His searing fictionalized autobiography of this time of liberation was banned for nearly twenty years. Sexus, the first volume in The Rosy Crucifixion trilogy, looks back to his early sexual escapades in Brooklyn, and his growing infatuation with the playful, teasing dance hall hostess who will become the great obsession of his life.

    He is an outsider who has learned to mimic the negligent manner of his more privileged classmates. Like many of them, he wants more than anything on earth to become a writer. But to do that he must first learn to tell the truth about himself.The agency of revelation is the school literary contest, whose winner will be awarded an audience with the most legendary writer of his time. As the fever of competition infects the boy and his classmates, fraying alliances, exposing weaknesses, Old School explores the ensuing deceptions and betrayals with an unblinking eye and a bottomless store of empathy. The result is further evidence that Wolff is an authentic American master.

    If she were a grown-up, she could do whatever she wanted! Then one morning she wakes up to find she’s turned into her mother…and she soon discovers it’s not as easy as it looks!

    With the help of a committed teacher he learns to trust and to distinguish between things that are harmless and those that may not be.David is an aloof child who isn't interested in other people, but he becomes fascinated with Lisa, who speaks in rhyme and appears to have a second personality.

    This volume begins with her harrowing childhood, describes the difficulties of her marriage & explains how she persuaded Franklin to make the reforms that would make him famous.

    The year is 1828, the setting a Louisiana sugar plantation where Manon Gaudet, pretty, bitterly intelligent, and monstrously self-absorbed, seethes under the dominion of her boorish husband. In particular his relationship with her slave Sarah, who is both his victim and his mistress.Exploring the permutations of Manon’s own obsession with Sarah against the backdrop of an impending slave rebellion, Property unfolds with the speed and menace of heat lightning, casting a startling light from the past upon the assumptions we still make about the powerful and powerful.From the Trade Paperback edition.

    But an unexpected visit from his beloved older brother will set in motion a chain of events that plunge Babe into a vortex of terror, treachery, and murder--and force him into a race for his life . . . and for the answer to the fateful question, "Is it safe?"

    In front of the cottage was a garden wherein stood two rose-trees, one of which bore white and the other red roses. She had two children who were like the two rose-trees, and one was called Snow-white, and the other Rose-red. They were as good and happy, as busy and cheerful as ever two children in the world were, only Snow-white was more quiet and gentle than Rose-red. Rose-red liked better to run about in the meadows and fields seeking flowers and catching butterflies; but Snow-white sat at home with her mother, and helped her with her housework, or read to her when there was nothing to do.The two children were so fond of one another that they always held each other by the hand when they went out together, and when Snow-white said: 'We will not leave each other,' Rose-red answered: 'Never so long as we live,' and their mother would add: 'What one has she must share with the other.' They often ran about the forest alone and gathered red berries, and no beasts did them any harm, but came close to them trustfully. The little hare would eat a cabbage-leaf out of their hands, the roe grazed by their side, the stag leapt merrily by them, and the birds sat still upon the boughs, and sang whatever they knew. No mishap overtook them; if they had stayed too late in the forest, and night came on, they laid themselves down near one another upon the moss, and slept until morning came, and their mother knew this and did not worry on their account......

    At the centre of the novel are three women, each with a secret to hide: Constance MacKenzie, the original desperate housewife; her daughter Allison, whose dreams are stifled by small-town small-mindedness; and Selena Cross, her gypsy-eyed friend from the wrong side of the tracks.

    Embittered by the emptiness of his college education and indifferent to his grim prospects—grad school? a career in plastics?—Benjamin falls haplessly into an affair with Mrs. Robinson, the relentlessly seductive wife of his father's business partner. It's only when beautiful coed Elaine Robinson comes home to visit her parents that Benjamin, now smitten, thinks he might have found some kind of direction in his life. Unfortunately for Benjamin, Mrs. Robinson plays the role of protective mother as well as she does the one of mistress. A wondrously fierce and absurd battle of wills ensues, with love and idealism triumphing over the forces of corruption and conformity.

    Her long experience with children -- not only through her personal roles as mother, daughter, sister, and wife but also as advocate, legal expert, and public servant -- has strengthened her conviction that how children develop and what they need to succeed are inextricably entwined with the society in which they live and how well it sustains and supports its families and individuals. In other words, it takes a village to raise a child.This book chronicles her quest -- both deeply personal and, in the truest sense, public -- to discover how we can make our society into the kind of village that enables children to grow into able, caring, resilient adults. It is time, Mrs. Clinton believes, to acknowledge that we have to make some changes for our children's sake. Advances in technology and the global economy along with other developments society have brought us much good, but they have also strained the fabric of family life, leaving us and our children poorer in many ways -- physically, intellectually, emotionally, spiritually.She doesn't believe that we should, or can, turn back the clock to "the good old days." False nostalgia for "family values" is no solution. Nor is it useful to make an all-purpose bogeyman or savior of "government." But by looking honestly at the condition of our children, by understanding the wealth of new information research offers us about them, and, most important, by listening to the children themselves, we can begin a more fruitful discussion about their needs. And by sifting the past for clues to the structures that once bound us together, bylooking with an open mind at what other countries and cultures do for their children that we do not, and by identifying places where our "village" is flourishing -- in families, schools, churches, businesses, civic organizations, even in cyberspace -- we can begin to create for our children the better tomorrow they deserve.

    It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.Paul Auster's mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today.

      Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).A curtain of green and other stories.Lily Daw and the three ladies --A piece of news --Petrified man --The key --Keela, the outcast Indian maiden --Why I live at the P.O. --The whistle --The hitch-hikers --A memory --Clytie --Old Mr. Marblehall --Flowers for Marjorie --A curtain of green --A visit of charity --Death of a traveling salesman --Powerhouse --A worn path --The wide net and other stories.First love --The wide net --A still moment --Asphodel --The winds --The purple hat --Livvie --At the landing --The golden apples.Shower of gold --June recital --Sir Rabbit --Moon Lake --The whole world knows --Music from Spain --The wanderers --The bride of the Innisfallen and other stories.No place for you, my love --The burning --The bride of the Innisfallen --Ladies in spring --Circe --Kin --Going to Naples --Uncollected stories.Where is the voice coming from? --The demonstrators.

    Now a Major Motion PictureFirst published in 1956, Allen Ginsberg's "Howl" is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century.

    Now, the book that reignited the feminist movement is back in a fifteenth anniversary edition, with a new preface by the author that brings backlash consciousness up to date. When it was first published, Backlash made headlines for puncturing such favorite media myths as the “infertility epidemic” and the “man shortage,” myths that defied statistical realities. These willfully fictitious media campaigns added up to an antifeminist backlash. Whatever progress feminism has recently made, Faludi’s words today seem prophetic. The media still love stories about stay-at-home moms and the “dangers” of women’s career ambitions; the glass ceiling is still low; women are still punished for wanting to succeed; basic reproductive rights are still hanging by a thread. The backlash clearly exists.With passion and precision, Faludi shows in her new preface how the creators of commercial culture distort feminist concepts to sell products while selling women downstream, how the feminist ethic of economic independence is twisted into the consumer ethic of buying power, and how the feminist quest for self-determination is warped into a self-centered quest for self-improvement. Backlash is a classic of feminism, an alarm bell for women of every generation, reminding us of the dangers that we still face.