Upon arrival, they find an unlisted item - a corpse. Furthermore, the mysterious tenant, Colin James, has disappeared. In a tale which uncovers many of the seedier aspects of the world of high finance, Hare also introduces his readers to the formidable Inspector Mallett of Scotland Yard.

    It is quite impossible that he should have killed himself. He has been murdered. About half an hour ago. By a long knife passed under the left shoulder-blade into the heart."On a fog-bound London night, a soirée is taking place in the studio of artist Laurence Newtree. The guests include an eminent psychiatrist, a wealthy philanthropist and an observant young friend of Newtree's, John Christmas. Before the evening is over, Newtree's neighbour is found stabbed to death in what appears to be an impossible crime. But a mysterious man in a fez has been spotted in the fog asking for highly unlikely directions...The resourceful John Christmas takes on the case, unofficially, leading to an ingenious solution no one could have expected, least of all Inspector Hembrow of Scotland Yard.The Studio Crime is the first of Ianthe Jerrold's classic whodunit novels, originally published in 1929. Its impact led to her membership of the elite Detection Club, and its influence can be felt on later works by John Dickson Carr, Ngaio Marsh and Dorothy L. Sayers among others.This edition, the first in over eighty years, features a new introduction by crime fiction historian Curtis Evans.

    

    

    

    "A corpse in a blood-soaked room; a locked door and a locked window; a masked man; a beautiful girl trussed inside a wardrobe; and now a pretender to the throne! This is superb!"The little Sussex town of Amnestie had not known a death so bloody since the fifteenth century. And certainly none more baffling--to all except Mr Verity. From the moment he appears this bearded giant--ruthless inquirer, devastating wit and enthusiastic collector of the best sculpture--has matters firmly (if fantastically) under control. Things are certainly complicated, but this is hardly enough to deter Mr Verity. As he himself observes: "when the number of suspects is continually increasing, and the number of corpses remains constant, you get a sort of inflation. The value of your individual suspect becomes hopelessly depreciated. That, for the real detective, is a state of paradise."

    A cunning invalid who was more warped in mind than in body. And a young girl who became an innocent pawn in a deadly game of life and death. Margery Allingham's mysteries are "consistently suspenseful, consistently terrifying, consistently superb!" - New York Times

    Three weeks later she turns up at an auction - packed inside one of her own bales of wool and very, very dead…FINAL CURTAINJust as Agatha Troy, the world famous painter, completes her portrait of Sir Henry Ancred, the Grand Old Man of the stage, the old actor dies. The dramatic circumstances of his death are such that Scotland Yard is called in - in the person of Troy's long-absent husband, Chief Detective Inspector Roderick Alleyn…SWING, BROTHER, SWINGThe music rises to a climax: Lord Pastern aims his revolver and fires. The figure in the spotlight falls - and the coup-de-théatre has become murder… Has the eccentric peer let hatred of his future son-in-law go too far? Or will a tangle of jealousies and blackmail reveal to Inspector Alleyn an altogether different murderer?

    recognized him and smiled. “That was a great case you brought us. You’ll be interested to hear that it is a case of mur-r-der!”For eight years Basil Thomson headed the famous C.I.D., New Scotland Yard. He knew the Yard inside out. Now in this tale of mystery and detection we are taken behind the scenes. We are shown the greatest detection machine in the world in motion, and see how the Yard tracked down its man.Stand, then, with young P.C. Richardson on the misty corner of Baker Street, while the traffic of the city swings by, and fate lays at his feet the beginning of his career. Out of the fog brakes shriek, a big car jolts to a stop, and from beneath the wheels the crowd disentangles a bundle of old clothes, within which is a man quite dead; a man who had said to someone, “Very well, then; I’ll call a policeman”—and was killed. Work with him to the ingenious solution, when he takes from his pocket the clue holding the fate of a human life.Richardson’s First Case was originally published in 1933. This new edition, the first in over seventy years, features an introduction by crime novelist Martin Edwards, author of acclaimed genre history The Golden Age of Murder.

    There was a heavy crash and fall, and the parson lay motionless and livid, while lilies from a vase fell, like a wreath, across his chest. The Rev. Ulder, everyone agreed, was the parish priest from hell. In addition to tales of drunkenness and embezzlement, the repellent cleric had recently added blackmail to his list of depravities. There was scandal in the district, plenty of it, and Ulder had the facts. Until, that is, a liberal helping of morphia, served to him in the Bishop’s Palace, silenced the insufferable priest – for good.Was it the Bishop himself who delivered the fatal dose? Was it Soames, the less-than-model butler? Or one of a host of other inmates and guests in the house that night, with motives of their own to put Ulder out of the way? Young Dick Marlin, ex-military intelligence and now a Church deacon, finds himself assisting Chief Constable Mack investigate murder most irreverent.Arrest the Bishop? was first published in 1949. This new edition, the first in many decades, includes a new introduction by crime fiction historian Martin Edwards.

    As head of a fine household and guardian of both the morals and finances of the man she chose to marry, she finds her husband was, and perhaps still is, a killer.

    Now an Edgar Award Nominee!This is the first book about the Detection Club, the world’s most famous and most mysterious social network of crime writers. Drawing on years of in-depth research, it reveals the astonishing story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction.Detective stories from the so-called “Golden Age” between the wars are often dismissed as cosily conventional. Nothing could be further from the truth: some explore forensic pathology and shocking serial murders, others delve into police brutality and miscarriages of justice; occasionally the innocent are hanged, or murderers get away scot-free. Their authors faced up to the Slump and the rise of Hitler during years of economic misery and political upheaval, and wrote books agonising over guilt and innocence, good and evil, and explored whether killing a fellow human being was ever justified. Though the stories included no graphic sex scenes, sexual passions of all kinds seethed just beneath the surface.Attracting feminists, gay and lesbian writers, Socialists and Marxist sympathisers, the Detection Club authors were young, ambitious and at the cutting edge of popular culture – some had sex lives as bizarre as their mystery plots. Fascinated by real life crimes, they cracked unsolved cases and threw down challenges to Scotland Yard, using their fiction to take revenge on people who hurt them, to conduct covert relationships, and even as an outlet for homicidal fantasy. Their books anticipated not only CSI, Jack Reacher and Gone Girl, but also Lord of the Flies. The Club occupies a unique place in Britain’s cultural history, and its influence on storytelling in fiction, film and television throughout the world continues to this day.The Golden Age of Murder rewrites the story of crime fiction with unique authority, transforming our understanding of detective stories and the brilliant but tormented men and women who wrote them.

    Each writer worked on the mysteries without knowing the solutions the others had planned. When the creators of Miss Marple, Lord Peter Wimsey and other sleuths get together, you can be sure the mysteries will be monumental, the detection delightful, and the results exciting!

    I and several other fellows are looking for a set of coiners now. There are a lot of false coins circulating, and they are marvellously made. If I can only lay my hands on the coiners and their factory, there will be a sensation."

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."