But there are times, and surely the present is one of them, when to do so is manifestly unnecessary. In an age when every standard of decent conduct has either been torn down or is threatened with destruction; when every newspaper is daily reporting scenes of violence, divorce, and arson; when quite young girls smoke cigarettes and even, I am assured, sometimes cigars; when mature women, the mothers of unhappy children, enter the sea in one-piece bathing-costumes; and when married men, the heads of households, prefer the flicker of the cinematograph to the Athanasian Creed -- then it is obviously a task, not to be justifiably avoided, to place some higher example before the world. For some time -- I am now forty-seven -- I had been feeling this with increasing urgency. And when not only my wife and her four sisters, but the vicar of my parish, the Reverend Simeon Whey, approached me with the same suggestion, I felt that delay would amount to sin. That sin, by many persons, is now lightly regarded, I am, of course, only too well aware. That its very existence is denied by others is a fact equally familiar to me. But I am not one of them. On every ground I am an unflinching opponent of sin. I have continually rebuked it in others. I have strictly refrained from it in myself. And for that reason alone I have deemed it incumbent upon me to issue this volume. Illustrations by "Robin" (Marjorie Blood).

    With extraordinary insight, Lehmann explores the sublimity and the pain of these fatally interrelated lives in a novel which carefully fictionalises the fracturing of the human personality under the pressure of irreconcilable emotional commitments.

    After ten years in prison for shooting - and permanently crippling - a young policeman, Victor is released to a strange new world and told to make a new life for himself. It's hard to adjust to civilian life, but at least there's one blessing - he was never convicted for all those rapes he committed. Then Victor meets David, the policeman he shot, and David's beautiful girlfriend, Clare. And suddenly Victor's new life is starting to look an awful lot like the old one.

    Madsen remarkably gives us a tour of Europe, Italy, Rome, the Vatican, the papacy, Gnosticism, side-shows, sex, gore and love - always love. The Inquisition is in bloom and heretics are treated in ways that are described in detail, with questioning normal Christian or Roman Catholic beliefs as well as intimate descriptions of sex or be exposed to visceral scenes. The book is very well written and flows smoothly.

    Squire Headlong caught with avidity at this suggestion; and, as he had always a store of gunpowder in the house, for the accommodation of himself and his shooting visitors, and for the supply of a small battery of cannon, which he kept for his private amusement, he insisted on commencing operations immediately. Accordingly, he bounded back to the house, and very speedily returned, accompanied by the little butler, and half a dozen servants and labourers, with pickaxes and gunpowder, a hanging stove and a poker, together with a basket of cold meat and two or three bottles of Madeira: for the Squire thought, with many others, that a copious supply of provision is a very necessary ingredient in all rural amusements. Mr Milestone superintended the proceedings. The rock was excavated, the powder introduced, the apertures strongly blockaded with fragments of stone: a long train was laid to a spot which Mr Milestone fixed on as sufficiently remote from the possibility of harm: the Squire seized the poker, and, after flourishing it in the air with a degree of dexterity which induced the rest of the party to leave him in solitary possession of an extensive circumference, applied the end of it to the train; and the rapidly communicated ignition ran hissing along the surface of the soil. At this critical moment, Mr Cranium and Mr Panscope appeared at the top of the tower, which, unseeing and unseen, they had ascended on the opposite side to that where the Squire and Mr Milestone were conducting their operations. Their sudden appearance a little dismayed the Squire, who, however, comforted himself with the reflection, that the tower was perfectly safe, or at least was intended to be so, and that his friends were in no probable danger but of a knock on the head from a flying fragment of stone. The succession of these thoughts in the mind of the Squire was commensurate in rapidity to the progress of...

