But on V-J Day, her worst fear is realized. As celebrating crowds gather in Times Square, a soldier appears on her doorstep to claim Mary, the baby abandoned to Gwen one year earlier. Suddenly Gwen is on the verge of losing the child she has nurtured and loves dearly.With no legal claim to Mary, Gwen begins to teach Lieutenant John McKee how to care for his child, knowing that he will ultimately take Mary away. What starts as a contentious relationship, however, turns into something more, and Gwen must open her heart to learn that love means taking chances.While You Were Mine paints a vivid portrait of 1940s New York and tells an enchanting tale of the nature of love and trust.

    She hears escape.Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman.It's about discovering two women, actually.With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    She must marry within six months of his death or lose her livelihood and beloved home, the 400-room Hotel Grand Victoria on the shores of San Diego’s Coronado Island. Julia is determined to manage the hotel even though her bold choice raises eyebrows. Finding no way around the stipulation, she begins her search for a husband, unaware that someone in her midst wants her out of the hotel forever. Dead.Alex MacLean, an emotionally and physically scarred drifter with secrets, arrives at the storybook-style Hotel Grand Victoria in answer to an advertisement for carpenters. A job offer for the position of husband is not what he had in mind. However, he can’t resist appointing himself protector of the hotel’s beautiful owner when an attempt is made on her life. His attraction to Julia grows quickly, but Alex wants love and a family, not a marriage of convenience. Not only that, Julia doesn’t know about his past, and Alex wants to keep it that way. This sensual historical romance novel has approximately 76,000 words and is about 309 pages in length.

    Forced to leave the only home she's ever known, she works for a cruel employer who brutally takes the one thing she has left - her dignity. When she is banished from London, she is certain God has turned his back on her. John Bradshaw was a successful businessman whose untamed spirit sometimes wanted more. When he is betrayed by those closest to him, he loses everything - his wife, his business, even his freedom. John's and Hannah's paths are about to cross. Aboard a ghastly, nineteenth-century prison ship from London to Australia, John and Hannah must keep hope alive and trust God's unconditional love.

    But Jackson Smith quickly realizes that Ellie's presence may solve his own problems--both the rearing of his young boys and the scandal that surrounds his first marriage.When a marriage of convenience is offered, Ellie is initially humiliated. Though she is past the age most women marry, she has more pride than to agree to his outlandish suggestion. Yet what options does she have? To marry would mean a home and stability. So despite the rumors circling Jackson and his first wife, Ellie accepts this unlikely proposal...

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.

    Worse, she is told by his bankers that he gambled away their fortune. Now, the family's hope rests on The Larkspur, an old abandoned coaching inn in the quaint village of Gresham.Driven by dread and her desire to provide for her children, Julia decides to turn the dilapidated inn into a lodging house. But can she--who was accustomed to servants attending to every need--do what needs to be done and cope when boarders begin arriving? And then an eligible new vicar moves into town...

    Instead, he stays and delivers a beautiful baby girl. Unable to leave the pretty young widow and her little son and newborn unprotected in the Montana wilderness, he brings them along on his family’s cattle drive, to the absolute delight of the other friendly cowboys. Luke, third son of Montana’s wealthy McCutcheon family, is different from his brothers. As the offspring of a Cheyenne warrior, he carries a chip on his shoulder for all to see. His flashing eyes and handsome face make Faith feel she’s stepped into some long-ago tale where men cherish their women--and keep them safe. If only she could trust him! Faith is on the run, and although she’s pampered and protected by Luke and his family, she just can’t risk the consequences of sharing the details of her past--one that’s hunting to take her back to the nightmare she’s just escaped. Happy-ever-afters are for fairytales, she reminds herself sternly as her heart feels the warm pull of his. Still, she can’t help but dream of a loving family, a home to call her own, a beautiful and bright…Montana Dawn

    A raw rift separates Mexicans and Anglos. A loner cowpoke and a mute Mexican girl fight man and nature to reunite. Out of work cowpoke Bud Eugen comes across Marta, a mute sixteen-year old Mexican girl whose family has been killed by Indians. Bud reluctantly takes her along, even though he’s never had to accommodate another person in his simple life. He’s unable to find anyone willing to take her. In spite of his prejudices, Bud grows to like the spunky girl (and her excellent cooking). Eventually, they both find work on a border ranch. Here, the relationship between the girl and the young cowboy hesitantly grows. But banditos raid the ranch, kidnapping the rancher’s daughters and Marta. Bud, with twelve other men, pursue the banditos into the most desolate reaches of Mexico. Ambushes and battles with banditos, Rurales, and traitors are constant, and the brutal weather is as much a threat as the man-made perils. Life and death choices are made at every turn as one side gains the advantage, then the other. The rancher’s daughters are rescued, and the exhausted party turns back. But Bud presses on alone, against insurmountable odds – determined to fulfill an unspoken promise to Marta.A USA TODAY and Amazon bestseller, this wonderfully crafted tale of 1800s Western life won the Western Fictioneers' Peacemaker Award for Best Western Novel 2014, was a Western Fictioneers Peacemaker Award Finalist for Best First Western Novel 2014, and was a Western Writers of America Spur Award Finalist for Best Traditional Western Novel for 2013.

