Out in the bishop’s diocese the quiet life of parish priest Father Vincent Ross is about to be thrown into turmoil by a terrifying revelation. There are ugly scandals being hidden by the church he has served for so long, and a murderer is on the prowl. The police and the authorities are groping in the dark, but Father Ross has been given special information that he cannot disclose to anyone. It gradually dawns on him that he and he alone can unravel the mystery and bring the nightmare of violence to an end. He must put his personal safety, his reputation, and finally his life on the line.

    Walk in the footsteps of historical heroes, soak up culture in Edinburgh and catch live music in Glasgow. Go beyond bagpipes and haggis cliches with our expert authors, and get the insider view with this bestselling guide. Find Your Way - easy-to-use maps, pre-planning information and practical advice helps you make the most of your trip. Outdoor Activities Chapter - we tell you the best Munros to bag, dive sites to explore and golf courses to stroll. Expanded Regional Coverage helps you discover more, with tempting ideas and itineraries for weekend breaks. Sleep Well - from converted castles to snug B&Bs, our hand-picked accommodation listings help you stay in style.

    This is no ordinary hairdresser. Viv Fraser Ph.D and stylist to the Edinburgh establishment, has a double life as an investigative journalist and finds herself involved in some hair-raising, not to mention explosive scenes, as she trawls the seamier side of her city. In this fast-paced mystery Viv investigates the case of a missing teenage boy, but her efforts are hampered by people trying to save their own skin. Always top of his class, Andrew’s school blazer turns up on a river path without him. As she picks at the veneer of the Capital’s gay scene Viv discovers an unsavoury mix of lies, jealousy and sexual deceit. Determined to find Andrew, she ignores threats on her life and continues to dig in places that even Detective Marconi has yet to explore.

    Following the death of her parents, Christine goes to live on a housing scheme with her sister Kirsty, her brother-in-law and niece. But while existence on the housing scheme leaves much to be desired, Christine is as determined as ever to live a full and happy life. With much humour, warmth and charm, Fraser explores the realities of growing up in a wheelchair, as well as her experiences of working in a factory, of finding love, and of beginning what would become a successful writing career. Set against the evocative backdrop of the Scottish Highlands, Roses Round the Door is a heart-warming tale that is every bit as delightful and moving as Blue Above the Chimneys. Praise for Christine Marion Fraser ‘Christine Marion Fraser writes characters so real they almost leap out of the pages… you would swear she must have grown up with them.’ — The Sun ‘Christine Marion Fraser weaves an intriguing story in which the characters are alive against a spellbinding background'— Yorkshire Herald Fraser writes with a great depth of feeling and has the knack of making her characters come alive. She paints beautiful pictures of the countryside and their changing seasons — Aberdeen Express Full-blooded romance, a strong, authentic setting — The Scotsman Christine Marion Fraser (1938-2002) was one of Scotland's best-selling authors. She was the author of the much-loved Rhanna series, a Scottish saga set on the Hebridean island of Rhanna. She also wrote the acclaimed King’s Croft series as well as the Noble series. Christine’s formative years were spent in the post-war Govan district of Glasgow and she spent her later life in Argyll with her husband.

    In the same village, Donald is the aggressive distillery owner, who floods the country with narcotics alongside his single malt; when his son goes missing, he becomes haunted by an anonymous American investor intent on purchasing the Cullrothes Distillery by any means necessary. Schoolgirl Jessie is trying to get the grades to escape to the mainland, while Grandpa counts the days left in his life.This is a place where mountains are immense and the loch freezes in winter. A place with only one road in and out. With long storms and furious midges and a terrible phone signal. The police are compromised, the journalists are scum, and the innocent folk of Cullrothes tangle themselves in a fermenting barrel of suspicion, malice and lies.The Mash House uses multiple narratives to weave together the parallel lives of individuals in the village. Each fractured by the fears and uncertainty in their own minds.

    On a whim, the three end up in the heart of Scotland, where Rebecca sees breathtaking beauty—and begins to question whether Mario is the right choice for her.While exploring the Highlands, she meets Kenzie MacLeod, a copper-haired, dark-eyed musician who, compared to the sheltered Rebecca, seems to have lived a thousand thrilling lives. Rebecca is instantly attracted to the handsome, edgy Scot, and despite her well-laid plans, she hurls herself into a passionate and eye-opening affair. But vacations aren’t meant to last, and soon Rebecca must return home to Spain, her fiancé, and her conservative family’s inflexible expectations. Always the good daughter, Rebecca vows to stick to the path that has been established for her. But can she forever tame her newly awakened desires and rebellious heart?

