Cimmeria poem1 The Phoenix on the Sword 19322 The Frost-Giant's Daughter 19763 The God in the Bowl 19524 The Tower of the Elephant 19335 The Scarlet Citadel 19336 Queen of the Black Coast 19347 Black Colossus 19338 Iron Shadows in the Moon 19349 Xuthal of the Dusk 193310 The Pool of the Black One 193311 Rogues in the House 193412 The Vale of Lost Women 196713 The Devil in Iron 1934

    Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these writers were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast. Often they did their drinking together—Hemingway and Fitzgerald ricocheting through the cafés of 1920s Paris; Carver and Cheever speeding to the liquor store in Iowa in the icy winter of 1973.Olivia Laing grew up in an alcoholic family herself. One spring, wanting to make sense of this ferocious, entangling disease, she took a journey across America that plunged her into the heart of these overlapping lives. As she travels from Cheever's New York to Williams' New Orleans, from Hemingway's Key West to Carver's Port Angeles, she pieces together a topographical map of alcoholism, from the horrors of addiction to the miraculous possibilities of recovery. Beautiful, captivating and original, The Trip to Echo Spring strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.

    Mandeville claims to have served in the Great Khan's army, and to have travelled in 'the lands beyond' - countries populated by dog-headed men, cannibals, Amazons and Pygmies. Although Marco Polo's slightly earlier narrative ultimately proved more factually accurate, Mandeville's was widely known, used by Columbus, Leonardo da Vinci and Martin Frobisher, and inspiring writers as diverse as Swift, Defoe and Coleridge. This intriguing blend of fact, exaggeration and absurdity offers both fascinating insight into and subtle criticism of fourteenth-century conceptions of the world.

    The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.Praise for The Steampunk Bible:"The Steampunk Bible is an informed, informative and beautifully illustrated survey of the subject." -The Financial Times"The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written." -The Austin Chronicle “It’s hard to imagine how VanderMeer and Chambers could have put together a stronger collection. Its publication marks a significant, self-conscious moment in the history of the movement.”—PopMatters.com

    Richard Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. When a former colleague tries to steal the invention, not only the future of Dr. Seaton and his allies, but ultimately the entire world hangs in the balance!The first of the great "space opera" science fiction novels, The Skylark of Space remains a thrilling tale more than 80 years after its creation."With the exception of the works of H. G. Wells, possibly those of Jules Verne -- and almost no other writer -- it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." -- Frederik Pohl

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    And during a childhood spent at the mercy of a father whose schemes put him on the wrong side of the law as often as the right, and a grandfather who knew the bad parts of town like the back of his hand, young Jim learned sin better than any writer had before.From his rabble-rousing adolescencein the American Midwest, to wasted teenage years in the seedy underbelly of the hotel industry, to Thompson's chilling encounter with the real-life inspiration of THE KILLER INSIDE ME, BAD BOY offers a fascinating glimpse at the formative years of the man who would become one of the most famous authors of modern American Noir, in the autobiography-as-novel that follows the birth of the legend himself in the signature style Thompson made famous.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    Only three things stand between the Malwa and the conquest of Earth: Byzantium, the empire of Rome in the East; a crystal that urges mankind to fight; and Belisarius, general of the Byzantine Empire, and arguably the greatest commmander the Earth has ever known.

     Meet Ray Palmer. A hustler, a trickster, and a visionary. The hunchbacked Palmer, who stood at just over four feet tall, was nevertheless an indomitable force, the ruler of his own bizarre sector of the universe. Armed with only his typewriter, the Palmer changed the world as we know it –  jumpstarting the flying saucer craze; frightening hundreds of thousands of Americans with “true” stories of evil denizens of inner earth; and reporting on cover-ups involving extraterrestrials, the paranormal, and secret government agencies. As editor for the ground-breaking sci-fi magazine Amazing Stories and creator of publications such as Other Worlds, Imagination, Fate, Mystic, Search, Flying Saucers, Hidden World, and Space Age, Palmer pushed the limits and broke new ground in science fiction publishing in the 1940s and 1950s—and was reviled for it by purists who called him “the man who killed science fiction.” In the first-ever biography devoted to the figure who molded modern geek culture, pulp scholar Fred Nadis paints a vivid portrait of Palmer—a brilliant, charming, and wildly willful iconoclast who helped ignite the UFO craze, convinced Americans of hidden worlds and government cover ups, and championed the occult and paranormal. Palmer overcame serious physical handicaps to become the most significant editor during the “golden age” of pulp magazines; he rebelled in his own inimitable way against the bland suburban vision of the American Dream; he concocted new literary genres; and he molded our current conspiracy culture decades before The X-Files claimed that the truth was out there.

    This rollicking adventure begins with a shipwreck on an island where notable characters of literature, history, and folklore coexist — Hamlet and Oedipus, Don Quixote and Doctor Faustus, Becky Sharp and Daniel Boone. From carousing with Robin Hood to crossing swords with the Green Knight and stealing a ride on Huck Finn's raft, our traveler, A. Clarence Shandon, undertakes a whirlwind tour of the classics. And just as the truths of great stories ennoble those who take them to heart, a selfish and cynical drifter is transformed into the gallant knight known as Silverlock.

    Howard, creator of Conan, King Kull, and others that defined heroic fantasy, lived and died in the small town of Cross Plains, Texas. While his books remain in print, Howard himself has fallen into obscurity, his life mired in speculation and half-truth. This engaging biography traces the roots of his writings, correcting long-standing misconceptions, and offers a tour of Howard's world as he saw it: through his own incomparable imagination.

    Here is a novel to equal Arthur Clarke's Childhood's End. It tells with frightening clarity of a desperately stricken earth-wracked by overpopulation and plagued by famine and despair. It tells, too, of a new breed of men and women--21st century lotus eaters caught up in a mysterious euphoria which will ultimately threaten all life on this planet; the drug-induced world of "happy dreams." Do these "happy dreamers" herald the end of the human species--or the next extraordinary step in the evolution of humanity?

    S. Lewis's adult religious books, a repackaged edition of the revered author’s treasury of essays and stories which examine the value of creative writing and imaginative exploration.C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—presents a well-reasoned case for the importance of story and wonder, elements often ignored by critics of his time. He also discusses his favorite kinds of stories—children’s stories and fantasies—and offers insights into his most famous works, The Chronicles of Narnia and the Space Trilogy.

    But even Blaine was unprepared for what happened when he communed with the soul of an utterly alien being lightyears from Earth. After recovering from his experience, he becomes a dangerous man: not only has he gained startling new powers—but he now understands that humankind must share the stars.Hunted through time and space by those who he used to trust, Blaine undergoes a unique odyssey that takes him through a nightmarish version of small-town America as he seeks to find others who share his vision of a humane future. Blaine has mastered death and time. Now he must master the fear and ignorance that threatened to destroy him!