But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy.

    Here, Barbara Mary Crampton Pym sails off into a wickedly comedic farce, focusing on the unsuitable romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    The sheltered and unworldy Eugenia Malmains is one of the richest girls in England and an ardent supporter of General Jack and his Union Jackshirts. World-weary Noel Foster and his scheming friend Jasper Aspect are in search of wealthy heiresses to marry; Lady Marjorie, disguised as a commoner, is on the run from the Duke she has just jilted at the altar; and her friend Poppy is considering whether to divorce her rich husband.When these characters converge with the colorful locals at a grandly misconceived costume pageant that turns into a brawl between Pacifists and Jackshirts, madcap farce ensues. Long suppressed by the author out of sensitivity to family feelings, Wigs on the Green can now be enjoyed by fans of Mitford’s superbly comic novels.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    She tells the story herself with the utmost frankness and with an authenticity which derives from Dodie Smith's own wide experience as both actress and playwright.Mouse never felt that her nickname fully suited her; tiny she might be, but timid never. Within a day of her arrival in town she had bluffed her way into an audition at a famous theatre, infuriated its forceful young stage director, amused its kind if quite amoral actor-manager, Rex Crossway, and finally landed not a part but a toehold as a junior secretary. From then on she was involved in the engrossing affairs of the Crossway Theatre.She was also involved with her friends at the club where she lived -- Molly, a baby-faced six-footer, and elegant, ambitious LIlian who was fated to clash disastrously with Mouse, though even then they could find something to laugh at together. And later there was Zelle, rich, generous, enigmatic, and responsible for an outing to a Suffolk village pageant which proved a turning point for them all.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    This extraordinarily sensitive and insightful portrait of religious life centers on Philippa Talbot, a highly successful professional woman who leaves her life among the London elite to join a cloistered Benedictine community.

    K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    However much the reader may sympathize with Hetty Sorrel and identify with Arthur Donnithorne, her seducer, and with Adam Bede, the man Hetty betrays,it is George Eliots's creation of the distant aesthetic whole - the complex, multifarious life of Hayslope - which so grips the reader's imagination. As Stephen Gill comments: 'Reading the novel is a process of learning simultaneously about the world of Adam Bede and the world of Adam Bede.'

    Laura never feels as if she fits in with her husband's side of the family. When she stays with them in Cornwall to recuperate after an operation, the unseen presence of his first wife and daughter are ever present to destroy her tranquility.

    Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden) yet 'it makes compulsive reading' in its description of an ordinary family struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Elizabeth Gaskell.

    A magnificently crafted novel of Regency manners and mores that will delight Austen enthusiasts with its wit and elegant expression.

    This volume introduces Thrush Green, the neighboring village to Fairacre: its blackthorn bushes, thatch-roofed cottages, enchanting landscape, and jumble sales. Readers will delight in a new cast of characters and also welcome familiar faces as they become immersed in the village's turn of events on one pivotal day -- May Day. Before the day is over, life and love and perhaps eternity will touch the immemorial peace of the village.

    When he stumbles upon a mystery involving a disappearing toll-gate keeper, nothing could keep the adventure-loving captain from investigating.But winning her will be his greatest yet…The plot thickens when John encounters the enigmatic Lady Nell Stornaway and soon learns that rescuing her from her unsavory relatives makes even the most ferocious cavalry charge look like a particularly tame hand of loo. Between hiding his true identity from Nell and the arrival in the neighborhood of some distinctly shady characters, Captain Staple finds himself embarked on the adventure-and romance-of a lifetime.