A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.

    A remarkably motley group of people call the building home; Pakistani phone stall operators, Chinese guesthouse workers, Nepalese heroin addicts, Indonesian sex workers, and traders and asylum seekers from all over Asia and Africa live and work there—even backpacking tourists rent rooms. In short, it is possibly the most globalized spot on the planet. But as Ghetto at the Center of the World shows us, a trip to Chungking Mansions reveals a far less glamorous side of globalization. A world away from the gleaming headquarters of multinational corporations, Chungking Mansions is emblematic of the way globalization actually works for most of the world’s people. Gordon Mathews’s intimate portrayal of the building’s polyethnic residents lays bare their intricate connections to the international circulation of goods, money, and ideas. We come to understand the day-to-day realities of globalization through the stories of entrepreneurs from Africa carting cell phones in their luggage to sell back home and temporary workers from South Asia struggling to earn money to bring to their families. And we see that this so-called ghetto—which inspires fear in many of Hong Kong’s other residents, despite its low crime rate—is not a place of darkness and desperation but a beacon of hope. Gordon Mathews’s compendium of riveting stories enthralls and instructs in equal measure, making Ghetto at the Center of the World not just a fascinating tour of a singular place but also a peek into the future of life on our shrinking planet.

    Drawing upon pioneering research with the children of the gender revolution, Kathleen Gerson reveals that it is not a lack of family values, but rigid social and economic forces that make it difficult to have a vibrant and committed family and work life.Despite the entrance of women into the workforce and the blurring of once clearly defined gender boundaries, men and women live in a world where the demands of balancing parenting and work, autonomy and commitment, time and money are left largely unresolved. Gerson finds that while an overwhelming majority of young men and women see an egalitarian balance within committed relationships as the ideal, today's social and economic realities remain based on conventional--and now obsolete--distinctions between breadwinning and caretaking. In this equity vacuum, men and women develop conflicting strategies, with women stressing self-reliance and men seeking a new traditionalism.With compassion for all perspectives, Gerson argues that whether one decides to give in to traditionally imbalanced relationships or to avoid marriage altogether, these approaches are second-best responses, not personal preferences or inherent attributes, and they will shift if new options can be created to help people achieve their egalitarian aspirations. The Unfinished Revolution offers clear recommendations for the kinds of workplace and community changes that would best bring about a more egalitarian family life--a new flexibility at work and at home that benefits families, encourages a thriving economy, and helps women and men integrate love and work. Praise for the Hardcover: Over the past three decades, social change has blown apart the old-fashioned ideal of the nuclear family--and Gerson has set out to map where the pieces have landed.--New York PostValuable for the abundance and candor of the testimony from this unmoored generation pioneering through radically altered conceptions of personal and professional life.--Publishers WeeklyThis is not a battle that can be won with legal challenges or legislation. Yes, it would undoubtedly be greatly aided by the passage of major social policies such as universal child care. But at its core, this is a fight that plays out within homes and between partners. And as Gerson's research makes clear, the fight has not changed all that dramatically in the past 30 years. --The American Prospect

    I called work and booked some time off. Then I bought a one-way train ticket to Liverpool.'In 1981, Mike Carter's dad, Pete, organised the People's March for Jobs, which saw 300 people walk from Liverpool to London to protest as the Thatcher government's policies devastated industrial Britain and sent unemployment skyrocketing. Just before the 2016 EU referendum, Mike set off to walk the same route in a quest to better understand his dad and his country.As he walked, Mike found many echoes of the early eighties: a working class overlooked and ignored by Westminster politicans; communities hollowed out but fiercely resistant; anger and despair co-existing with hope and determination for change. And he also found that he and Pete shared more in common than he might have thought.All Together Now? maps the intricate, overlapping path of one man's journey and that of an entire country. It is a book about belonging, about whether to stay or go, and about the need to write new stories for our communities and ourselves.

