“Dear Reader,” she addresses us politely, ironically, in the whirlwind of her opinions on death, sex, art. Greek tragedy, friendship, her Aunt, the magnificent “Lion of Hull,” marriage, Nazism, gossip, and the suburbs. But most of all Pompey talks about love: love for friends, love for Freddy––for Pompey is young and in love, but must she marry?

    Under Orion's stars, bluesilver visions torment Tom, Macey and Thomas as they struggle with age-old forces. Distanced from each other in time, and isolated from those they live among, they are yet inextricably bound together by the sacred power of the moon's axe and each seek their own refuge at Mow Cop. Can those they love so intensely keep them clinging to reality? Or is the future evermore destined to reflect the past?

    Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution. Anthony's restless adolescent voice is perfectly suited to De Vries's blend of erudite wit and silliness—not to mention his fascination with both language and female anatomy—and it propels Slouching Towards Kalamazoo through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.

    They fought for each other.When war breaks out in 1914, Mark Fenner and his Sheffield friends immediately flock to Kitchener's call. Amid waving flags and boozy celebration, the three men - Fen, his best friend Locky and self-assured Frank, rival for the woman Fen loves - enlist as volunteers to take on the Germans and win glory.Through ramshackle training in sodden England and a stint in arid Egypt, rebellious but brave Fen proves himself to be a natural leader, only undermined by on-going friction with Frank. Headed by terse, tough Sergeant Major Bold, this group of young men form steel-strong bonds, and yearn to face the great adventure of the Western Front.Then, on one summer's day in 1916, Fen and his band of brothers are sent to the Somme, and this very ordinary hero discovers what it means to fight for your life.Stirringly told from the down-to-earth view of everyday soldiers, Covenant with Death is acclaimed as one of the greatest novels about war ever written.

    News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation. This volume also contains a wide selection of Morris's writings, lectures, journalism and letters, which expand upon the key themes of News From Nowhere.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    After work Martin Blom drives to the supermarket to buy some groceries. As he walks back to his car a shot rings out... When he wakes up he is blind. His neurosurgeon, Bruno Visser, tells him that his loss of sight is permanent and that he must expect to experience shock, depression, self-pity, even suicidal thoughts before his rehabilitation is complete. But it doesn't work out quite like that. And one spring evening, while Martin is practicing in the clinic gardens with his new white cane, something miraculous happens.

    This book, which the author has called "an attempt at autobiography," is that woman's journal -- a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction.

    It is over a century since the world was devastated by nuclear war, but the blight of radioactivity and disease still gnaws away at the survivors. The expedition expects to find physical destruction but they are quite unprepared for the moral degradation they meet. Ape and Essence is Huxley's vision of the ruin of humanity, told with all his knowledge and imaginative genius.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    As Riddley steps outside the confines of his small world, he finds himself caught up in intrigue and a frantic quest for power, desperately trying to make sense of things.

    Stanton and Abraham Lincoln. The problem is that the only prospective buyer is a rapacious billionaire whose plans for the simulacra could land Louis in jail. Then there's the added complication that someone--or something--like Abraham Lincoln may not want to be sold.Is an electronic Lincoln any less alive than his creators? Is a machine that cares and suffers inferior to the woman Louis loves--a borderline psychopath who does neither? With irresistible momentum, intelligence, and wit, Philip K. Dick creates an arresting techno-thriller that suggests a marriage of Bladerunner and Barbarians at the Gate.

    But it is hilarious. Mr. Blandings, a successful New York advertising executive, and his wife want to escape the confines of their tiny midtown apartment. They design the perfect home in the idyllic country, but soon they are beset by construction troubles, temperamental workmen, skyrocketing bills, threatening lawyers, and difficult neighbors. Mr. Blandings' dream house soon threatens to be the nightmare that undoes him. This internationally bestselling book by Eric Hodgins is illustrated by William Steig and was made into a film starring Cary Grant and Myrna Loy -- and a later film starring Tom Hanks called The Money Pit.