    It was his third novel and it is certainly well-written and very readable. It is, too, an enjoyable romp, all about a stranded theatrical group the Dinky Doos rescued by Miss Trant and coverted into the Good Companions, and involving their adventures with such characters as Jess Oakroyd, the middle-aged joiner from Bruddersford, who breaks free from his miserable domestic existence, Susie Dean and Inigo Jollifant. It is the sort of long, colourful novel which was one of Priestley's hallmarks, and it is clear that Priestley enjoyed himself writing it. He regarded the job as not so much a task, more a kind of holiday.One of the ironies of the success of The Good Companions is that when he discussed his idea for the book with his publishers they told him that such a book would not appeal to the current reading public. However, the germ of the story was embedded deep into his mind and heart, and writing the novel became something of an obsession. He had made up his mind to write a novel that he himself could enjoy even if nobody else did...and, in the event, a great many others also loved it! (The novel arrived at a time when the country was in depression, and someone commented that The Good Companions "soared out of the gloom like a fairy tale to lift thousands of minds into a world of literary enchantment."David Hughes in "J.B. Priestley:An Informal Study of His Work", wrote: "The Good Companions is a simple book, plainly constructed and straightforwardly told. Like so much of Priestley's work, its action begins on a note of rebellion, while its impulse is the search for romance without losing sight of reality; indeed, staring into the very heart of reality for the magic. Jess Oakroyd is pitched into loneliness by the drab quarrrelling of his family. Miss Trant, suddenly relieved in early middle age of a burden that might have lasted her lifetime, turns against the trivial monotony of her genteel days in a Cotswold village. Inigo Jollifant, surrounded in the prep school where he teaches by petty rulings, is refused permission to play the piano by the headmaster's wife, gets drunk and escapes into the night. Three separate rebellions against the frustrations of life put three characters on the road for what is probably the longest picaresque novel in English since Pickwick."Priestley started to write The Good Companions in January 1928, and he delivered the manuscript to Heinemann in March 1929.At least two films have been made of The Good Companions, and it has been turned into a play on several occasions.

    He has everything life could offer -- a gracious riverside house in Berkshire, a beautiful young wife, Imogen, who is devoted to him, and their 11-year-old son, a replica of his father.Their nearest neighbor is Blanche Silcox, a plain, tweed-wearing woman of 50 who rides, shoots, fishes, and drives a Rolls Royce -- in every way the opposite of the domestic, loving Imogen. Their world is conventional country life at its most idyllic: how can its gentle surfaces be disturbed?

    This story of Katherine Lind and Robin Fennel, of winter and summer, of war and peace, of exile and holidays.

    A man without a planet, he gains immortality from an elixir drunk during a sexual interlude with a cat-like alien queen in heat. Now, with his pet owl, his dog Anubis and a sexy robot companion, Simon charts a 3,000-year course to the most distant corners of a multiverse full of surprises to seek out the answers to the questions no one can seem to answer.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    The hero is George Winterbourne. Leaving the Edwardian gloom of his embattled parents behind him, George escapes to Soho, which buzzes, on the eve of war, with talk of politics, pacifism and free love. He paints, he marries, he takes a mistress: the perfect hero of his time, whose destiny -- like all those of that lost generation -- is the bloody nightmare of the trenches.

    His love affair with a local girl ends in a shotgun marriage, and, disowned by his family, Harry is tempted by crime. Sally, meanwhile, falls in love with Larry Meath, a self-educated Marxist. But Larry is a sick man and there are other more powerful rivals for her affection.

    Women are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a “misfit” who asks, “How could this have happened?”

    A man of simple, rational ways, he lives with his pious aunt and prides himself on his creative work. But all that changes when he meets Daisy, a thrillingly independent young woman who wishes to bring birth control to the area. Hired to create signs for her clinics, Raman finds himself smitten by a love he cannot understand, much less avoid-and soon realizes that life isn't so routine anymore. Set in R. K. Narayan's fictional city of Malgudi, The Painter of Signs is a wry, bittersweet treasure.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Sacchetti and the other inmates are used in perverse scientific experiments, and Sacchetti is infected with a germ that raises intelligence to incredible heights while causing decay and death.