In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

    As the years pass and Hannah’s tempestuous fantasy life encroaches upon reality, she feels increasingly estranged from him and the marriage gradually disintegrates. Gorgeously written, profoundly moving, this extraordinary novel is at once a haunting love story, and a rich reflective portrait of a place.

    Eitan Green is a good man. He saves lives. Then, speeding along a deserted moonlit road in his SUV, he hits someone. Seeing that the man, an African migrant, is beyond help, he flees the scene. It is a decision that changes everything. Because the dead man’s wife knows what happened. When she knocks at Eitan’s door the next day, tall and beautiful, he discovers that her price is not money. It is something else entirely, something that will shatter Eitan’s safe existence and take him into a world of secrets and lies. Waking Lions is a gripping, suspenseful and morally devastating drama of guilt and survival, shame and desire.

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    Terrified by his disappearance, his family must reconcile a new world of cruelty and chaos with the collapse of everything they have known. As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger. A page-turning literary debut, The Septembers of Shiraz simmers with questions of identity, alienation, and love, not simply for a spouse or a child, but for all the intangible sights and smells of the place we call home.

    Her body lies nameless in a hospital morgue. She had apparently worked as a cleaning woman at a bakery, but there is no record of her employment. When a Jerusalem daily accuses the bakery of "gross negligence and inhumanity toward an employee," the bakery's owner, overwhelmed by guilt, entrusts the task of identifying and burying the victim to a human resources man. This man is at first reluctant to take on the job, but as the facts of the woman's life take shape-she was an engineer from the former Soviet Union, a non-Jew on a religious pilgrimage to Jerusalem, and, judging by an early photograph, beautiful-he yields to feelings of regret, atonement, and even love.At once profoundly serious and highly entertaining, A. B. Yehoshua astonishes us with his masterly, often unexpected turns in the story and with his ability to get under the skin and into the soul of Israel today.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...

    Forcibly removed from the ancient village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejas are moved into the Jenin refugee camp. There, exiled from his beloved olive groves, the family patriarch languishes of a broken heart, his eldest son fathers a family and falls victim to an Israeli bullet, and his grandchildren struggle against tragedy toward freedom, peace, and home. This is the Palestinian story, told as never before, through four generations of a single family. The very precariousness of existence in the camps quickens life itself. Amal, the patriarch's bright granddaughter, feels this with certainty when she discovers the joys of young friendship and first love and especially when she loses her adored father, who read to her daily as a young girl in the quiet of the early dawn. Through Amal we get the stories of her twin brothers, one who is kidnapped by an Israeli soldier and raised Jewish; the other who sacrifices everything for the Palestinian cause. Amal’s own dramatic story threads between the major Palestinian-Israeli clashes of three decades; it is one of love and loss, of childhood, marriage, and parenthood, and finally of the need to share her history with her daughter, to preserve the greatest love she has. The deep and moving humanity of Mornings in Jenin forces us to take a fresh look at one of the defining political conflicts of our lifetimes.

    At the center of the island’s life is a café draped with bougainvillea called the House at the Edge of Night, where over generations the community gathers to gossip and talk. Amedeo Esposito, a foundling from Florence, finds his destiny on the island with his beautiful wife, Pina, whose fierce intelligence, grace, and unwavering love guide her every move. An indiscretion tests their marriage, and their children—three sons and an inquisitive daughter—grow up and struggle with both humanity’s cruelty and its capacity for love and mercy.Spanning nearly a century, through secrets and mysteries, trials and sacrifice, this beautiful and haunting novel follows the lives of the Esposito family and the other islanders who live and love on Castellamare: a cruel count and his bewitching wife, a priest who loves scandal, a prisoner of war turned poet, an outcast girl who becomes a pillar of strength, a wounded English soldier who emerges from the sea. The people of Castellamare are transformed by two world wars and a great recession, by the threat of fascism and their deep bonds of passion and friendship, and by bitter rivalries and the power of forgiveness, in this richly written and powerful novel.Catherine Banner has written an enthralling, character-rich novel, epic in scope but intimate in feeling. At times, the island itself seems alive, a mythical place where the earth heaves with stories—and this magical novel takes you there.

    The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history--from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.

    The Bus Driver Who Wanted to Be God gathers his daring and provocative short stories for the first time in English. Brief, intense, painfully funny, and shockingly honest, Keret's stories are snapshots that illuminate with intelligence and wit the hidden truths of life. As with the best comic authors, hilarity and anguish are the twin pillars of his work. Keret covers a remarkable emotional and narrative terrain-from a father's first lesson to his boy to a standoff between soldiers caught in the Middle East conflict to a slice of life where nothing much happens. Bus Driver includes stories from Keret's bestselling collections in Israel, Pipelines and Missing Kissinger, as well as Keret's major new novella, "Kneller's Happy Campers," a bitingly satirical yet wistful road trip set in the afterlife for suicides.

    Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can—visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats—both human and those of nature—Simonopio’s purpose in Linares will, in time, be divined.Set against the backdrop of the Mexican Revolution and the devastating influenza of 1918, The Murmur of Bees captures both the fate of a country in flux and the destiny of one family that has put their love, faith, and future in the unbelievable.

    At the behest of his agent, renowned author Yoel Blum reluctantly agrees to visit his birthplace of Amsterdam to meet with his Dutch publisher, despite promising his late mother that he would never return to that city. While touring the Jewish Museum with his wife, Yoel stumbles upon a looping reel of photos offering a glimpse of pre-war Dutch Jewish life, and is astonished to see the youthful face of his beloved mother staring back at him, posing with her husband, Yoel’s older sister, Nettie…and an infant he doesn’t recognize.This unsettling discovery launches him into a fervent search for the truth, revealing Amsterdam’s dark wartime history and the underground networks which hid Jewish children away from danger—but at a cost. The deeper into the past Yoel digs, the better he understands his mother’s silence, and the more urgent the question that has unconsciously haunted him for a lifetime—Who am I?—becomes. Evocative, insightful, and deeply resonant, House on Endless Waters beautifully illustrates the complex nature of identity and belonging, and the inextricability of past and present.

    Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion.Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man.Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderline) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.”