A rich, unrivalled picture of the lives of Peru's Indian population.

    In this novel, Juan Goytisolo, one of Spain's most celebrated novelists, speaks for a generation of Spaniards who were only small children during the Spanish Civil War, grew up under a stifling dictatorship, and, in many cases, emigrated in desperation from their dying country. Upon his return, the narrator confronts the most controversial political, religious, social, and sexual issues of our time with ferocious energy and elegant prose. Torn between the Islamic and European worlds around him, he finds both ultimately unsatisfactory. In the end, only displacement survives.

    Subtitled a "psychological novel" by its author, who also called it a biography, the work is actually a highly authentic autobiography. The work is singular for two reasons, the first being its perspective. Moritz was a neglected child of a loveless marriage living in a family near the bottom of the social ladder. It is small wonder that Moritz developed into the eternal outsider. With this background, his description of the struggles he endured in acquiring an education give us an unusually rich picture of that day. This autobiography is also quite singular in that it is not the usual summation by some elderly person of his road to success; rather, it is an examination by a thirty-year-old of how the various forces playing on him in his first twenty years joined to misdirect him into hopes for a theatrical career. With a gift for self-examination doubtless acquired from his Pietistic background, he is able to give a brilliant picture of how he acquired and struggled with his own neuroses, and it is this struggle that gives his book its timeless character.

    Broch's characters—an apathetic man who can barely remember his own name (Broch mostly refers to him as A.); a high-school teacher and his lover who return from the brink of a suicide pact to carry on a dishonest relationship; Zerline, the lady's maid who enslaves her mistresses, prostitutes the young country girl Melitta to gentleman A., and metes out her own justice against the "empty wickedness" of her betters—are trapped in their indifference, prisoners of a sort of "wakeful somnolence." These men and women may mention the "imbecile Hitler," yet they prefer a nap or sexual encounter to any social action. In Broch's mind this kind of ethical perversity and political apathy paved the way for Nazism.Broch believed that writing can purify, and by revealing Germany's underlying guilt he hoped to purge indifference from his own and future generations. In The Guiltless, Broch captures how apathy and ennui?very human failings—evolve into something dehumanizing and dangerous.About the Translator:Ralph Manheim translated Hourglass by Danilo Kis and numerous works by Gunter Grass, including The Tin Drum. He has edited and translated novels and plays by Bertolt Brecht, Hermann Hesse, and Erich Maria Remarque.

    When her mother-in-law suddenly dies of a stroke, Akiko becomes the sole caregiver for her selfish father-in-law Shegezo.The Twilight Years raises important issues about the quality of life at the end of life, caregiving for the old, and the dilemma of women who have both career and family obligations.

    Isolated and secure, the residents lack nothing, yet one day, a doctor at the clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and her husband Paul uncovers the dangerous psychological vents that maintain Eden-Olympia's smoothly-running surface.

    You don't need to give Arthur more than one chance to do the Government or trick the foreman.And when the day's work is over, Arthur is off to the pubs, raring for adventure. He is a warrior of the bottle and the bedroom - his slogan is 'If it's going, it's for me' - for his aim is to cheat the world before it can cheat him. And never is the battle more fiercely joined than on Saturday night.But Sunday morning is the time of reckoning, the time for facing up to life - the time, too, you run the risk of getting hooked!Arthur is no exception.

    . . tells the story of Pedro Archanjo, mestizo, self-taught ethnologist, apostle of miscegenation, laborer, cult priest, and bon vivant. . . . Amado’s joyous, exuberant, almost magical descriptions of festivals, puppet shows, African rituals, local legends, fascinating customs, strange and wonderful characters . . . result in a richness and warmth that are impossible to resist.

