Arthur Daane, a documentary film-maker and inveterate globetrotter, has lost his wife and child in a plane crash. In ALL SOULS' DAY we follow Arthur as he wanders the streets of Berlin, a city uniquely shaped by history. Berlin provides the backdrop for Daane's reflections on life as he plans his latest project - a self-funded film that will show the world through Daane's eyes. With a new circle of friends - a philosopher, a sculptor and a physicist - Arthur discusses everything from history to metaphysics, and the cumulative power of remembered images and philosophical musings on the meaning of our contemporary existence comes to permeate the atmosphere of the book. Then one cold, wintry day, Daane meets the young history student Elik Orange and his world is turned upside down. Whenever this mysterious woman beckons, Daane is compelled to follow. ALL SOULS' DAY is, finally, an elegiac love story in which the personal histories of the characters are skilfully interwoven with the history of the countries in which they find themselves. It is also the poignant and affecting tale of a man coming to terms

    Three appalling crimes leave all of Paris aghast: the Marquise de Langruen is hacked to death, the Princess Sonia is robbed, and Lord Beltham is found dead, stuffed into a trunk. Inspector Juve knows that all the clues point to one suspect: the master of disguise, Fantômas. Juve cleverly pursues him in speeding trains, down dark alleys, through glittering Parisian salons, obsessed with bringing the demon mastermind to justice. As thrilling to read now as it was when first published in 1915, Fantômas is not a puzzle but an intoxicant” (The Village Voice).

    Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world.

    He is a virtual repository of the predominant ideas and historical disasters of the age. But now he has found a story he thinks may be-come his next novel: The large brass cross that hung behind the altar of St. Timothy's, a run-down Episcopal church in lower Manhattan, has disappeared...and even more mysteriously reappeared on the roof of the Synagogue for Evolutionary Judaism, on the Upper West Side. The church's maverick rector and the young woman rabbi who leads the synagogue are trying to learn who committed this strange double act of desecration and why. Befriending them, the novelist finds that their struggles with their respective traditions are relevant to the case. Into his workbook go his taped interviews, insights, preliminary drafts...and as he joins the clerics in pursuit of the mystery, it broadens to implicate a large cast of vividly drawn characters - including scientists, war veterans, prelates, Holocaust survivors, cabinet members, theologians, New York Times reporters, filmmakers, and crooners - in what proves to be a quest for an authentic spirituality at the end of this tortured century.Daringly poised at the junction of the sacred and the profane, and filled with the sights and sounds of New York, this dazzlingly inventive masterwork emerges as the American novel readers have been thirsting for a defining document of our times, a narrative of the twentieth century written for the twenty-first.

    Mila at first finds the dramatic vistas overwhelming. Gradually, however, she adjusts to the unfamiliar and frightening landscape as well as to the harsh, wintry life of the ancient complex where she and Matias serve as caretakers. But each falls under the spell of a different local and a different way of life. The twin seductions of husband and wife lead to inevitable and dire consequences.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    He observes the gradual but profound changes wrought on the English countryside by the march of progress.

    It is in fact the baron's own reminiscences which give the book its title.

    No one's eyes were sharper, however, than those of the visiting Spanish lecturer, invited as a guest on this occasion, and eventually the two young people were lovers, unbeknown to Clare's husband. And if the Spaniard was at pains to cover their tracks, his beloved left evidence of adultery with gay abandon - and all this in a university that was a forcing house of gossip and intrigue, a place where "at every word a reputation dies".

    Partly autobiographical, the narrative recounts the experiences of the title character ("green" after the color of clothing he always wears) through confinement and ostracism at boarding school, apprenticeship with a painter in Munich, his divided affection for two women, and the acceptance of his duty toward his country and fellow citizens. Admired by Nietzsche (who called Keller "the only living German writer") and included by Harold Bloom in "The Western Canon," "Green Henry" is one of the undisputed masterpieces of world literature.

    The child of a well-to-do family, Myrsini enthusiastically joins the underground resistance, making common cause with a varied cast of characters from backgrounds very different from her own. After an early failed love affair she gets engaged to George, a political prisoner, only to find her human instincts increasingly difficult to reconcile with her idealistic philosophy once he is released. The story moves towards its climax as Myrsini becomes involved in the bloody events of 17th November 1973, when tanks were used to evict students from the Athens Polytechnic. At the same time the fortunes of Myrsini's family form a backdrop at once touching and bizarre to an impressionable girl's unflinching search for a true identity, both for herself and for her country.

    It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.

    One of the most popular books of a giant of modern French literature, this is a hymn to the pleasures of life that Gide came so close to losing forever while suffering from tuberculosis -- touch, hearing, smell, sight and, more than anything, taste.