the world didn't know what to expect.Lun Zhang was just a young sociology teacher then, in charge of management and safety service for the protests. Now, in this powerful graphic novel, Zhang pairs with French journalist and Asia specialist Adrien Gombeaud, and artist Ameziane, to share his unvarnished memory of this crucial moment in world history for the first time.Providing comprehensive coverage of the 1989 protests that ended in bloodshed and drew global scrutiny, Zhang includes context for these explosive events, sympathetically depicting a world of discontented, idealistic, activist Chinese youth rarely portrayed in Western media. Many voices and viewpoints are on display, from Western journalists to Chinese administrators.Describing how the hope of a generation was shattered when authorities opened fire on protestors and bystanders, Tiananmen 1989 shows the way in which contemporary China shaped itself.

    The race included only five cars and their crews who wrote their agreed code of conduct on the back of a menu the night before the start. The only navigational aids were the sun and telegraph poles. Ninety years later, the race ran again.Rosie Thomas and her companion, Phil Bowen a thirty-year old climber, pearl-diver, charter-boat skipper and photographer were two of those daring enough to go for the challenge. On 6 September 1997, an assembly 110 vintage cars gathered in Peking, with the finish line in Paris lying 45 days and 16,000 kilometres ahead halfway across the world. The excitement of the daily time challenge, the strange camaraderie, the test of sleeping outdoors, in flea-pit hotels, in foreign lands, is more than matched by Rosie's own internal journey, including a near death experience at the top of the Himalayas.

    Our beginners guide contains all the essential information you need in order to succeed. It covers the basic techniques, well illustrated with over a hundred images, and explains everything you need to know in an understandable way. Bonsai Empire is the world's most visited Bonsai website and has provided beginners with quality information for over a decade. We have developed this guide to help you get a taste of this fascinating and living art, and hope you'll enjoy it as much as we do! This book includes: - Over 100 stunning images - Over 80 pages - Explanations of the basic techniques - Care guides on the 10 most popular tree species - Background on the history, definition and styles Walter Pall: "Now here is the ultimate book to lead beginners. I am happy to have been able to contribute to this" Mauro Stemberger "Very clear" and "With great quality drawings and pics"

    The result is a truly psychotic urban nightmare ...

    One weekend, Mark escapes to Moganshan, a dilapidated mountaintop village built by foreigners in the early 1900s as a summer retreat. Mark falls in love with the place and decides to restore one of the villas, as if he were in Tuscany or Provence.

    . . the house where her worst nightmares were about to come true. . . . The House of a Thousand Lanterns.Jane Lindsay never dreamed she would be wealthy. Nor that she would fall in love with a man she could not trust. Against the background of nineteenth- century England and Hong Kong, Victoria Holt unfolds the story of a young Englishwoman who found a strange new world . . . .

    TheCult of the Luxury Brand illuminates the mysterious inner workings of Asia’s love affair with luxury for business professionals and intrigued consumers alike.

    She was largely raised by her grandparents in an outsized Tudor confection of a house on the periphery of Bel Air, which she thought of as "Sunset," her kingdom of the imagination, inhabited by the past and its numberless artifacts. True wandering Jews, her grandparents had arrived in Los Angeles in the forties after dramatic, globetrotting lives. Harry Jacobs had been a fur trapper in Alaska, a soldier in the trenches of the Great War, a traveling salesman in a Model T. Margaret Sassoon had lived a privileged life as a member of a Jewish merchant family in Shanghai, turning down offers of marriage from Russian princes exiled by the Revolution. Kathryn Harrison grew up in an almost mythical realm of their letters and artifacts and stories -- until declining finances forced to sell the house on Sunset in 1971, and night fell fast. On Sunset seeks to recover that childhood, that place, those lives -- and does so with piercing poignancy.

    Tina yearns for this new setting to bring her the zen-like inner peace she's always heard about on infomercials. Instead, she becomes a totally exasperated fish out of water, doing wacky things like stealing the shoes of a shifty delivery man, spraying local women with a bidet hose, and contemplating the murder of her new pet cricket.It takes the friendship of an elderly tai chi instructor, a hot Mandarin tutor, and several mah-jongg-tile-slinging expats to bring Tina closer to a culture she doesn't understand, the dream job she never knew existed, and the self she has always sought. Fish Heads and Duck Skin will resonate with anyone who has ever wondered who they are, why they were put here, and how they ever lived before eating pan-fried pork buns.

    With over 320 photographs, 32 extended interviews, and essays on the City's history and character, this reprint is not only an informative glimpse of a now vanished landmark but a sensitive and penetrating portrait of a unique community.

    After all, she can write letters and recite poems as well as even better than her boy cousins.Luckily, Yeung Ying's mother thinks "girls and boys are just the same." Despite protests from her husband s family, Ma uses what little money the family has to send her daughter to private school. There Yeung Ying begins to fall in love with books and writing. Combining this new passion with the colorful experiences of her daily life, Yeung Ying discovers that even girls can dare to dream.In her first collection of poems, Ching Yeung Russell captures elements of her youth in rich, vivid snapshots and authentic detail. Readers of all backgrounds will relate to spirited Yeung Ying, her dynamic family, and her courage in the face of life s obstacles."

    Winner of the 1991 PEN/Jerard Fund Award, Talking to High Monks in the Snow captures the passion and intensity of an Asian-American woman's search for cultural identity.

    The animals featured in these pages are either destined for extinction or already extinct in the wild but still alive today, thanks to dedication of a heroic group committed to their continued survival. From the majestic Sumatran rhinoceros to the tiny Salt Creek tiger beetle.Sartore singles out the species most likely to disappear in the next decades, as well as some that have already been lost. Alongside these images are the words of scientists and conservationists who are working to protect and restore populations of endangered species.

    Ming was an only child born to loving parents during the ‘one child per family’ regime ,known as the “one child policy”,. She was lucky enough to be an only child but many in her village were not! Second-born children were hidden by their families from the authorities – kept up at night and hidden asleep under their houses during the day. “Children of the Night” fascinated Ming and she sneaked out to join them. She began staying up at night and playing with her friends until she too, started sleeping during the day. One night, the authorities raided her village, and brutally removed all the ‘identity less’ children who were playing outside at night, including Ming, despite her mother’s screams that she is an only child. The militia took them to a remote children’s house for re-education. Under harsh conditions of cold, hunger and physical abuse, Ming spends her adolescence there, even though she has an identity and belongs with her family. Her deep longing for her parents and home, instill in her a strong desire to escape. Will she succeed?