    Every book in the Mandarin Companion series is carefully written to use characters, words, and grammar that a learner is likely to know. Level 2 is intended for Chinese learners at a low intermediate level. Most learners who have been able to comfortably read Mandarin Companion Level 1 should be able to read this book. This series is designed to combine simplicity of characters with an easy-to-understand storyline that helps learners grow their vocabulary and language comprehension abilities. The more they read, the better they will become at reading and grasping the Chinese language. Great Expectations is hailed as Charles Dickens' masterpiece. A gripping tale of love and loss, aspiration and moral redemption, the story follows the young orphan Xiaomao (Pip) from poverty to a life of unexpected opportunity and wealth. In Part 1, Xiaomao (Pip) is raised by his short-tempered older sister and her husband who run a small repair shop in the outskirts of Shanghai. Xiaomao dreams of leaving his life of poverty behind after becoming playmates with the beautiful Bingbing (Estella), daughter of the eccentric Bai Xiaojie (Ms. Havisham). His prospects for the future are bleak, until one day a mysterious benefactor gives Xiaomao the opportunity of a lifetime.

    A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

    In THE SEVENTH DAUGHTER, Chiang presents a classic collection of recipes framed by her gripping life's story. Beginning with her account of a privileged childhood in 1920s and 1930s Beijing, Chiang chronicles a 1,000-mile trek on foot in the wake of the Japanese occupation, her arrival in San Francisco, and her transformation from accidental restaurateur to culinary pioneer. The book's recipes feature cherished childhood dishes and definitive Mandarin classics, while showcasing Cecilia's purist approach to authentic Chinese home cooking.   • The signature recipes and extraordinary story of Cecilia Chiang, the grande dame of Chinese cooking in America.    • Includes more than 80 recipes, 20 full-color styled food photographs, and archival photography from Chiang's private collection.    • Recipes feature in-depth notes on sourcing ingredients and tips on simplifying the recipes.    • Features menus for putting together Chinese banquets and dinners at home.

                 A prizewinning foreign correspondent and former New York Times bureau chief in Shanghai and in West and Central Africa, Howard French is uniquely positioned to tell the story of China in Africa. Through meticulous on-the-ground reporting—conducted in Mandarin, French, and Portuguese, among other languages—French crafts a layered investigation of astonishing depth and breadth as he engages not only with policy-shaping moguls and diplomats, but also with the  ordinary men and women navigating the street-level realities of cooperation, prejudice, corruption, and opportunity forged by this seismic geopolitical development. With incisiveness and empathy, French reveals the human face of China’s economic, political, and human presence across the African continent—and in doing so reveals what is at stake for everyone involved.             We meet a broad spectrum of China’s dogged emigrant population, from those singlehandedly reshaping African infrastructure, commerce, and even environment (a self-made tycoon who harnessed Zambia’s now-booming copper trade; a timber entrepreneur determined to harvest the entirety of Liberia’s old-growth redwoods), to those just barely scraping by (a sibling pair running small businesses despite total illiteracy; a karaoke bar owner–cum–brothel madam), still convinced that Africa affords them better opportunities than their homeland. And we encounter an equally panoramic array of African responses: a citizens’ backlash in Senegal against a “Trojan horse” Chinese construction project (a tower complex to be built over a beloved soccer field, which locals thought would lead to overbearing Chinese pressure on their economy); a Zambian political candidate who, having protested China’s intrusiveness during the previous election and lost, now turns accommodating; the ascendant middle class of an industrial boomtown; African mine workers bitterly condemning their foreign employers, citing inadequate safety precautions and wages a fraction of their immigrant counterparts’. French’s nuanced portraits reveal the paradigms forming around this new world order, from the all-too-familiar echoes of colonial ambition—exploitation of resources and labor; cut-rate infrastructure projects; dubious treaties—to new frontiers of cultural and economic exchange, where dichotomies of suspicion and trust, assimilation and isolation, idealism and disillusionment are in dynamic flux.             Part intrepid travelogue, part cultural census, part industrial and political exposé, French’s keenly observed account ultimately offers a fresh perspective on the most pressing unknowns of modern Sino-African relations: why China is making the incursions it is, just how extensive its cultural and economic inroads are, what Africa’s role in the equation is, and just what the ramifications for both parties—and the watching world—will be in the foreseeable future.

    Born in Tokyo but also raised and educated in the United States, Minae Mizumura acknowledges the value of a universal language in the pursuit of knowledge, yet also embraces the different ways of understanding offered by multiple tongues. She warns against losing this precious diversity.Universal languages have always played a pivotal role in advancing human societies, Mizumura shows, but in the globalized world of the Internet, English is fast becoming the sole common language of humanity. The process is unstoppable, and striving for total language equality is delusional--and yet, particular kinds of knowledge can be gained only through writings in specific languages.Mizumura calls these writings "texts" and their ultimate form "literature." Only through literature, and more fundamentally through the diverse languages that give birth to a variety of literatures, can we nurture and enrich humanity. Incorporating her own experiences as a writer and a lover of language, and embedding a parallel history of Japanese, Mizumura offers an intimate look at the phenomena of individual and national expression.

