His prurient interest, oddly motivated, leaves few people unaffected - and the consequences cannot be ignored. Timothy, an "aimless, sadistic" 15-year-old boy, wanders about the seaside town of Dynmouth "trying to connect himself with other people."

    Alex Darken, devastated by a broken marriage, has retreated to a remote village in the bleak flatlands of eastern England. On the Easterness Estate he meets the volatile, aging poet Edward Nesbit and his vibrant, psychic, young American lover, Laura. Slowly, he is drawn into a strange relationship with them as they piece together the lost studies of two of the present lord's ancestors.In 1849, Sir Henry Agnew and his elegant, brilliant daughter Louisa, were about to penetrate the last secrets of the mystical art of alchemy. They, like the researches a century and a half later, see in the "chemical wedding" of opposites -- sulphur and quicksilver, spirit and matter, male and female, reality and imagination -- a key to spiritual rebirth. As Edward, Laura, and Alex mirror the Agnew story, dreams and symbols, erotic ecstasy and philosophical argument, climax in a vision which, like those before them, they can grasp only as they skirt insanity and tragedy . . . ."Engrossing . . . By the time we start wanting to resist, it is too late. The book already has drawn us too deeply into its six intriguing main characters and its rich gothic folds of plot." -- Chicago Tribune

    The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.Gritty, dark and tender, McIlvanney's Docherty is a modern classic.

    He blames himself for the tragedy and is sucked into a spiral of despair. But Leo is about to discover something which will change his life forever. 1917: Moritz Daniecki is a fugitive from a Siberian POW camp. Seven thousand kilometres over the Russian Steppes separate him from his village and his sweetheart, whose memory has kept him alive through carnage and captivity. The Great War may be over, but Moritz now faces a perilous journey across a continent riven by civil war. When Moritz finally limps back into his village to claim the hand of the woman he left behind, will she still be waiting?'Special' Sunday Express'Tender' Observer'Mesmerising' Publishing News

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    From the author of the international bestseller Incendiary comes a haunting novel about the tenuous friendship that blooms between two disparate strangers—one an illegal Nigerian refugee, the other a recent widow from suburban London.

    The attack nearly killed the Reggae superstar, his wife, and his manager, and injured several others. Marley would go on to perform at the free concert on December 5, but he left the country the next day, not to return for two years.Deftly spanning decades and continents and peopled with a wide range of characters—assassins, journalists, drug dealers, and even ghosts—A Brief History of Seven Killings is the fictional exploration of that dangerous and unstable time and its bloody aftermath, from the streets and slums of Kingston in the 70s, to the crack wars in 80s New York, to a radically altered Jamaica in the 90s. Brilliantly inventive and stunningly ambitious, this novel is a revealing modern epic that will secure Marlon James’ place among the great literary talents of his generation.

    "A compelling, tragic, painfully comic masterpiece." THE TIMES LITERARY SUPPLEMENT.

    Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

    Designated the king's "Angel" because of the purity of his physical beauty, Peter falls helplessly in love with the lovely companion of Queen Kirsten, the king's adulterous wife. The young musician finds himself dangerously torn between loyalties, ensnared in the deep-seated unrest of a royal court where the forces of good and evil, of harmony and dissonance, are ensconced in a battle to the death.

    Yet they cannot be protected from the world forever. Even as Jonah becomes a successful young tenor, the opera arena remains fixated on his race. Ruth turns her back on classical music and disappears, dedicating herself to activism and a new relationship. As the years pass, Joseph – the middle child, a pianist and our narrator – must battle not just to remain connected to his siblings, but to forge a future of his own. This is a story of the tragedy of race in America, told through the lives and choices of one family caught on the cusp of identities.

    On the stormy night of his arrival, he stumbles across a tense gathering of twelve local men who have met in secret to discuss a series of unexplained events: A wealthy man has vanished, a prostitute has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is a brilliantly constructed, fiendishly clever ghost story and a gripping page-turner.

    His world was a nightmare of internal furies and haunting poetic vision. Harvey Lawson watched and protected him until his final suicide. From his solitary old age Harvey writes this brief account of their twenty years together and then burns all the papers to shut out an inquisitive world.The tautness and control that characterize Susan Hill’s work are abundantly evident in The Bird of Night as she magnificently handles the heights and depths, the splendours and miseries of madness and friendship.

    A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion—and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice. How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance.A NOTE TO THE READER:Who says stories reach everybody in the same order?This novel can be read in two ways and this book provides you with both.In half of all printed editions of the novel the narrative EYES comes before CAMERA.In the other half of printed editions the narrative CAMERA precedes EYES.The narratives are exactly the same in both versions, just in a different order. The books are intentionally printed in two different ways, so that readers can randomly have different experiences reading the same text. So, depending on which edition you happen to receive, the book will be: EYES, CAMERA, or CAMERA, EYES. Enjoy the adventure.

    She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can - will she?