    . . . Her head inclined forward without moving, for she was looking fixedly at a young man who lay at her feet. The man was disfigured with wounds, but seemed to rouse himself a little as from a deep sleep, almost of death itself. Pain had clenched his eyes, but the sight of the maiden drew them toward her. He collected his breath, heaved a deep sigh, and murmured faintly. "My sweet," said he, "are you truly safe, or are you too a casualty of the war?"The Romance novel didn't begin with Kathleen Woodiwiss or even with the Bronte sisters. By the time Heliodorus wrote his "Aethiopica"--or "Ethiopian Romance"--in the third century, the genre was already impressively developed. Heliodorus launches his tale of love and the quirks of fate with a bizarre scene of blood, bodies, and booty on an Egyptian beach viewed through the eyes of a band of mystified pirates. The central love-struck characters are Charicles, the beautiful daughter of the Ethiopian queen, and Theagenes, a Thessalian aristocrat. The story unfolds with all the twists and devices any writer would employ today, with the added attractions of dreams, oracles, and exotic locales in the ancient Mediterranean and Africa.Hadas's was the first modern English-language translation of this story, which was first translated into English in 1587 and was a favorite among the Elizabethans. His version of this earliest extant Greek novel remains accessible and appealing." -- back cover.The novel is thought to have originally been written in the 2nd or 3rd century A.D. Nothing is known about the author, Heliodorus.

    Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.

    Nonetheless, when the young George Ponderevo is employed by his uncle Edward to help market this ineffective medicine, he finds his life overwhelmed by its sudden success. Soon the worthless substance is turned into a formidable fortune as society becomes convinced of the merits of Tono-Bungay through a combination of skilled advertising and public credulity. -Includes a newly established text, a full biographical essay on Wells, a list of further reading, and detailed notes -Edward Mendelson's introduction explores the many ways in which Tono-Bungay satirizes the fictions and delusions that shape modern life

    This is a women’s world: the mother, Fatma, nurtures her three children, with the grandmother Ayşe and the “aunties” of the neighbourhood, while Mustafa, the often unemployed father, recites Orhan Veli and drinks copious rakı, dreaming of building a larger family home. Here is the Turkey of the 1950s and early 1960s, with its political struggles, growing urbanisation, the Korean War, American comic books and the departure of the first wave of workers to Germany. The Anatolian grandparents carry with them their sagas of the war and the nascent Turkish Republic, enriched by wisdom, humour and village folklore. The author’s wonderful use of local narrative, storytelling, proverbs and prayers, and a prose that moves from the lyrical to gritty humour, re-creates this microcosm of neighbourhoods from a young girl’s intimate perspective. We follow her as she sits in school, visits relatives, dreams, listens to stories and experiments with early passions. Reality merges into mythological visions as, naïve, witty and explorative, she absorbs the colourful world around her.

    The assassination of "Z," a leftist delegate to Greece's Parliament, sparks an exploration into the lives of the hired killers, bourgeois witnesses and political figures behind the killing.

    As part of a schedule of unorthodox therapies, Horner's nameless Doctor has him take a teaching job at a local teachers college. There Horner befriends the super-rational existentialist Joe Morgan and his wife Rennie, with whom he becomes entangled in a love triangle, with tragic results. The book deals with several issues that were controversial at the time, including racial segregation and abortion. (from wikipedia)

    The character of Professor Martens is based on an actual official of the czarist reign, a distinguished Estonian jurist curiously reminiscent of Henry Kissinger.Faced with a dire financial crisis in Russia, Professor Martens orchestrates a major loan from the French government to stave off famine; as time passes, however, he realizes that he has managed to perpetuate a brutal regime that keeps its political prisoners in chains.This fictional memoir, written at the end of Martens’ life, finds him reliving his past and questioning the degree to which he has sacrificed himself to maintain a corrupt regime, one that ultimately disdains both him and his people. Considered an outsider by the czar’s adviser, Martens is nonetheless needed for his skills. Still, he is marginalized and kept in the shadows.Far more than just a political or philosophical novel, Professor Martens’ Departure is an astonishing reconstruction of czarist Russia.