Every time she falls for someone during a school performance, both the romance and the show end in catastrophe. So, Mel swears off any entanglements until their upcoming production of Les Mis is over.Of course, Mel didn’t count on Odile Rose, rising star in the acting world, auditioning for the spring performance. And she definitely didn’t expect Odile to be sweet and funny, and care as much about the play’s success as Mel.Which means that Melody McIntyre’s only plan now is trying desperately not to fall in love.

    I loved every minute I spent in this story' - Becky AlbertalliFifteen-year-old Spencer Harris is a proud nerd, an awesome big brother and a Messi-in-training. He's also transgender. After transitioning at his old school leads to a year of bullying, Spencer gets a fresh start at Oakley, the most liberal private school in Ohio. At Oakley, Spencer seems to have it all: more accepting classmates, a decent shot at a starting position on the boy's soccer team, great new friends, and maybe even something more than friendship with one of his teammates. The problem is, no one at Oakley knows Spencer is trans - he's passing. So when a discriminatory law forces Spencer's coach to bench him after he discovers the 'F' on Spencer's birth certificate, Spencer has to make a choice: cheer his team on from the sidelines or publicly fight for his right to play, even if it means coming out to everyone - including the guy he's falling for.

    He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

    As soon as it's out of my mouth, I feel stupid. Even suggesting it feels like I've overstepped some kind of invisible line we've all agreed not to discuss. We don't talk about how Mara is different from other girls. We don't talk about how Mara is gay but no one says so. But when I do stuff like this, I worry it gets harder for us all to ignore what's right in front of us. I direct my gaze to Quinn. "What do you think?""I think it's frickin' genius," he says.After getting kicked off the basketball team for a fight that was absolutely totally not her fault (okay maybe a little her fault), Mara is dying to find a new sport to play to prove to her coach that she can be a team player. A lifelong football fan, Mara decides to hit the gridiron with her brother, Noah, and best friend, Quinn-and she turns out to be a natural. But joining the team sets off a chain of events in her small Oregon town-and within her family-that she never could have predicted.Inspired by what they see as Mara's political statement, four other girls join the team. Now Mara's lumped in as one of the girls-one of the girls who can't throw, can't kick, and doesn't know a fullback from a linebacker. Complicating matters is the fact that Valentina, Mara's crush, is one of the new players, as is Carly, Mara's nemesis-the girl Mara fought with when she was kicked off the basketball team. What results is a coming-of-age story that is at once tear-jerking and funny, thought-provoking and real, as Mara's preconceived notions about gender, sports, sexuality, and friendship are turned upside down.Britta Lundin's sophomore novel will give readers all the feels, and make them stand up and cheer.

    We meet them once a year on their shared birthday as they grow and change: as Eric figures out who he is and how he fits into the world, and as Morgan makes the difficult choice to live as her true self. Over the years, they will drift apart, come together, fight, make up, and break up—and ultimately, realize how inextricably they are a part of each other.

    Abandoned by a single mother she never knew, 16-year-old Raya—obsessed with ancient myths—lives with her grandmother in a small conservative Texas town. For years Raya has been forced to hide her feelings for her best friend and true love, Sarah. When the two are outed, they are sent to Friendly Saviors: a re-education camp meant to “fix” them and make them heterosexual. Upon arrival, Raya vows to assume the mythic role of Orpheus to escape Friendly Saviors, and to return to the world of the living with her love—only becoming more determined after she, Sarah, and Friendly Saviors' other teen residents are subjected to abusive "treatments" by the staff.In a haunting voice reminiscent of Sylvia Plath, with the contemporary lyricism of David Levithan, Brynne Rebele-Henry weaves a powerful inversion of the Orpheus myth informed by the real-world truths of conversion therapy. Orpheus Girl is a mythic story of dysfunctional families, trauma, first love, heartbreak, and ultimately, the fierce adolescent resilience that has the power to triumph over darkness and ignorance. CW: There are scenes in this book that depict self-harm, homophobia, transphobia, and violence against LGBTQ characters.

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

    Few think Bryson can do it. He may be the king of Fairvale Academy, but he's never really dated before.Until a boy asks him out, and everything changes.Kai Sheridan didn't expect Bryson to say yes. So when Bryson agrees to secretly go out with him, Kai is thrown for a loop. But as the days go by, he discovers there's more to Bryson beneath the surface, and dating him begins to feel less like an act and more like the real thing. Kai knows how the story of a gay boy liking someone straight ends. With his heart on the line, he's awkwardly trying to navigate senior year at school, at home, and in the closet, all while grappling with the fact that this "relationship" will last only five days. After all, Bryson Keller is popular, good-looking, and straight . . . right?Kevin van Whye delivers an uplifting and poignant coming-out love story that will have readers rooting for these two teens to share their hearts with the world--and with each other.