    Sharing some of the foundational teachings from his life-changing book, Whatever Arises, Love That, Kahn explores: • Why all beings at all times are worthy of love • How to acknowledge and honor your true innocent nature—your connection to the wholeness and perfection of the universe • Learning to lean into self-acceptance one “I love you” at a time • Healing mantras for inviting love into your heart “This will be an adventure that leads you directly into the depths of your being to the support you’ve always deserved,” teaches Matt Kahn. Join him to discover a spiritual paradigm that is nothing short of revolutionary. Continue your love revolution with Matt Kahn’s book, Whatever Arises, Love That.

    His two previous books, "Picture Perfect Practice" and "Picture Perfect Posing," shattered the mold of instructional photography books as they empowered readers to advance their composition and posing skills. "Picture Perfect Lighting," the third book in the "Picture Perfect" series, brings that same spirit and approach to teaching lighting. With it, Roberto empowers photographers to embrace lighting as a source of creativity and expression in service of their vision for the image. In "Picture Perfect Lighting," Roberto has created a truly original system for understanding and controlling light in photography. After discussing the universal nature of light, Roberto introduces the five key behaviors of light, which are essential to understand in order to improve your knowledge of light. With those behaviors established, Roberto introduces his concept of circumstantial light, an ingenious way of examining and breaking down the light around you in any given situation. Providing a detailed analysis of circumstantial light, Roberto develops the top ten circumstantial light elements you need to know in order to fully harness the power of the light around you to create an image that is true to your vision. But how will you know if the circumstantial light is enough? The final piece of the "Picture Perfect Lighting" system is Roberto s lighting benchmark test, a brilliant method for determining the quality of the light in any given situation. It is with the lighting benchmark test that you will determine if and when you need to use helper light, the light that is needed or manipulated in order to help the circumstantial light so that your vision comes to life. Helper light is created with diffusers, reflectors, flashes, strobes, and light modifiers. "Picture Perfect Lighting" covers all of this in depth. Don t limit yourself to using only one kind of light, and don t depend on Photoshop actions and plug-ins to create the wow factor in your images. That is the job of light. With "Picture Perfect Lighting" by your side, you will learn to master light. With that mastery, you will finally have the ability to create that true wow factor in camera and in your photographs."

    Here's your chance to learn exactly how to create the look that everybody's after. This is bankable stuff! If you're not adding headshots to what you offer as a photographer, you're leaving a lot of money on the table. Peter knows first-hand the secrets to not only lighting your headshots like a pro (there's a whole chapter on that alone), but in this book he reveals, in the very same fashion that made him a famous name with photographers everywhere, how he gets authentic expressions and incredibly flattering positioning that will make your clients look better than they ever have in any photo--period! It's all here: he shows you his positioning techniques, his secrets for getting genuine smiles and images that look so natural you won't believe they're posed (but of course, they are), and you'll learn the very same techniques that Peter uses to create amazing headshots for everyone from execs at top Fortune 500 companies, to Silicon Valley startups, to actors and public figures who know all too well how important a great-looking headshot really is. Peter doesn't hold anything back. He reveals all his tricks of the trade, from his trademark lighting look, to how to create good-looking backgrounds on location, to positioning tricks you won't hear anywhere else, and it's all written in Peter's fun, quirky, inspiring style that lets you know, right from the beginning, you can do this, and you can do this big! These are the techniques that Peter has crafted from years in front of the lens, as a model for top brands like Abercrombie & Fitch and Guess, and years behind the lens, giving him an insight few photographers will ever possess, and he's willing to share every bit of it--every trick, every technique, and every nuance--in this book that will pay for itself at your very next shoot. Yes, it's that good.

    It has illustrations of 50 everyday actions presented with directness, whimsy and wit.

    If you're not a fan of this format and don't like to be tortured, spare yourself. Turn back now. Scotland, 1704 It’s all about that kilt… Acting on a dare, three English brides-to-be sneak into Scotland for a scavenger hunt, their last adventure before marriage. Mallory wants a piece of pirate's treasure, and Vivianne yearns for a love letter from a poet. But Bridget has more on her mind than the game. She knows life with her evil, blackmailing fiancée will be hellish, so she’s determined to make him suffer too—by stealing a Highlander’s kilt and leaving him to wonder how she acquired it. The Scots charged with finding and protecting them along the way are entirely wrong--and perfect--for the job. Rory, for instance, is a kilt-clad Highlander, but he’d rather die alone in a cave rather than get within ten feet of another Englishwoman. Unfortunately for him, the duty to pay his grandfather’s debt will get him—and his two friends—much, much closer to the lasses than that. Come along for the ride.

