Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

    This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    The form of the novel, reflecting the schizophrenia of the characters, is split into two sections--a narrative, and a diary annotated with those thoughts that provoked the entries.

    Richard Brautigan is the author of "Willard & His Bowling Trophies", "Trout Fishing in America", "In Watermelon Sugar" & "A Confederate General From Big Sur".Revenge of the lawn --1692 Cotton Mather newsreel --1/3, 1/3, 1/3 --The gathering of a Californian --A short story about contemporary life in California --Pacific Radio fire --Elmira --Coffee --The lost chapters of Trout fishing in America: "Rembrandt Creek" and "Carthage Sink" --The weather in San Francisco --Complicated banking problems --A high building in Singapore --An unlimited supply of 35 millimeter film --The Scarlatti Tilt --The wild birds of heaven --Winter rug --Ernest Hemingway's typist --Homage to the San Francisco YMCA --The pretty office --A need for gardens --The old bus --The ghost children of Tacoma --Talk show --I was trying to describe you to someone --Trick or treating down to the sea in ships --Blackberry motorist --Thoreau rubber band --44:40 --Perfect California day --The post offices of eastern Oregon --Pale marble movie --Partners --Getting to know each other --A short history of Oregon --A long time ago people decided to live in America --A short history of religion in California --April in god-damn --One afternoon in 1939 --Corporal --Lint --A complete history of Germany and Japan --The auction --The armored car --The literary life in California, 1964 --Banners of my own choosing --Fame in California, 1964 --Memory of a girl --September California --A study in California flowers --The betrayed kingdom --Women when they put their clothes on in the morning --Halloween in Denver --Atlantisburg --The view from the dog tower --Greyhound tragedy --Crazy old women are riding the buses of America today --The correct time --Holiday in Germany --Sand Castles --Forgiven --American flag decal --The World War I Los Angeles airplane

    It was praised by the New York Times as "a powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation."In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of "living" where we understand what is expected of us and struggle to do it; and the death-y period toward the end where we sense it is ending and will end only partially understood, at best.The title is taken from one of the stories ("Intimation"), but is also a play on Wordsworth's "Intimations of Immortality"—only in this case it’s not clear exactly what is being intimated, but it’s nothing so gleaming and good as Immortality. The middle, "Living" section of the book, is fleshed out with a set of stories that borrow more from traditional realist fiction to illustrate the inner lives of the characters.At once familiar and mysterious, these stories have an eerie resonance as its characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house-party lies in knowing the difference between fake and real blood.Elegant, surprising, wondrous, and haunting, Intimations is an utterly transporting collection from one of our most ingenious and brilliant young writers.

    But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.

    The 6 ladies are reminiscent of an elite high school clique where there is heavy competition and an odd man out. The story focuses on the visit of a famous guest author, that doesn't turn out quite as planned. The only topic presented that the guest will discuss is Xingu. The ladies all state that they have just studied it ... but have they and do they even know what it is?

    But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."

    "More Pricks Than Kicks", Beckett's early tragicomic masterpiece, is a collection of stories about Belacqua, a student in Dublin in the twenties, his adventures, encounters and amours, that through its original style and wry commentary succeeds in turning everyday incidents into high drama and lets us see street and university life through the observant and caustic wit of the author. Highly enjoyable to read, it delights in exuberant language and the pleasure of discovery, very typical of the young writer who in the post-war years was to astonish the world with Waiting for Godot and Molloy. First published in 1934, "More Pricks Than Kicks" is Beckett's second work of fiction. It serves as an excellent introduction to the later work of one of the most seminal and exciting major writers of the twentieth century.

    Baron Munchausen's astounding feats included riding cannonballs, traveling to the Moon, and pulling himself out of a bog by his own hair. Listeners delighted in hearing about these unlikely adventures, and in 1785, the stories were collected and published as Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. By the nineteenth century, the tales had undergone expansions and transformations by several notable authors and had been translated into many languages.A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.

    For nearly a century, the work of O. Henry has delighted readers with its humor, irony and colorful, real-life settings. The writer's own life had more than a touch of color and irony. Born William Sidney Porter in Greensboro, North Carolina in 1862, he worked on a Texas ranch, then as a bank teller in Austin, then as a reporter for the Houston "Post." Adversity struck, however, when he was indicted for embezzlement of bank funds. Porter fled to New Orleans, then to Honduras before he was tried, convicted and imprisoned for the crime in 1898. In prison he began writing stories of Central America and the American Southwest that soon became popular with magazine readers. After his release Porter moved to New York City, where he continued writing stories under the pen name O. Henry. Though his work earned him an avid readership, O. Henry died in poverty and oblivion scarcely eight years after his arrival in New York. But in the treasury of stories he left behind are such classics of the genre as "The Gift of the Magi," "The Last Leaf," "The Ransom of Red Chief," "The Voice of the City" and "The Cop and the Anthem" — all included in this choice selection. A selection of the Common Core State Standards Initiative.

    It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film. Michael Joseph of The Bookman wrote about the novel: "It is a remarkable piece of work, skillfully reproducing the atmosphere one has come to associate with the most ambitious German film productions. Suggestive in many respects of the dramatic work of Karel Capek and of the earlier fantastic romances of H. G. Wells, in treatment it is an interesting example of expressionist literature. ... Metropolis is one of the most powerful novels I have read and one which may capture a large public both in America and England if it does not prove too bewildering to the plain reader."

    This novel is a testament of what seemed at the time a fairly ordinary childhood, in the bosom of a normal Nazi family in Landsberg.Returning to her native town in East Germany forty years later, accompanied by her inquisitive and sometimes demanding daughter, Christa Wolf attempts to recapture her past and to clarify memories of growing up in Nazi Germany