    But they start with just three:Grace Salter is the new girl in town, whose family was run out of their former community after her southern Baptist preacher mom turned into a radical liberal after falling off a horse and bumping her head.Rosina Suarez is the queer punk girl in a conservative Mexican immigrant family, who dreams of a life playing music instead of babysitting her gaggle of cousins and waitressing at her uncle’s restaurant.Erin Delillo is obsessed with two things: marine biology and Star Trek: The Next Generation, but they aren’t enough to distract her from her suspicion that she may in fact be an android.When Grace learns that Lucy Moynihan, the former occupant of her new home, was run out of town for having accused the popular guys at school of gang rape, she’s incensed that Lucy never had justice. For their own personal reasons, Rosina and Erin feel equally deeply about Lucy’s tragedy, so they form an anonymous group of girls at Prescott High to resist the sexist culture at their school, which includes boycotting sex of any kind with the male students.Told in alternating perspectives, this groundbreaking novel is an indictment of rape culture and explores with bold honesty the deepest questions about teen girls and sexuality.

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    I’d never had a crush on anyone. No boys, no girls, not a single person I had ever met. What did that mean? Georgia has never been in love, never kissed anyone, never even had a crush – but as a fanfic-obsessed romantic she’s sure she’ll find her person one day. As she starts university with her best friends, Pip and Jason, in a whole new town far from home, Georgia’s ready to find romance, and with her outgoing roommate on her side and a place in the Shakespeare Society, her ‘teenage dream’ is in sight. But when her romance plan wreaks havoc amongst her friends, Georgia ends up in her own comedy of errors, and she starts to question why love seems so easy for other people but not for her. With new terms thrown at her – asexual, aromantic – Georgia is more uncertain about her feelings than ever. Is she destined to remain loveless? Or has she been looking for the wrong thing all along? This wise, warm and witty story of identity and self-acceptance sees Alice Oseman on towering form as Georgia and her friends discover that true love isn’t limited to romance.

    Two girls. One life-changing music festival. Olivia is an expert at falling in love . . . and at being dumped. But after the fallout from her last breakup has left her an outcast at school and at home, she’s determined to turn over a new leaf. A crush-free weekend at Farmland Music and Arts Festival with her best friend is just what she needs to get her mind off the senior year that awaits her.Toni is one week away from starting college, and it’s the last place she wants to be. Unsure about who she wants to become and still reeling in the wake of the loss of her musician-turned-roadie father, she’s heading back to the music festival that changed his life in hopes that following in his footsteps will help her find her own way forward.When the two arrive at Farmland, the last thing they expect is to realize that they’ll need to join forces in order to get what they’re searching for out of the weekend. As they work together, the festival becomes so much more complicated than they bargained for, and Olivia and Toni will find that they need each other, and music, more than they ever could have imagined.Packed with irresistible romance and irrepressible heart, bestselling author Leah Johnson delivers a stunning and cinematic story about grief, love, and the remarkable power of music to heal and connect us all.

    It’s a cheap stunt, but Mark Adams knows it’s optics that can win or ruin an election.Everything Mark learned about politics, he learned from his father, the congressman who still pretends he has a daughter and not a son. To protect his father’s image, Mark promises to keep his past hidden and pretend to be the cis guy everyone assumes he is. But when he sees a manipulatively charming candidate for student body president inflame dangerous rhetoric, Mark decides to risk the low profile he assured his father and insert himself as a political challenger.One big problem? No one really knows Mark. He didn’t grow up in this town, and he has few friends; plus, the ones he does have aren’t exactly with the in-crowd. Still, thanks to countless seasons of Scandal and The West Wing, these nerds know where to start: from campaign stops to voter polling to a fashion makeover. Soon Mark feels emboldened to get in front of and engage with voters—and even start a new romance. But with an investigative journalist digging into his past, a father trying to silence him, and a bully front-runner who stands in his way, Mark will have to decide which matters most: perception or truth, when both are just as dangerous.

    The girls are packing light: a supply of Diet Coke for Lux and her ‘89 Canon to help her frame the world in a sunnier light; half a pack of cigarettes for Trixie that she doesn’t really smoke, and a knife—one she’s just hanging on to for a friend—that she’s never used before.But a single night of violence derails their trip and will forever change the course of the girls’ lives, as they go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, the girls grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead and the road before them begins to run out, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free.In rushing, powerful prose Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is “a powerful, beautifully-written gut punch” (Sophie Gonzales).

    The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.