Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    There is a little island in the ocean—and this book is about how it is on that little island, how the seasons and the storm and the day and night change it, how the lobsters and seals and gulls and everything else live on it, and what the kitten who comes to visit finds out about it.

    But when the Big Bad Wolf comes looking for a snack, he huffs and puffs the first little pig right out of the story . . . and into the realm of pure imagination! Dialogue balloons pepper a wide variety of illustration styles taking readers through a dazzling fantasy universe to the surprising and happy ending. You will never look at “The Three Little Pigs”—or artwork—the same way again!"A funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories." — ALA Booklist , Starred Review

    "Absolutely splendid." -- Kirkuse Reviews. "An extraordinary and powerful book." -- Publisher's Weekly.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    “Here is a perfect combination of rollicking story and pictures that have strength, life and humor in every line.”--The Horn Book

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    A Southern folktale in which kind Blanche, following the instructions of an old witch, gains riches, while her greedy sister makes fun of the old woman and is duly rewarded.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.

    She single-handedly defeats the fearsome bear known as Thundering Tarnation, wrestling him from the top of the Great Smoky Mountains to the bottom of a deep lake. Caldecott Medal-winning artist Paul O. Zelinsky's stunning folk-art paintings are the perfect match for the irony, exaggeration, and sheer good humor of this original tall tale set on the American frontier.A Caldecott Honor BookAn ALA Notable BookA Time magazine Best Book of the YearA New York Times Best Illustrated Children's Book of the YearWinner of the Boston Globe/Horn Book AwardA Publishers Weekly Best Book of the Year

    As European immigrants the d'Aulaires felt keenly the importance of standing against injustice, and saw in Lincoln the archetypal American hero as he stood against the injustice of slavery. It was this spirit they hoped to exemplify in their biography of young Abe as he grew into manhood against the backdrop of the wilderness of Kentucky, the deep woods of Indiana, and the prairies of Illinois. Camping for weeks in Lincoln country, the d'Aulaires imbibed the spirit of the man Lincoln as well as his humor and good will. From his days as a clerk, teaching himself law reading Blackstone, practicing law in Springfield, running unsuccessfully for office, debating Stephen Douglas over the issue of slavery, and ultimately becoming President of the United States, the d'Aulaires have written and beautifully illustrated the life of one of America's most remarkable citizens. This book was awarded the Caldecott Medal in 1940.

    . . . The illustrations are fraught with delicious humor and detail. Like its predecessor, perfect for several uses, from picture book hour to beginning reading."--Kirkus Reviews. Caldecott Honor Medal.

    When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works.

    But no one excited her as much as Bellini, who walks the clothesline with the grace and ease of a bird. When Mirette discovers that fear has kept him from performing for years, she knows she must repay him for the kindness he has shown her -- and show him that sometimes a student can be the greatest teacher of all.