Originally published in Clarkesworld Magazine, Issue 61, the story is now also available online at tor.com as an excerpt of Liu's story collection The Hidden Girl and Other Stories.

    Everything has been prepared for the town’s annual tradition—a lottery in which every family must participate, and no one wants to win. “The Lottery” stands out as one of the most famous short stories in American literary history. Originally published in The New Yorker, the author immediately began receiving letters from readers who demanded an explanation of the story’s meaning. “The Lottery” has been adapted for stage, television, radio and film.

    This time the passenger seems to have been with a woman, and now the unwilling host is obsessed to find her. Hugo Award Nominee, Nebula Award(R) Winner

    “Stone Mattress,” from her collection of the same name is witty, grotesque, and utterly hilarious—an exemplar of Atwood’s tremendous capacity for capturing our darkest impulses on the page.Verna, aging widow, boards a cruise ship bound for the Arctic in search of her next husband. The last four had suffered regrettable tragedies and left Verna wickedly wealthy in their wake. But, instead of finding another wealthy suitor, Verna finds unwitting Bob, the first man to have ever wronged her. Single, reasonably near his grave, ordinary, and attracted to her like all the others—Bob is all-too-easy prey for Verna’s merciless revenge. An ebook short.

    Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Over the course of one long, tense and unbearable hot afternoon, Charlie Decker explains what led him to this drastic sequence of events, while at the same time deconstructing the personalities of his classmates, forcing each one to justify his or her existence.

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    His eyes. Twinkling with cunning ENJOYMENT. Have glanced the at every Moment towards HIS companion's face vs' ' When he was quite sure that the narrative had ended he laughed noiselessly for fully half a minute. Then he said: Well ...! That takes the biscuit! 'James Joyce's naturalistic. unflinching portrayal of ordinary working people in his Dubliners stories was a literary landmark. These four stories from that collection offer glimpses of defeated lives - an unremarkable death. a theft. a desperate plan. a failed writer's dream - yet each creates a compelling and ultimately redemptive vision of a city and of human experience. This book includes: Two Gallants. The Sisters. The Boarding House. and A Little Cloud.

    Many have tried. All have failed.This climbing season finds three teams making their bid up this murderous peak. And one man among them will discover these ugly truths: There are fates worse than death. There are fates worse than obscurity. To be remembered forever can be its own curse.

    Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach.But soon the soldiers followed and under this new order Cara makes a discovery that will change everything.

    L. N. Hanover“Demon Lover” copyright © 2010 by Cecelia Holland“The Wayfarer’s Advice” copyright © 2010 by Melinda Snodgrass“Blue Boots” copyright © 2010 by Robin Hobb“The Thing About Cassandra” copyright © 2010 by Neil Gaiman“After the Blood” copyright © 2010 by Marjorie M. Liu“You, and You Alone” copyright © 2010 by Jacqueline Carey“His Wolf” copyright © 2010 by Lisa Tuttle“Courting Trouble” copyright © 2010 by Linnea Sinclair“The Demon Dancer” copyright © 2010 by Mary Jo Putney“Under/Above the Water” copyright © 2010 by Tanith Lee“Kaskia” copyright © 2010 by Peter S. Beagle“Man in the Mirror” copyright © 2010 by Yasmine Galenorn“A Leaf on the Wind of All Hallows” copyright © 2010 by Diana Gabaldon

     They didn't expect actual mermaids.  They certainly didn't expect those mermaids to have teeth. This is the story of the Atargatis, lost at sea with all hands.  Some have called it a hoax; others have called it a maritime tragedy.  Whatever the truth may be, it will only be found below the bathypelagic zone in the Mariana Trench…and the depths are very good at keeping secrets.

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"

    Judith had neither. Her father had been a friend to Balthazar’s father. She was now an orphan, though she was no trembling waif-child. At twenty-two she was too old for such a designation. Nevertheless, the loss of her father and the subsequent funeral and the settling of his accounts had depleted their already meager purse. Judith’s father had gifted his only daughter fine frocks and hair combs, but that was years ago, before his luck turned, and the vast majority of such gifts had been sold.Judith found herself with a terribly small inheritance and no way to supplement this dismal income. That is, until she was summoned by Balthazar’s mother.