    And so, before each girl leaves the small house on the riverside at the foot of Mount Olympus, Theodora makes sure they know they are always welcome to return.A devoted and resilient mother, Theodora has lived through World War II, through the Nazi occupation of Greece, and through her husband’s death, and now she endures the twenty-year-long silence of her daughters’ absence. Her children have their own lives—they’ve married, traveled the world, and courted romance, fame, and even tragedy. But as they become modern, independent women in pursuit of their dreams, Theodora knows they need her—and each other—more than ever. Have they grown so far apart that they’ve forgotten their childhood house in its tiny village, or will their broken hearts finally lead them home?

     Now featuring Volume Two, Diversion Guns of the Waste Land is an epic retelling of Arthurian Legend in an American Western setting. In late 1800s just outside the Texas town of Bretton, four men wander the American desert. Percy Murratt seeks Sheriff Ardiss Drake to learn the fate of his late father. Meanwhile, Ardiss’ deputies, Gary Wayne Orkney and Boris Bennick, are in the pursuit of the outlaw Lancaster O'Loch flees, who has seduced and stolen Ardiss’ wife, Guernica. Featuring a host of familiar characters reminiscent of Gawain, the Green Knight, Lancelot, Merlin and, of course, King Arthur, Guns of the Waste Land is a timeless adventure of chivalry, revenge and honour. Now, in Book Two: Diversion , follow Percy and co. on their epic quest as they traverse the frontier of the American Waste Land, in pursuit of their own Holy Grail… Guns of the Waste Land “impressed the hell out of me with its inventiveness and wonderfully colorful dialogue, […] you may have a genuine classic on your hands.” –T.E.D. Klein, author of Dark Gods & The Ceremonies “Leverett Butts is a real talent. His Guns of the Waste Land is an original way to use a genre. I like a guy who has a mad literary streak and walks the wobbly tightrope: so far he's gotten across. This is the first installment in a longer narrative, and I can't wait to read the next if it's as good as the first or even close.”—Richard Monaco, author of the Parsival series “Guns of the Waste Land brings us back to a genre that has mostly been out of fashion for a time, but I believe this work has the power to bring us back to why we loved westerns. The western story is the story of America. In the western, the lines between good and evil are often vague, just as they are in real humanity. The western shows us the difficulty to survive and how it changes people for better or worse. Butts has explored these ideas and many more in a book that is unique and as well written as anything you'll read this year.” –Scott Thompson, author of Young Men Shall See & Eight Days Leverett Butts teaches composition and literature at the Gainesville campus of the University of North Georgia. His poetry and fiction have appeared in Eclectic and The Georgia State University Review. He is the recipient of several fiction prizes offered by the University of West Georgia and TAG Publishing. His first collection of short fiction, Emily's Stitches: The Confessions of Thomas Calloway and Other Stories, has been nominated for the 2013 Georgia Author of the Year Award in Short Fiction. He lives in Temple, Georgia, with his wife, son, their Jack Russell terrier, and a couple of antisocial cats. Venture Press is a science fiction and fantasy imprint of Endeavour Press, the UK’s leading independent digital publisher. We are committed to the discovery and rediscovery of immensely talented authors in the SFF genre, and continue to push boundaries in search of great literature. Join us as we venture across universes and unknown landscapes – past, present and future. Sign up to our newsletter: http://bit.ly/1LUVI4n Follow us on Twitter @venture_press Facebook: http://on.fb.me/1NnFow7

    could two people fall in love once again?Ten years ago Kathryn Jennings made a vow. For better or worse. And that promise still holds true, even though her marriage has not turned out as she expected. When her husband fails to return home one stormy winter night, she struggles to keep their ranch, but her efforts are blocked at every turn. After a shocking glimpse into her husband's past, Kathryn uncovers a hidden truth. What she wouldn't give to turn back time and be able to love her husband for the man that he was, not for the man she always wanted him to be.Larson Jennings has spent his entire life running from a broken past, unable to trust, reluctant to try again. One fateful night, his life takes an unexpected twist, and soon he is forced to make a choice. Whatever he chooses, his decision may cost him his life.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Her boys have grown and she has finally divorced her bullying husband. This is her time now.Whilst making her new home habitable, Juliet discovers she needs a sturdy helping hand with the unruly and neglected garden. Unwilling to share her newfound independence with anyone, but unable to do all the work by herself, she reluctantly enlists casual labour.Aaman has travelled to Greece from Pakistan illegally. Desperate to find a way out of poverty, his challenge is to find work and raise money for the harvester his village urgently need to survive.What he imagined would be a heroic journey in reality is fraught with danger and corruption. Aaman finds himself in Greece, and with each passing day loses a little more of himself as he survives his new life as an immigrant worker; illegal, displaced, unwanted and with no value. Hungry and stranded, how will he ever make it back home to Pakistan?In what begins as an uncomfortable exchange, Juliet hires Aaman to be her gardener, but resents the intrusion even though she needs the help. Aaman needs the work and money but resents the humiliation.In spite of themselves, as the summer progresses, they get to know one another and discover they have something in common. Pieces of their lives they have kept hidden even from themselves are exposed, with each helping the other to face their painful past.Will Juliet and Amaan finally let each other in? And what will be the outcome of this improbable conjoining of two lost souls?