    His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Information about this Folio Society edition (taken from the Editorial Note):Theodor Mommsen’s Römische Geschichte was first published in three volumes between 1854 and 1856, and was subsequently revised several times. The text of the present volume is derived from William Purdie Dickson’s translation, first published in four volumes by Richard Bentley in London in 1868, of the fourth German edition.The text printed in the ensuing pages preserves slightly less than half of the 1868 edition’s three-quarters of a million words. In abridging a work of such magnitude, strict guiding principles tend to be honoured as much in their breach as in their observance. With that caveat in mind, therefore, the intention in this edition has been to provide, within a single volume, a continuous narrative of the history of Rome, from the origins of the city down to the Civil War that resulted in the sole rule of Julius Caesar (c.753—46BC). At the same time, it is hoped that the selection represents the essential character of Mommsen’s historical vision, and can be read with both pleasure and profit by a non-specialist audience.In pursuit of these goals, the relative amount of space devoted to each of the main periods of Roman history has been preserved, and Mommsen’s own book divisions and titles retained. Similarly, the original chapter titles and breaks—and indeed even the paragraphing—has been followed as closely as possible. Wirth some obvious exceptions, marginal precedence has been given to social and constitutional developments, and to political events and conflicts in Rome and Italy, over foreign policy and the detailed narration of overseas wars. Consequently, the significant amount of background information that Mommsen provided concerning the foreign nations with which Rome came into violent contact—Etruscans, Celts, Carthaginians and the peoples of the Hellenistic eastern Mediterranean among them—has been almost entirely excised. And the summaries on literature and the arts that were tacked on to the end of each book have also had to be omitted. Within these broad parameters, however, every effort has been made to ensure that the full spectrum of Mommsen's themes, methodology, and style is portrayed.So that the text retains its readability, all cuts have been made silently, without the distraction of frequent ellipses. Where it has proved impossible to provide a continuous narrative in Mommsen’s own words, then editorial linking passages, printed in smaller type than the rest of the text, have been supplied. These confine themselves to the bare essentials and take a deliberately conservative line in order to sit more comfortably with the main narrative. the new maps and extensive chronology are also intended to compensate for information otherwise excised. A handful of editorial footnotes and other brief interpolations have been added where essential for sense. All such additions to the original text, as well as any other localised rewordings necessitated by the cuts, are contained within square brackets. Most of Mommsen’s analogies to subsequent historical events, which are one of the many delights of his work, require no explanation for an educated readership.Any attempt to update Mommsen’s scholarship would be presumptuous, if not completely foolhardy, and so all points of fact and interpretation have been allowed to stand without comment. thus, for example, Mommsen’s belief that Caesar was probably born in 102BC—rather than 100 BC, as is now generally accepted—has not been amended. Nor has it been deemed necessary to bring into line with current accepted norms either the spelling of proper nouns or Disckon’s faithful equivalents of Mommsen’s deliberately idiosyncratic and anachronistic rendition of Latin terms. Of these, the most noticeable is undoubtedly the word ‘burgess’ instead of ‘citizen’. While proving that few things date faster than modernity, they also provide an important reminder that Mommsen wrote his history with the pressing political and national issues facing both pre-unification Germany and the rest of the mid-nineteenth0century Europe directly in mind.

    A term given to flowers of stone fruit trees and some other plants that flower profusely in Spring. Blossoms provide pollen to bees, and initiate cross-pollination necessary for trees to reproduce by producing fruit. 2. A peak period or stage of development. Covering topics including housing, health, language and culture, Riddoch looks at the way in which Scots identify themselves and how this needs to change in order for the country to blossom u as an independent nation or a strongly devolved one. Arguing that limited access to security and wealth has left Scots feeling like outsiders in their own country, this book tackles fundamental and personal issues of identity that matter to ordinary Scots. Designed to incite discussion and debate, this book will appeal to those who believe larger issues of self esteem and power lurk beneath the complexities of the independence debate and want to delve deeperBACK COVERWhat will it take for Scotland to blossom? "Imagine Scotland as a beautifully-knitted, warmth-providing sweater caught on a snag. Its wearer tries to move forward u but cannot. A pause is needed to lift the garment clear. Scotland is thus snagged. And no amount of tugging will free it from the stubborn, progress-inhibiting three-headed hook of inequality, distant control and top-down governance." Weeding out vital components of Scottish identity from decades of political and social tangle is no mean task, but itOCOs one journalist Lesley Riddoch has undertaken. Dispensing with the tired, yo-yoing jousts over fiscal commissions, Devo Something and EU in-or-out, "Blossom" pinpoints both the buds of growth and the blight thatOCOs holding Scotland back. Drawing from its people, history, and the authorOCOs own passionate and outspoken perspective this is a plain-speaking but incisive call to restore control to local communities and let Scotland flourish.