    Guided by an ancient parchment written in mysterious code and accompanied by their faithful guide Lao Xu, the three explorers encounter subterranean phenomenon, prehistoric animals, and vast underground seas. "A Journey to the Center of the Earth" is one of Jules Verne's best-known works and one of the most classic tales of adventure ever written. Mandarin Companion is a series of easy-to-read novels in Chinese that are fun to read and proven to accelerate language learning. Every book in the Mandarin Companion series is carefully written to use characters, words, and grammar that a learner is likely to know. Level 2 is intended for Chinese learners at a low intermediate level, equivalent to roughly two to three years of formal study. Most learners who have been able to fluidly read Mandarin Companion Level 1 should be able to read this book. This series is designed to combine simplicity of characters with an easy-to-understand storyline that helps learners grow their vocabulary and language comprehension abilities. The more they read, the better they will become at reading and grasping the Chinese language.

    Shanghai Station is a compelling tale of political terror and personal vengeance that unfolds in 1918 in China's colorful, turbulent port city of Shanghai. Well-born Alexander Karlov arrives in Shanghai with a mission, for the Bolsheviks have brutally killed his mother and abducted his twin sister. Vengeance commands Alexander's soul. It also entangles him in perilous allianceswith the Cossack hit man Ivan Semyonov; with Mei-lan, a woman who knows Shanghai's darkest secrets; with "Big Ear," leader of the city's most powerful Triad; with the French police; and with a spirited young American woman who calls herself Jesse James."

    She has interwoven the earthiness of China and the harshness of immigrant life . . . to create a series of short stories that are at once pitiful, heartbreaking, funny, and deeply inspiring.”—Lisa See, author of Snow Flower and the Secret FanFrom the restaurants of New York’s Chinatown to the retail emporium of Bergdorf Goodman, and from remote Chinese military outposts to the streets of Beijing, the tremors of China’s rapid economic and cultural growth can be felt. As the characters in these stories struggle to find their way, a young girl discovers love amidst a sea of angry Red Guards, émigrés navigate New York’s relentless rat race, an ambitious businesswoman finds the meaning of success in her rival, and an old man returns to a Beijing he doesn’t recognize on a mission to restore his son-in-law’s flagging honor.Moving smoothly across political, cultural, and personal borders and between countries, continents, and languages, these stories open a window into the rapid transformations of an ancient culture and the soul’s thirst for adventure and harmony in a quickly changing world.Wang Ping was born in Shanghai and grew up on a small island in the East China Sea. After three years spent farming in a mountain village commune, she attended Beijing University. In 1985 she left China to study in the United States, earning her PhD from New York University. She is the acclaimed author of the short story collection American Visa, the novel Foreign Devil, two poetry collections: Of Flesh & Spirit and The Magic Whip, and the cultural study Aching for Beauty: Footbinding in China. She now lives in St. Paul, Minnesota, and teaches at Macalester College. Visit her website at www.wangping.com.

    One weekend, Mark escapes to Moganshan, a dilapidated mountaintop village built by foreigners in the early 1900s as a summer retreat. Mark falls in love with the place and decides to restore one of the villas, as if he were in Tuscany or Provence.

    So it is that through the telling of one Chinese peasant woman's life, a vivid vision of Chinese history and culture is illuminated. Over the course of two years, Ida Pruitt—a bicultural social worker, writer, and contributor to Sino-American understanding—visited with Ning Lao T'ai-ta'i, three times a week for breakfast. These meetings, originally intended to elucidate for Pruitt traditional Chinese family customs of which Lao T'ai-t'ai possessed some insight, became the foundation for an enduring friendship.As Lao T'ai-t'ai described the cultural customs of her family, and of the broader community of which they were a part, she invoked episodes from her own personal history to illustrate these customs, until eventually the whole of her life lay open before her new confidante. Pruitt documented this story, casting light not only onto Lao T'ai-t'ai's own biography, but onto the character of life for the common man of China, writ large. The final product is a portrayal of China that is "vividly and humanly revealed."

    Ranging through history, literature, folklore, linguistics, and sociology, this is a breezy, straightforward primer of surprising breadth.