Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love.Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl.Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they catalogue all kinds of monsters and dream up ways to defeat them. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere.2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister.The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.

    Its grip on Valerie is tighter than ever, now that she’s been hired to lead a tourist group across the same desolate terrain where her mother died.But when a woman’s frozen corpse is found outside a quiet Inuit village just as they’re about to depart, and a friend of Valerie’s mysteriously disappears, Valerie’s suspicions grow; her disquiet is only eased by Clem Hardeven. A man of adventure and roughneck charisma, he’s drawn to Valerie—but he knows nothing of the mysteries that consume her.As their search takes them into the icy reaches of the Arctic north, Valerie starts to fear that it’s all tied to the darkness that befell her own family long ago—a dangerous puzzle whose pieces have remained elusive to her. Until now.

    But this soon changes. Every day a new dilemma arises, pulling her into the chaos, and as she gets to know her neighbors she discovers comedy, cruelty, and even tragedy. Do you know what’s going on in your neighborhood?

    Murder binds. Maggie never felt as though she belonged until Chris Stevens showed her what true happiness meant. Ten years into their marriage, miscarriages and infidelities have scarred them both. Despite their perfect-couple image, Maggie can’t look at Chris with anything but resentment. When a charismatic stranger offers the opportunity for a little harmless flirtation, she jumps into the game. But charm soon turns to malice, and a deadly split-second decision forces Maggie and Chris onto a dangerous path fraught with secrets, lies, and guilt. With no one else to turn to—no one she dares trust—Maggie will ultimately learn just how binding marital ties can be.

    He is aserial killer that only kills bad guys--his own clients. Shanehas spent his life hunting one very bad killer called the StoneCutter. The StoneCutter buries his victims alive and leaves them for dead. One year ago, he was captured and charged with murder. Shane defended him and got him acquitted.Then he killed the StoneCutter. Or so he thought, because his murders have started over again. Now, Shane must find this cold, sadistic killer before it'stoo late.

    A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat.Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and senile, has taken a turn for the worse. Though every inch of him resists, it is time to come home.It's not long before things start to go wrong. Reading the news, Paul learns another copycat has struck. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago.It wasn't just the murder.It was the fact that afterward, Charlie Crabtree was never seen again...

      Teo Avelar is a loner. He lives with his paraplegic mother and her dog in Rio de Janeiro, he doesn't have many friends, and the only time he feels honest human emotion is in the presence of his medical school cadaver—that is, until he meets Clarice. She's almost his exact opposite: exotic, spontaneous, unafraid to speak her mind. An aspiring screenwriter, she's working on a screenplay called Perfect Days about three friends who go on a road trip across Brazil in search of romance. Teo is obsessed. He begins to stalk her, first following her to her university, then to her home, and when she ultimately rejects him, he kidnaps her and they embark upon their very own twisted odyssey across Brazil, tracing the same route outlined in her screenplay. Through it all, Teo is certain that time is all he needs to prove to Clarice that they are made for each other, that time is all he needs to make her fall in love with him. But as the journey progresses, he digs himself deeper and deeper into a pit that he can't get out of, stopping at nothing to ensure that no one gets in the way of their life together. Both tense and lurid, and brimming with suspense from the very first page, Perfect Days is a psychological thriller in the vein of Patricia Highsmith's The Talented Mr. Ripley—a chilling journey in the passenger seat with a psychopath, and the English language debut of one of Brazil's most deliciously dark young writers.

    J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge sixty miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.But Lena isn’t buying it.Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story doesn’t seem to add up. For one thing, he stopped Cambry for speeding a full hour before she supposedly leapt to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone.But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. I couldn’t live with it. Hopefully you can, Officer Raycevic.Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing, tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself...

    They've never met. But they are going to. Soon.Abby is starting high school--it should be exciting, so why doesn't she care? Everyone tells her to "make an effort," but why can't she just be herself? Abby quickly feels like she's losing a grip on her once-happy life. The only thing she cares about anymore is talking to Luke, a guy she met online, who understands. It feels dangerous and yet good to chat with Luke--he is her secret, and she's his. Then Luke asks her to meet him, and she does. But Luke isn't who he says he is. When Abby goes missing, everyone is left to put together the pieces. If they don't, they'll never see Abby again.

     Kate thought she'd never have to set eyes on the man she blames for ruining her childhood again, but she was wrong. Teresa has always stood by her son, believing in his innocence, but the evidence is compelling. When a trial date looms a shocking event turns both their worlds upside-down, forcing them to confront their darkest fears. Can Kate accept the past she's tried hard to forget and is forgiveness possible for Teresa, the mother of the man painted as a monster?

    It isn't even past. --William FaulknerBetween mourning the recent loss of his wife and trying to raise his young son alone, librarian John Grant is barely surviving. And then he receives an anonymous letter promising a terrible revenge--retribution for a childhood sin John had thought long forgotten. The threat couldn't be more cruel:I will kill your precious son on his seventh birthday.Now John's only chance to save his son is to play the "game" his enemy has laid out for him. A game involving clues buried in literary fiction. Impossibly, these clues are planted in novels written centuries before John was even born.But soon the line between fact and fiction begins to blur, and the trail of clues forces John into a confrontation with an unimaginable evil.

    But that tranquility is shattered when he realizes a figure from his past has arrived in town, armed with a knife, his intentions clear from the man’s attempts to break into Evan’s house in the middle of the night. The authorities can do nothing.Evan can turn only to the nightmares that plague his sleeping hours for answers. But the question is: can those dreams save him, or are they part of the intruder’s plan?

    But the caller turns out to be a fake, and the rash decision costs the life of the real Piper’s latest victim.For eight long years, Fleetwood has lived with unbearable guilt—and the enduring disdain of the entire Bay area. Now he hears from the real Piper—and it’s not for an interview. The kidnapper has the reporter’s son. But he doesn’t want money…he wants blood. And he’s going to use Fleetwood to get it.In the tradition of Harlan Coben and Gregg Hurwitz, Simon Wood weaves a plot thick with suspense and heavy with action. Paying the Piper grabs hold from page one and doesn’t let go until new debts are paid and old scores settled.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?