Benson.There's nothing sinister about a London bus. Nothing supernatural could occur on a busy Tube platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden, inexplicable chill. There's no need for a ticking clock, a limping footstep, or a knock at the door to start you trembling. There's nothing to be scared of. Nothing at all.

    A chocoholic grizzly bear, a talking Christmas tree, mince pie overdoses and a very bloody murder. Will poor old Saint Nick make it out alive? Sad, strange, funny and gruesome, this overlapping, multi-genre collection of tales has a little something for every reader. Curl up with a mulled wine and some fictional festive misery, and discover what Father Christmas really likes to drink when he wriggles down your chimney. Spoiler: it isn’t milk.

    Making sure not to waste a single bullet.Lost in the shadows, low on ammo; only edged weapons; wounded, fighting to survive, the last remnants of the mission team trying to make sense of where they had gone wrong, and how to make it out alive with next-to-no resources.Survival horror, where every bullet counts.TABLE OF CONTENTS:Badlands – S.D. PerryOf Storms and Flame – Tim Marquitz & J. M. MartinIn Vaulted Halls Entombed – Alan BaxterThey Own the Night – B. Michael RadburnFallen Lion – Jack HansonSucker of Souls – Kirsten CrossCold War Gothic II: The Bohemian Grove – Weston OchseAfter the Red Rain Fell – Matt HiltonThe Slog – Neal F. LitherlandShow of Force – Jeremy Robinson & Kane Gilmour

    P. Lovecraft and Edgar Allan Poe." Ghosts, murderers, monsters, and more lurk within the pages of It Came from Anomaly Flats!"Scary as hell!""Creepy and brilliant.""A true resurrection of classic American horror writing!""Another triumph!"The oddest little town in the Midwest has a thousand demented stories to tell...some of them are horrifying enough to send shivers down the strongest of spines. There’s the tale of a man whose utter fear of germs sends him plummeting to the depths of depravity, and the victims he takes with him; the story of a couple escaping Missouri to fulfill their California dreams who take an innocent detour and find themselves trapped in the most unexpected of nightmares instead; the legend of a demonic creature who thrives on human flesh, which may be more reality than fiction. In this first collected volume of chill-inducing stories from everyone’s favorite transdimensional town, you’ll find reason enough to question your own sanity, even as you try to reassure yourself that things like this only happen in stories.Don’t they? Welcome to Anomaly Flats.How loud can you scream?

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Read the short story, assemble the 1,000-piece puzzle, and discover the hidden clues. Then solve the mystery by putting together the pieces in the story and in the puzzle. Slick, book-like packaging and high quality artwork make these puzzles a standout. Beware: the 1,000-piece puzzle is different from the cover!

    The "Story of the Young Man with the Cream Tarts," "Story of the Physician and the Saratoga Trunk," and "The Adventure of the Hansom Cab" chronicle the exploits of Prince Florizel of Bohemia and Colonel Geraldine through some of 19th-century London's most dangerous haunts.

    My sister was not most little girls.Inside you'll experience intimate first hand accounts of modern day murders, kidnappings, and violent revenge. Other stories are heart-warming with whimsical mysteries, gothic fairy tales, and supernatural monstrosities.

    In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building. In 'The Front Room', a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead. A lonely boy finds a friend in 'Boy Number 21', but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

    He becomes obsessed with the another resident — a strange pale man who inexplicably moves from room to room. It's an eerie and extremely brief tale that can be consumed in less than 10 minutes — the perfect story for anyone looking for a quick way to get into the Halloween spirit. https://americanliterature.com/author...

     THE STICK WOMAN - Priscilla has been held hostage, physically mutilated, and fed feces for years. And her situation is about to get much, much worse. SHIT-HOUSE - How bad is the world around you? How much worse could it get? How far would you go to fix it? THE USHERS - They are always there - somewhere in the background and just out of sight. A force of violence and lust. They are the ushers... THE SEA-SLOP THING - June needs a new job - and she's found it, along with something from the deepest depths of the sea.

    

    . . .This collection of tales transports the reader to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each story is illustrated with exquisitely eerie artwork in this special gift edition featuring an embossed textured case and a ribbon marker.Oh, Whistle, and I'll Come to You, My Lad - M.R. JamesThe Old Nurse's Story - Elizabeth GaskellThe Signalman - Charles DickensThe Body-Snatcher - Robert Louis StevensonThe Captain of the Pole-Star - Arthur Conan DoyleThe Phantom Coach - Amelia B. EdwardsThe Screaming Skull - Francis Marion Crawford

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster